Biography of Anthony Van Dyck Painter 1599-1641

On 22 Mar 1599 Anthony Van Dyck Painter 1599-1641 was born in Antwerp.

Around 1621 Anthony Van Dyck Painter 1599-1641 (21). Portrait of Thomas Howard 21st Earl Arundel.

Around 1621 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Howard 21st Earl Arundel.

In 1623 Adriaen Hanneman Painter 1603-1671 (20) travelled to England where he lived for sixteen years where he met and was influenced by Anthony Van Dyck Painter 1599-1641 (23), Daniel Mijtens Painter 1590-1648 (33) and Cornelius Johnson Painter 1593-1661 (29).

Around 1624 Anthony Van Dyck Painter 1599-1641 (24). Portrait of Sofonisba Anguissola Painter 1532-1625 (92) aged ninety-two.

Around 1624 Anthony Van Dyck Painter 1599-1641. Portrait of Sofonisba Anguissola Painter 1532-1625 aged ninety-two.

In 1624 Anthony Van Dyck Painter 1599-1641 (24). Portrait of Emanuel Filibert of Savoy 1588-1624 (35).

In 1624 Anthony Van Dyck Painter 1599-1641. Portrait of Emanuel Filibert of Savoy 1588-1624.

Around 1625 Cornelius Johnson Painter 1593-1661 (31) had a studio in Blackfriars. As did Anthony Van Dyck Painter 1599-1641 (25). Blackfriars was within the boundaries of the City of London, but was a liberty and so avoided the monopoly in the City of members of the London painters' Guild.

Around 1628 Anthony Van Dyck Painter 1599-1641 (28). Portrait of Katherine Manners Duchess Buckingham 1602-1649 (25).

Around 1628 Anthony Van Dyck Painter 1599-1641. Portrait of Katherine Manners Duchess Buckingham 1602-1649.

Around 1628 Anthony Van Dyck Painter 1599-1641 (28). Portrait of Anne Wake.

Around 1628 Anthony Van Dyck Painter 1599-1641. Portrait of Anne Wake.

Around 1632 Anthony Van Dyck Painter 1599-1641 (32). Portrait of Thomas Wharton 1615-1684 (16).

Around 1632 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wharton 1615-1684.

Around 1632 Anthony Van Dyck Painter 1599-1641 (32). Portrait of James I King England and Ireland VI King Scotland 1566-1625 (65).

Around 1632 Anthony Van Dyck Painter 1599-1641. Portrait of James I King England and Ireland VI King Scotland 1566-1625.

In 1632 Anthony Van Dyck Painter 1599-1641 (32) was knighted.

In 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641 (39).

In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641.

Around 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of Robert Rich 2nd Earl Warwick 1587-1658 (45).

Around 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Robert Rich 2nd Earl Warwick 1587-1658.

Around 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of William Feilding 1st Earl Denbigh 1587-1643 (46).

Around 1633 Anthony Van Dyck Painter 1599-1641. Portrait of William Feilding 1st Earl Denbigh 1587-1643.

Around 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of Lucy Percy Countess Carlisle 1600-1660 (33).

Around 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Lucy Percy Countess Carlisle 1600-1660.

Around 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of Dorothy North Baroness Dacre Gilsland 1605-1698 (28).

Around 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Dorothy North Baroness Dacre Gilsland 1605-1698.

Around 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of James Stewart 4th Duke Lennox.

Around 1633 Anthony Van Dyck Painter 1599-1641. Portrait of James Stewart 4th Duke Lennox.

Around 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of Venetia Stanley 1600-1633 (33).

Around 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Venetia Stanley 1600-1633.

In 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of Charles I King England Scotland and Ireland 1600-1649 (32) known as Charles I with M.De St Antoine.

In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Charles I King England Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine.

Around 1634 Anthony Van Dyck Painter 1599-1641 (34). Portrait of Philip Herbert 4th Earl Pembroke 1st Earl Montgomery 1584-1650 (49).

Around 1634 Anthony Van Dyck Painter 1599-1641. Portrait of Philip Herbert 4th Earl Pembroke 1st Earl Montgomery 1584-1650.

