Lord Chamberlain of the Household

Lord Chamberlain of the Household is in Royal Household.

In 1371 William Latimer 4th Baron Latimer Corby 1330-1381 (40) was appointed Lord Chamberlain of the Household.

In 1399 Thomas Erpingham 1355-1428 (44) was appointed Lord Chamberlain of the Household.

After 1422 William Phelip 1383-1441 was appointed Lord Chamberlain of the Household.

After 29 Sep 1422 Ralph Cromwell 3rd Baron Cromwell 1403-1456 was appointed Lord Chamberlain of the Household to King Henry VI of England and II of France 1421-1471.

In 1450 Ralph Cromwell 3rd Baron Cromwell 1403-1456 (47) was appointed Lord Chamberlain of the Household to King Henry VI of England and II of France 1421-1471 (28).

In 1526 William Sandys 1st Baron Sandys Vyne 1470-1540 (56) was appointed Lord Chamberlain of the Household to King Henry VIII of England and Ireland 1491-1547 (34).

1536 Hans Holbein The Younger Painter 1497-1543. Portrait of King Henry VIII of England and Ireland 1491-1547. 1540 Hans Holbein The Younger Painter 1497-1543. Miniature portrait of King Henry VIII of England and Ireland 1491-1547. Around 1525 Unknown Painter. Netherlands. Portrait of King Henry VIII of England and Ireland 1491-1547.

Between 1540 and 1546 William Goring 1501-1554 (45) was appointed Lord Chamberlain of the Household to Anne of Cleves (24).

Around 1539 Hans Holbein The Younger Painter 1497-1543. Portrait of Anne of Cleves.

Diary of Henry Machyn December 1557. 25 Dec 1557. The xxv day of Desember wher dyvers [courtiers] was removyd unto he-her [higher] rommys; as ser Edward Hastynges (36), master of the quen's hors, was mad lord chamburlayn; and ser Thomas Cornwalles comptroller; ser Hare Jarnyngham (45) the master of the hors; and ser Hare Benefeld (48) fee-chamburlayn and captayn of the gard.

On 25 Dec 1557 Edward Hastings 1st Baron Hastings of Loughborough 1521-1571 (36) was appointed Lord Chamberlain of the Household.

In Jul 1585 Henry Carey 1st Baron Hunsdon 1526-1596 (59) was appointed Lord Chamberlain of the Household to Queen Elizabeth I of England and Ireland (51).

Around 1546. William Scrots Painter 1517-1553. Portrait of Queen Elizabeth I of England and Ireland before her accession painted for her father. Around 1570 Hans Eworth Painter 1520-1574. Portrait of Queen Elizabeth I of England and Ireland. In 1579 George Gower Painter 1540-1596. The Plimton Sieve Portrait of Queen Elizabeth I of England and Ireland. Around 1585 William Segar Painter 1554-1663. Ermine Portrait of Queen Elizabeth I of England and Ireland. Around 1592 Marcus Gheeraerts Painter 1562-1636. The Ditchley Portrait of Queen Elizabeth I of England and Ireland. After 1585 Unknown Painter. Portrait of Queen Elizabeth I of England and Ireland. Around 1563 Steven van der Meulen Painter -1564. Portrait of Queen Elizabeth I of England and Ireland.

Trial and Execution of the Earl of Strafford

On 13 Apr 1641 Thomas Wentworth 1st Earl Strafford 1593-1641 (48) was attainted by 204 votes to 59 ostensibly for his authoritarian rule as Lord Deputy of Ireland. Despite his promise not to King Charles I of England, Scotland and Ireland 1600-1649 (40) signed the death warrant on the 10 May 1641 in the light of increasing pressure from Parliament and the commons.

Wenceslaus Hollar Engraver 1607-1677 (33). Engraving of the Trial of Thomas Wentworth 1st Earl Strafford 1593-1641 (48) with the following marked:

A. King Charles I of England, Scotland and Ireland 1600-1649 (40).

C. Henrietta Maria Bourbon Queen Consort England 1609-1669 (31).

D. Charles II King England Scotland and Ireland 1630-1685 (10).

E. Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 (55), Lord High Steward.