Around 1634 Anthony Van Dyck Painter 1599-1641 (34). Portrait of Frederick Henry Orange Nassau II Prince Orange 1584-1647 (49).

Around 1634 Anthony Van Dyck Painter 1599-1641. Portrait of Frederick Henry Orange Nassau II Prince Orange 1584-1647.

Around 1634 Anthony Van Dyck Painter 1599-1641 (34). Portrait of Algernon Percy 10th Earl of Northumberland 1602-1668 (31) and Anne Cecil -1637.

Around 1634 Anthony Van Dyck Painter 1599-1641. Portrait of Algernon Percy 10th Earl of Northumberland 1602-1668 and Anne Cecil -1637.

Around 1634 Anthony Van Dyck Painter 1599-1641 (34). Portrait of James Stewart 4th Duke Lennox wearing his Leg Garter and Garter Collar.

Around 1634 Anthony Van Dyck Painter 1599-1641. Portrait of James Stewart 4th Duke Lennox wearing his Leg Garter and Garter Collar.

Around 1635 Anthony Van Dyck Painter 1599-1641 (35). Portrait of James Stanley 7th Earl Derby 1607-1651 (27) and Charlotte Thouars Countess Derby 1599-1664 (35) and their daughter.

Around 1635 Anthony Van Dyck Painter 1599-1641. Portrait of James Stanley 7th Earl Derby 1607-1651 and Charlotte Thouars Countess Derby 1599-1664 and their daughter.

Around 1635 Anthony Van Dyck Painter 1599-1641 (35). Portrait of Thomas Killigrew Playwright 1612-1683 (22).

Around 1635 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Killigrew Playwright 1612-1683.

In 1635 Anthony Van Dyck Painter 1599-1641 (35). Portrait of Christian Bruce Countess Devonshire -1675.

In 1635 Anthony Van Dyck Painter 1599-1641. Portrait of Christian Bruce Countess Devonshire -1675.

Around 1635 Anthony Van Dyck Painter 1599-1641 (35). Portrait of Henry "Wizard Earl" Percy 9th Earl of Northumberland 1564-1632 (70).

Around 1635 Anthony Van Dyck Painter 1599-1641. Portrait of Henry "Wizard Earl" Percy 9th Earl of Northumberland 1564-1632.

Around 1635 Anthony Van Dyck Painter 1599-1641 (35). Portrait of Anne Carr 1615-1684 (19).

Around 1635 Anthony Van Dyck Painter 1599-1641. Portrait of Anne Carr 1615-1684.

Around 1635 Anthony Van Dyck Painter 1599-1641 (35). Portrait of Olivia Boteler -1663.

Around 1635 Anthony Van Dyck Painter 1599-1641. Portrait of Olivia Boteler -1663.

Around 1636 Anthony Van Dyck Painter 1599-1641 (36). Portrait of William Laud Archbishop of Canterbury 1573-1645 (62). Wearing a black Chimere over his white Rochet.

Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of William Laud Archbishop of Canterbury 1573-1645. Wearing a black Chimere over his white Rochet.

Around 1636 Anthony Van Dyck Painter 1599-1641 (36). Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641 (42).

Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641.

Around 1636 Anthony Van Dyck Painter 1599-1641 (36). Portrait of Mary Villiers Duchess Lennox.

Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of Mary Villiers Duchess Lennox.

Around 1636 Anthony Van Dyck Painter 1599-1641 (36). Portrait of James Stewart 4th Duke Lennox.

Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of James Stewart 4th Duke Lennox.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of Charles I King England Scotland and Ireland 1600-1649 (36).

Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of Charles I King England Scotland and Ireland 1600-1649.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of Mountjoy Blount 1st Earl Newport 1597-1666 (40).

Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of Mountjoy Blount 1st Earl Newport 1597-1666.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of George Digby 2nd Earl Bristol 1612-1677 (24) and William Russell 1st Duke Bedford 1616-1700 (20).

Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of George Digby 2nd Earl Bristol 1612-1677 and William Russell 1st Duke Bedford 1616-1700.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of Thomas Howard 21st Earl Arundel and Alethea Talbot Countess Arundel.

Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Howard 21st Earl Arundel and Alethea Talbot Countess Arundel.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of Mary Ruthven Countess Atholl.

Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of Mary Ruthven Countess Atholl.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of Mary Villiers Duchess Lennox.

Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of Mary Villiers Duchess Lennox.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of Mary Villiers Duchess Lennox.

Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of Mary Villiers Duchess Lennox.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of William Russell 1st Duke Bedford 1616-1700 (21).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of William Russell 1st Duke Bedford 1616-1700.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Catherine Hastings Countess Chesterfield -1636 and Lucy Davies Countess Huntingdon 1613-1679 (25).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Catherine Hastings Countess Chesterfield -1636 and Lucy Davies Countess Huntingdon 1613-1679.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Mary Hill 1615-1690 (23).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Mary Hill 1615-1690.

Around 1638. Follower of Anthony Van Dyck Painter 1599-1641 (38). Portrait of Anne Boteler Countess Newport Countess Portland 1600-1669 (38).

Around 1638. Follower of Anthony Van Dyck Painter 1599-1641. Portrait of Anne Boteler Countess Newport Countess Portland 1600-1669.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of James Hay 2nd Earl Carlisle 1612-1660 (26).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of James Hay 2nd Earl Carlisle 1612-1660.

In 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Elizabeth Brydges Countess Castlehaven 1619-1678 (19).

In 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Elizabeth Brydges Countess Castlehaven 1619-1678.

In 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Diana Cecil Countess Oxford.

In 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Diana Cecil Countess Oxford.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Rachel Massue Countess Southampton 1603-1640 (35).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Rachel Massue Countess Southampton 1603-1640.

In 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Thomas Killigrew Playwright 1612-1683 (25) and (probably) William Crofts 1st Baron Crofts 1611-1677 (27).

In 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Killigrew Playwright 1612-1683 and (probably) William Crofts 1st Baron Crofts 1611-1677.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Thomas Hanmer 2nd Baronet Hamner 1612-1678 (26).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Hanmer 2nd Baronet Hamner 1612-1678.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Catherine Howard Countess Newburgh -1650.

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Catherine Howard Countess Newburgh -1650.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of George Digby 2nd Earl Bristol 1612-1677 (25).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of George Digby 2nd Earl Bristol 1612-1677.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of William Killigrew 1606-1695 (32).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of William Killigrew 1606-1695.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Anne Boteler 1st Countess Newport.

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Anne Boteler 1st Countess Newport.

Around 1638 Anthony Van Dyck Painter 1599-1641 (38). Portrait of Isabella Edmondes Baroness De La Warr 1607-1677 (31).

Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Isabella Edmondes Baroness De La Warr 1607-1677.

Around 1639 Anthony Van Dyck Painter 1599-1641 (39). Portrait of Thomas Wharton 1588-1622 (51).

Around 1639 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wharton 1588-1622.

1639. Follower of Anthony Van Dyck Painter 1599-1641 (39). Portrait of Henry Rich 1st Earl Holland 1590-1649 (48).

1639. Follower of Anthony Van Dyck Painter 1599-1641. Portrait of Henry Rich 1st Earl Holland 1590-1649.

Around 1639 Anthony Van Dyck Painter 1599-1641 (39). Portrait of Henry Danvers 1st Earl Danby 1573-1644 (65) in his Garter Robes.

Around 1639 Anthony Van Dyck Painter 1599-1641. Portrait of Henry Danvers 1st Earl Danby 1573-1644 in his Garter Robes.

Around 1640 Anthony Van Dyck Painter 1599-1641 (40). Portrait of Elizabeth Villiers Countess Morton 1609-1654 (31).

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of Elizabeth Villiers Countess Morton 1609-1654.

Around 1640 Anthony Van Dyck Painter 1599-1641 (40). Portrait of Mountjoy Blount 1st Earl Newport 1597-1666 (43).

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of Mountjoy Blount 1st Earl Newport 1597-1666.

Around 1640 Anthony Van Dyck Painter 1599-1641 (40). Portrait of Kenelm Digby 1603-1665 (37).

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of Kenelm Digby 1603-1665.