F. Henry Montagu 1st Earl Manchester 1563-1642 (78), Lord Keeper of the Great Seal.

G. John Paulet 5th Marquess Winchester 1598-1675 (43).

H. Robert Bertie 1582 1642 (58), Lord Chamberlain.

I. Philip Herbert 4th Earl Pembroke 1st Earl Montgomery 1584-1650 (56), Lord Chamberlain of the Household.

V. Thomas Wentworth 1st Earl Strafford 1593-1641 (48).

PAINTINGS/HOLLAR/Trial_Strafford.jpgZ. Alethea Talbot Countess Arundel, Surrey and Norfolk 1585-1654 (56).

In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. Around 1712. Charles D'Agar Painter 1669-1723. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. In 1611 Robert In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649. Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II In 1618 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. In 1630 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 and wearing his Garter Collar. Around 1629 Peter Paul Rubens Painter 1577-1640. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. Before 27 Jun 1641 Unknown Painter. Portrait of Robert Bertie 1582 1642. Around 1615 William Larkin Painter 1582-1619. Portrait of Philip Herbert 4th Earl Pembroke 1st Earl Montgomery 1584-1650. In 1634 Daniel Mijtens Painter 1590-1648. Portrait of Philip Herbert 4th Earl Pembroke 1st Earl Montgomery 1584-1650 wearing his Leg Garter and Garter Collar. Around 1634 Anthony Van Dyck Painter 1599-1641. Portrait of Philip Herbert 4th Earl Pembroke 1st Earl Montgomery 1584-1650. Around 1615 Unknown Painter. Posthumous portrait of Philip Herbert 4th Earl Pembroke 1st Earl Montgomery 1584-1650 wearing his Garter Robes and Garter Collar.

Read More ...

John Evelyn's Diary 10 September 1677. 10 Sep 1677. To divert me, my Lord (59) would needs carry me to see Ipswich, when we dined with one Mr. Mann by the way, who was Recorder of the town. There were in our company my Lord Huntingtower (28), son to the Duchess of Lauderdale (50), Sir Edward Bacon, a learned gentleman of the family of the great Chancellor Verulam, and Sir John Felton, with some other knights and gentlemen. After dinner came the bailiff and magistrates in their formalities with their maces to compliment my Lord (59), and invite him to the town-house, where they presented us a collation of dried sweetmeats and wine, the bells ringing, etc. Then, we went to see the town, and first, the Lord Viscount Hereford's (3) house, which stands in a park near the town, like that at Brussels, in Flanders; the house not great, yet pretty, especially the hall. The stews for fish succeeded one another, and feed one the other, all paved at bottom. There is a good picture of the blessed virgin in one of the parlors, seeming to be of Holbein, or some good master. Then we saw the Haven, seven miles from Harwich. The tide runs out every day, but the bedding being soft mud, it is safe for shipping and a station. The trade of Ipswich is for the most part Newcastle upon Tyne coals, with which they supply London; but it was formerly a clothing town. There is not any beggar asks alms in the whole place, a thing very extraordinary, so ordered by the prudence of the magistrates. It has in it fourteen or fifteen beautiful churches: in a word, it is for building, cleanness, and good order, one of the best towns in England. Cardinal Wolsey was a butcher's son of Ipswich, but there is little of that magnificent Prelate's foundation here, besides a school and I think a library, which I did not see. His intentions were to build some great thing. We returned late to Euston, having traveled about fifty miles this day.