Around 1640 Anthony Van Dyck Painter 1599-1641 (40). Portrait of Charles Seton 2nd Earl Dunfermline 1615-1672 (24).

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of Charles Seton 2nd Earl Dunfermline 1615-1672.

Around 1640 Anthony Van Dyck Painter 1599-1641 (40). Portrait of sisters Essex Cheeke Countess Manchester -1658 and Anne Cheeke Countess Warwick 1620-1652 (20).

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of sisters Essex Cheeke Countess Manchester -1658 and Anne Cheeke Countess Warwick 1620-1652.

Around 1640 Anthony Van Dyck Painter 1599-1641 (40). Portrait of Alice Bankes.

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of Alice Bankes.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Algernon Percy 10th Earl of Northumberland 1602-1668.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Algernon Percy 10th Earl of Northumberland 1602-1668.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Beatrice Van Hemmema Countess Oxford 1580-1653.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Beatrice Van Hemmema Countess Oxford 1580-1653.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of John Mennes Comptroller 1599-1671.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of John Mennes Comptroller 1599-1671.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henry Percy 8th Earl of Northumberland 1532-1585.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henry Percy 8th Earl of Northumberland 1532-1585.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Dorothy Sidney Countess Sunderland 1617-1683.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Dorothy Sidney Countess Sunderland 1617-1683.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Frances Devereux Duchess of Somerset 1599-1674.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Frances Devereux Duchess of Somerset 1599-1674.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Anne Sophia Herbert Countess Carnarvon -1643.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Anne Sophia Herbert Countess Carnarvon -1643.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henry Percy 1604-1659 and the dwarf Jeffrey Hudson.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henry Percy 1604-1659 and the dwarf Jeffrey Hudson.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson.

Before 09 Dec 1641. After Anthony Van Dyck Painter 1599-1641. Portrait of Frances Cranfield Countess Dorset 1622-1687.

Before 09 Dec 1641. After Anthony Van Dyck Painter 1599-1641. Portrait of Frances Cranfield Countess Dorset 1622-1687.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Dorothy Devereux Countess Northumberland 1564-1619.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Dorothy Devereux Countess Northumberland 1564-1619.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Elizabeth Clifford Countess Burlington 1613-1691.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Elizabeth Clifford Countess Burlington 1613-1691.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Richard Boyle 2nd Earl Cork 1st Earl Burlington 1612-1698.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Richard Boyle 2nd Earl Cork 1st Earl Burlington 1612-1698.

On 09 Dec 1641 Anthony Van Dyck Painter 1599-1641 (42) died.

Between 1643 and 1647. Follower of Anthony Van Dyck Painter 1599-1641 (43). Portrait of John Craven 1st Baron Craven 1610-1648 (32).

Between 1643 and 1647. Follower of Anthony Van Dyck Painter 1599-1641. Portrait of John Craven 1st Baron Craven 1610-1648.

John Evelyn's Diary 15 February 1649. 15 Feb 1649. I went to see the collection of one Trean, a rich merchant, who had some good pictures, especially a rare perspective of Stenwyck; from thence, to other virtuosos.
The painter, La Neve has an Andromeda, but I think it a copy after Vandyke (49) from Titian, for the original is in France. Webb, at the Exchange, has some rare things in miniature, of Breughel's, also Putti, in twelve squares, that were plundered from Sir James Palmer (64).
At Du Bois, we saw two tables of Putti, that were gotten, I know not how, out of the Castle of St. Angelo, by old Petit, thought to be Titian's; he had some good heads of Palma, and one of Stenwyck. Bellcar showed us an excellent copy of his Majesty's Sleeping Venus and the Satyr, with other figures; for now they had plundered, sold, and dispersed a world of rare paintings of the King's, and his loyal subjects. After all, Sir William Ducy showed me some excellent things in miniature, and in oil of Holbein's; Sir Thomas More's head, and a whole-length figure of Edward VI., which were certainly his Majesty's; also a picture of Queen Elizabeth; the Lady Isabella Thynne (25); a rare painting of Rothenhamer, being a Susanna; and a Magdalen, of Quintin, the blacksmith; also a Henry VIII., of Holbein; and Francis I., rare indeed, but of whose hand I know not.

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John Evelyn's Diary 08 May 1654. 08 May 1654. I went to Hackney, to see Lady Brook's garden, which was one of the neatest and most celebrated in England, the house well furnished, but a despicable building. Returning, visited one Mr. Tomb's garden; it has large and noble walks, some modern statues, a vineyard, planted in strawberry borders, staked at ten feet distances, the banqueting-house of cedar, where the couch and seats were carved à l'antique; some good pictures in the house, especially one of Vandyke's (55), being a man in his shirt; also some of Stenwyck. I also called at Mr. Ducie's, who has indeed a rare collection of the best masters, and one of the largest stories of H. Holbein. I also saw Sir Thomas Fowler's aviary, which is a poor business.

John Evelyn's Diary 09 June 1658. 09 Jun 1658. I went to see the Earl of Northumberland's (55) pictures, whereof that of the Venetian Senators was one of the best of Titian's and another of Andrea del Sarto, viz, a Madonna, Christ, St. John, and an Old Woman; a St. Catherine of Da Vinci, with divers portraits of Vandyck (59); a Nativity of Georgioni; the last of our blessed Kings (Charles I.), and the Duke of York, by Lely (39), a Rosary by the famous Jesuits of Brussels, and several more. This was in Suffolk House: the new front toward the gardens is tolerable, were it not drowned by a too massy and clumsy pair of stairs of stone, without any neat invention.