Since first I was at this place, I found things exceedingly improved. It is seated in a bottom between two graceful swellings, the main building being now in the figure of a Greek II with four pavilions, two at each corner, and a break in the front, railed and balustered at the top, where I caused huge jars to be placed full of earth to keep them steady upon their pedestals between the statues, which make as good a show as if they were of stone, and, though the building be of brick, and but two stories besides cellars and garrets covered with blue slate, yet there is room enough for a full court, the offices and outhouses being so ample and well disposed. the King's (47) apartment is painted à fresco, and magnificently furnished. There are many excellent pictures of the great masters. The gallery is a pleasant, noble room; in the break, or middle, is a billiard table, but the wainscot, being of fir, and painted, does not please me so well as Spanish oak without paint. The chapel is pretty, the porch descending to the gardens. The orange garden is very fine, and leads into the greenhouse, at the end of which is a hall to eat in, and the conservatory some hundred feet long, adorned with maps, as the other side is with the heads of the Cæsars, ill cut in alabaster; above are several apartments for my Lord, Lady, and Duchess, with kitchens and other offices below, in a lesser form; lodgings for servants, all distinct for them to retire to when they please and would be in private, and have no communication with the palace, which he tells me he will wholly resign to his son-in-law and daughter, that charming young creature.

The canal running under my Lady's (43) dressing room chamber window, is full of carps and fowl, which come and are fed there. The cascade at the end of the canal turns a cornmill that provides the family, and raises water for the fountains and offices. To pass this canal into the opposite meadows, Sir Samuel Morland (52) has invented a screw bridge, which, being turned with a key, lands you fifty feet distant at the entrance of an ascending walk of trees, a mile in length,—as it is also on the front into the park,—of four rows of ash trees, and reaches to the park pale, which is nine miles in compass, and the best for riding and meeting the game that I ever saw. There were now of red and fallow deer almost a thousand, with good covert, but the soil barren and flying sand, in which nothing will grow kindly. The tufts of fir, and much of the other wood, were planted by my direction some years before. This seat is admirably placed for field sports, hawking, hunting, or racing. The Mutton is small, but sweet. The stables hold thirty horses and four coaches. The out-offices make two large quadrangles, so as servants never lived with more ease and convenience; never master more civil. Strangers are attended and accommodated as at their home, in pretty apartments furnished with all manner of conveniences and privacy.

There is a library full of excellent books; bathing rooms, elaboratory, dispensary, a decoy, and places to keep and fat fowl in. He had now in his new church (near the garden) built a dormitory, or vault, with several repositories, in which to bury his family.

In the expense of this pious structure, the church is most laudable, most of the houses of God in this country resembling rather stables and thatched cottages than temples in which to serve the Most High. He has built a lodge in the park for the keeper, which is a neat dwelling, and might become any gentleman. The same has he done for the parson, little deserving it for murmuring that my Lord put him some time out of his wretched hovel, while it was building. He has also erected a fair inn at some distance from his palace, with a bridge of stone over a river near it, and repaired all the tenants' houses, so as there is nothing but neatness and accommodations about his estate, which I yet think is not above £1,500 a year. I believe he had now in his family one hundred domestic servants.