Diary of Samuel Pepys 15 May 1663. 15 May 1663. Up betimes and walked to St. James's, where Mr. Coventry (35) being in bed I walked in the Park, discoursing with the keeper of the Pell Mell, who was sweeping of it; who told me of what the earth is mixed that do floor the Mall, and that over all there is cockle-shells powdered, and spread to keep it fast; which, however, in dry weather, turns to dust and deads the ball.
Thence to Mr. Coventry (35); and sitting by his bedside, he did tell me that he sent for me to discourse upon my Lord Sandwich's (37) allowances for his several pays, and what his thoughts are concerning his demands; which he could not take the freedom to do face to face, it being not so proper as by me: and did give me a most friendly and ingenuous account of all; telling me how unsafe, at this juncture, while every man's, and his actions particularly, are descanted upon, it is either for him to put the Duke upon doing, or my Lord himself to desire anything extraordinary, 'specially the King (32) having been so bountifull already; which the world takes notice of even to some repinings. All which he did desire me to discourse with my Lord of; which I have undertook to do. We talked also of our office in general, with which he told me that he was now-a-days nothing so satisfied as he was wont to be. I confess I told him things are ordered in that way that we must of necessity break in a little time a pieces.
After done with him about these things, he told me that for Mr. Hater the Duke's word was in short that he found he had a good servant, an Anabaptist, and unless he did carry himself more to the scandal of the office, he would bear with his opinion till he heard further, which do please me very much.
Thence walked to Westminster, and there up and down in the Hall and the Parliament House all the morning; at noon by coach to my Lord Crew's, hearing that Lord Sandwich (37) did dine there; where I told him what had passed between Mr. Coventry (35) and myself; with which he was contented, though I could perceive not very well pleased. And I do believe that my Lord do find some other things go against his mind in the House; for in the motion made the other day in the House by my Lord Bruce, that none be capable of employment but such as have been loyal and constant to the King (32) and Church, the General [Monk] and my Lord were mentioned to be excepted; and my Lord Bruce did come since to my Lord, to clear himself that he meant nothing to his prejudice, nor could it have any such effect if he did mean it. After discourse with my Lord; to dinner with him; there dining there my Lord Montagu of Boughton, Mr. William Montagu (45) his brother, the Queen's Sollicitor, &c., and a fine dinner. Their talk about a ridiculous falling-out two days ago at my Lord of Oxford's (36) house, at an entertainment of his, there being there my Lord of Albemarle (54), Lynsey (55), two of the Porters, my Lord Bellasses (48), and others, where there were high words and some blows, and pulling off of perriwiggs; till my Lord Monk (54) took away some of their swords, and sent for some soldiers to guard the house till the fray was ended. To such a degree of madness the nobility of this age is come!
After dinner I went up to Sir Thomas Crew (39), who lies there not very well in his head, being troubled with vapours and fits of dizziness: and there I sat talking with him all the afternoon from one discourse to another, the most was upon the unhappy posture of things at this time; that the King (32) do mind nothing but pleasures, and hates the very sight or thoughts of business; that my Baroness Castlemaine's (22) rules him, who, he says, hath all the tricks of Aretin1 that are to be practised to give pleasure. In which he is too able .... but what is the unhappiness in that, as the Italian proverb says, "lazzo dritto non vuolt consiglio [Translation: An erection seeks no advice]". If any of the sober counsellors give him good advice, and move him in anything that is to his good and honour, the other part, which are his counsellers of pleasure, take him when he is with my Baroness Castlemaine's (22), and in a humour of delight, and then persuade him that he ought not to hear nor listen to the advice of those old dotards or counsellors that were heretofore his enemies: when, God knows! it is they that now-a-days do most study his honour. It seems the present favourites now are my Lord Bristol (50), Duke of Buckingham (35), Sir H. Bennet (45), my Lord Ashley (41), and Sir Charles Barkeley (33); who, among them, have cast my Chancellor (54) upon his back, past ever getting up again; there being now little for him to do, and he waits at Court attending to speak to the King (32) as others do: which I pray God may prove of good effects, for it is feared it will be the same with my Lord Treasurer (56) shortly. But strange to hear how my Lord Ashley (41), by my Lord Bristol's (50) means (he being brought over to the Catholique party against the Bishopps, whom he hates to the death, and publicly rails against them; not that he is become a Catholique, but merely opposes the Bishopps; and yet, for aught I hear, the Bishopp of London (64) keeps as great with the King (32) as ever) is got into favour, so much that, being a man of great business and yet of pleasure, and drolling too, he, it is thought, will be made Lord Treasurer (56) upon the death or removal of the good old man. My Lord Albemarle (54), I hear, do bear through and bustle among them, and will not be removed from the King's good opinion and favour, though none of the Cabinett; but yet he is envied enough. It is made very doubtful whether the King (32) do not intend the making of the Duke of Monmouth (14) legitimate2; but surely the Commons of England will never do it, nor the Duke of York (29) suffer it, whose lady (26), I am told, is very troublesome to him by her jealousy.
But it is wonderful that Sir Charles Barkeley (33) should be so great still, not [only] with the King (32), but Duke also; who did so stiffly swear that he had lain with her3. And another one Armour that he rode before her on horseback in Holland I think.... No care is observed to be taken of the main chance, either for maintaining of trade or opposing of factions, which, God knows, are ready to break out, if any of them (which God forbid!) should dare to begin; the King (32) and every man about him minding so much their pleasures or profits.
My Lord Hinchingbrooke (15), I am told, hath had a mischance to kill his boy by his birding-piece going off as he was a-fowling. The gun was charged with small shot, and hit the boy in the face and about the temples, and he lived four days.
In Scotland, it seems, for all the newes-books tell us every week that they are all so quiett, and everything in the Church settled, the old woman had like to have killed, the other day, the Bishop of Galloway, and not half the Churches of the whole kingdom conform.
Strange were the effects of the late thunder and lightning about a week since at Northampton, coming with great rain, which caused extraordinary floods in a few hours, bearing away bridges, drowning horses, men, and cattle. Two men passing over a bridge on horseback, the arches before and behind them were borne away, and that left which they were upon: but, however, one of the horses fell over, and was drowned. Stacks of faggots carried as high as a steeple, and other dreadful things; which Sir Thomas Crew (39) showed me letters to him about from Mr. Freemantle and others, that it is very true.
The Portugalls have choused us4, it seems, in the Island of Bombay, in the East Indys; for after a great charge of our fleets being sent thither with full commission from the King (32) of Portugall to receive it, the Governour by some pretence or other will not deliver it to Sir Abraham Shipman, sent from the King (32), nor to my Lord of Marlborough (45); which the King (32) takes highly ill, and I fear our Queen (24) will fare the worse for it. The Dutch decay there exceedingly, it being believed that their people will revolt from them there, and they forced to give over their trade. This is talked of among us, but how true I understand not. Sir Thomas showed me his picture and Sir Anthony Vandike's (64), in crayon in little, done exceedingly well.
Having thus freely talked with him, and of many more things, I took leave, and by coach to St. James's, and there told Mr. Coventry (35) what I had done with my Lord with great satisfaction, and so well pleased home, where I found it almost night, and my wife and the dancing-master alone above, not dancing but talking. Now so deadly full of jealousy I am that my heart and head did so cast about and fret that I could not do any business possibly, but went out to my office, and anon late home again and ready to chide at every thing, and then suddenly to bed and could hardly sleep, yet durst not say any thing, but was forced to say that I had bad news from the Duke concerning Tom Hater as an excuse to my wife, who by my folly has too much opportunity given her with the man, who is a pretty neat black man, but married. But it is a deadly folly and plague that I bring upon myself to be so jealous and by giving myself such an occasion more than my wife desired of giving her another month's dancing. Which however shall be ended as soon as I can possibly. But I am ashamed to think what a course I did take by lying to see whether my wife did wear drawers to-day as she used to do, and other things to raise my suspicion of her, but I found no true cause of doing it.
Note 1. An allusion to Aretin's infamous letters and sonnets accompanying the as infamous "Postures" engraved by Marc Antonio from the designs of Julio Romano (Steinman's "Memoir of Barbara, Duchess of Cleveland", privately printed, 1871).
Note 2. Thomas Ross, Monmouth's tutor, put the idea into his head that Charles II had married his mother. The report was sedulously spread abroad, and obtained some kind of credence, until, in June, 1678, the King (32) set the matter at rest by publishing a declaration, which was entered in the Council book and registered in Chancery. The words of the declaration are: "That to avoid any dispute which might happen in time to come concerning the succession of the Crown, he (Charles) did declare, in the presence of Almighty God, that he never gave, nor made any contract of marriage, nor was married to Mrs. Barlow, alias Waters, the Duke of Monmouth's (14) mother, nor to any other woman whatsoever, but to his present wife, Queen (24) Catherine, then living"..
Note 3. The conspiracy of Sir Charles Berkeley (33), Monsieur Blanfort aka Lord Arran, Jermyn, Talbot, and Killigrew to traduce Anne Hyde (26) was peculiarly disgraceful, and the conduct of all the actors in the affair of the marriage, from Lord Clarendon downwards, was far from creditable (see Lister's "Life of Clarendon", ii. 68-79).
Note 4. The word chouse appears to have been introduced into the language at the beginning of the seventeenth century. In 1609, a Chiaus sent by Sir Robert Shirley, from Constantinople to London, had chiaused (or choused) the Turkish and Persian merchants out of £4,000, before the arrival of his employer, and had decamped. The affair was quite recent in 1610, when Jonson's "Alchemist" appeared, in which it is alluded to.

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Diary of Samuel Pepys 13 September 1665. 13 Sep 1665. Up, and walked to Greenwich, taking pleasure to walk with my minute watch in my hand, by which I am come now to see the distances of my way from Woolwich to Greenwich, and do find myself to come within two minutes constantly to the same place at the end of each quarter of an houre. Here we rendezvoused at Captain Cocke's (48), and there eat oysters, and so my Lord Bruncker (45), Sir J. Minnes (66), and I took boat, and in my Lord's coach to Sir W. Hickes's, whither by and by my Lady Batten and Sir William comes. It is a good seat, with a fair grove of trees by it, and the remains of a good garden; but so let to run to ruine, both house and every thing in and about it, so ill furnished and miserably looked after, I never did see in all my life. Not so much as a latch to his dining-room door; which saved him nothing, for the wind blowing into the room for want thereof, flung down a great bow pott that stood upon the side-table, and that fell upon some Venice glasses, and did him a crown's worth of hurt. He did give us the meanest dinner (of beef, shoulder and umbles of venison1 which he takes away from the keeper of the Forest, and a few pigeons, and all in the meanest manner) that ever I did see, to the basest degree.
After dinner we officers of the Navy stepped aside to read some letters and consider some business, and so in again. I was only pleased at a very fine picture of the Queene-Mother (55), when she was young, by Van-Dike (66); a very good picture, and a lovely sweet face.
Thence in the afternoon home, and landing at Greenwich I saw Mr. Pen (20) walking my way, so we walked together, and for discourse I put him into talk of France, when he took delight to tell me of his observations, some good, some impertinent, and all ill told, but it served for want of better, and so to my house, where I find my wife abroad, and hath been all this day, nobody knows where, which troubled me, it being late and a cold evening. So being invited to his mother's (41) to supper, we took Mrs. Barbara, who was mighty finely dressed, and in my Lady's coach, which we met going for my wife, we thither, and there after some discourse went to supper.
By and by comes my wife and Mercer, and had been with Captain Cocke (48) all day, he coming and taking her out to go see his boy at school at Brumly [Bromley], and brought her home again with great respect. Here pretty merry, only I had no stomach, having dined late, to eat.
After supper Mr. Pen (20) and I fell to discourse about some words in a French song my wife was saying, "D'un air tout interdict2", wherein I laid twenty to one against him which he would not agree with me, though I know myself in the right as to the sense of the word, and almost angry we were, and were an houre and more upon the dispute, till at last broke up not satisfied, and so home in their coach and so to bed. H. Russell did this day deliver my 20s. to my wife's father or mother, but has not yet told us how they do.
Note 1. Dr. Johnson was puzzled by the following passage in "The Merry Wives of Windsor", act v., sc. 3: "Divide me like a bribe-buck, each a haunch. I will keep the sides to myself; my shoulders for the fellow of this walk". If he could have read the account of Sir William Hickes's dinner, he would at once have understood the allusion to the keeper's perquisites of the shoulders of all deer killed in his walk. B.
Note 2. TT. D'un air tout interdict. Banish all the air between us ie stop talking.