His lady (43) (being one of the Brederode's (75) daughters, grandchild to a natural son of Henry Frederick, Prince of Orange (93)) [Note. Evelyn confused here. Elisabeth Nassau Beverweert Countess Arlington 1633-1718 (43) was the daughter of Louis Nassau Beverweert 1602-1665 (75) who was the illegitimate son of Prince Maurice I of Orange 1567-1625. Frederick Henry Orange Nassau II Prince Orange 1584-1647 (93) was the younger brother of Prince Maurice I of Orange 1567-1625.] is a good-natured and obliging woman. They love fine things, and to live easily, pompously, and hospitably; but, with so vast expense, as plunges my Lord (59) into debts exceedingly. My Lord (59) himself is given into no expensive vice but building, and to have all things rich, polite, and princely. He never plays, but reads much, having the Latin, French, and Spanish tongues in perfection. He has traveled much, and is the best bred and courtly person his Majesty (47) has about him, so as the public Ministers more frequent him than any of the rest of the nobility. While he was Secretary of State and Prime Minister, he had gotten vastly, but spent it as hastily, even before he had established a fund to maintain his greatness; and now beginning to decline in favor (the Duke being no great friend of his), he knows not how to retrench. He was son of a Doctor of Laws, whom I have seen, and, being sent from Westminster School to Oxford, with intention to be a divine, and parson of Arlington, a village near Brentford, when Master of Arts the Rebellion falling out, he followed the King's (47) Army, and receiving an HONORABLE WOUND IN THE FACE, grew into favor, and was advanced from a mean fortune, at his Majesty's (47) Restoration, to be an Earl and Knight of the Garter, Lord Chamberlain of the Household, and first favorite for a long time, during which the King (47) married his natural son, the Duke of Grafton (13), to his only daughter (22) and heiress, as before mentioned, worthy for her beauty and virtue of the greatest prince in Christendom. My Lord is, besides this, a prudent and understanding person in business, and speaks well; unfortunate yet in those he has advanced, most of them proving ungrateful. The many obligations and civilities I have received from this noble gentleman, extracts from me this character, and I am sorry he is in no better circumstances.

Having now passed near three weeks at Euston, to my great satisfaction, with much difficulty he suffered me to look homeward, being very earnest with me to stay longer; and, to engage me, would himself have carried me to Lynn-Regis, a town of important traffic, about twenty miles beyond, which I had never seen; as also the Traveling Sands, about ten miles wide of Euston, that have so damaged the country, rolling from place to place, and, like the Sands in the Deserts of Lybia, quite overwhelmed some gentlemen's whole estates, as the relation extant in print, and brought to our Society, describes at large.

Around 1676 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685 wearing his Garter Robes. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685. Around 1641 Peter Lely Painter 1618-1680. Portrait of Elizabeth Murray Duchess Lauderdale 1626-1698. Around 1648 Peter Lely Painter 1618-1680. Portrait of Elizabeth Murray Duchess Lauderdale 1626-1698. Around 1665 Peter Lely Painter 1618-1680. Portrait of Elizabeth Murray Duchess Lauderdale 1626-1698. Around 1675 Peter Lely Painter 1618-1680. Portrait of John Maitland 1st Duke Lauderdale 1616-1682 and Elizabeth Murray Duchess Lauderdale 1626-1698. Around 1647 John Weesop Painter -1652. Portrait of Elizabeth Murray Duchess Lauderdale 1626-1698. In 1651 Gerrit van Honthorst Painter 1592-1656. Portrait of Elisabeth Nassau Beverweert Countess Arlington 1633-1718. 1645 Peter Lely Painter 1618-1680. Portrait of Samuel Morland Polymath 1st Baronet 1625-1695. Around 1650. Unknown Painter. Portrait of Louis Nassau Beverweert 1602-1665. In 1623 Michiel Janszoon van Mierevelt Painter 1566-1641. Portrait of Frederick Henry Orange Nassau II Prince Orange 1584-1647. Around 1634 Anthony Van Dyck Painter 1599-1641. Portrait of Frederick Henry Orange Nassau II Prince Orange 1584-1647. Before 27 Jun 1641 Michiel Janszoon van Mierevelt Painter 1566-1641. Portrait of Prince Maurice I of Orange 1567-1625. In 1756 Joshua Reynolds 1723-1788. Portrait of Henry Fitzroy 1st Duke Grafton 1663-1690 in his Garter Robes. Around 1700 Godfrey Kneller 1646-1723. Portrait of Isabella Bennet Duchess Grafton 1655-1723. One of the Hampton Court Beauties. In 1686 Willem Wissing Painter 1656-1687. Portrait of Isabella Bennet Duchess Grafton 1655-1723.

Read More ...

John Charleton 2nd Baron Cherleton -1360 was appointed Lord Chamberlain of the Household.

John Charleton 1st Baron Cherleton 1268-1353 was appointed Lord Chamberlain of the Household.