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Diary of Samuel Pepys 26 April 1667. 26 Apr 1667. Up, and by coach with Sir W. Batten (66) and Sir W. Pen (46) to White Hall, and there saw the Duke of Albemarle (58), who is not well, and do grow crazy.
Thence I to St. James's, to meet Sir G. Carteret (57), and did, and Lord Berkely (65), to get them (as we would have done the Duke of Albemarle (58)) to the meeting of the Lords of Appeale in the business of one of our prizes. With them to the meeting of the Guinny company, and there staid, and went with Lord Berkely. While I was waiting for him in the Matted Gallery, a young man was most finely working in Indian inke the great picture of the King (36) and Queen (28) sitting, [Charles I and Henrietta Maria.] by Van Dyke (68); and did it very finely.
Thence to Westminster Hall to hear our cause, but [it] did not come before them to-day, so went down and walked below in the Hall, and there met with Ned Pickering (49), who tells me the ill newes of his nephew Gilbert (15), who is turned a very rogue, and then I took a turn with Mr. Evelyn (46), with whom I walked two hours, till almost one of the clock: talking of the badness of the Government, where nothing but wickedness, and wicked men and women command the King (36): that it is not in his nature to gainsay any thing that relates to his pleasures; that much of it arises from the sickliness of our Ministers of State, who cannot be about him as the idle companions are, and therefore he gives way to the young rogues; and then, from the negligence of the Clergy, that a Bishop shall never be seen about him, as the King of France (28) hath always: that the King (36) would fain have some of the same gang to be Lord Treasurer (60), which would be yet worse, for now some delays are put to the getting gifts of the King (36), as that whore my Baroness Byron (40)1, who had been, as he called it, the King's seventeenth whore abroad, did not leave him till she had got him to give her an order for £4000 worth of plate to be made for her; but by delays, thanks be to God! she died before she had it. !He tells me mighty stories of the King of France (28), how great a Prince he is. He hath made a code to shorten the law; he hath put out all the ancient commanders of castles that were become hereditary; he hath made all the Fryers subject to the bishops, which before were only subject to Rome, and so were hardly the King's subjects, and that none shall become 'religieux' but at such an age, which he thinks will in a few, years ruin the Pope, and bring France into a patriarchate. He confirmed to me the business of the want of paper at the Council-table the other day, which I have observed; Wooly being to have found it, and did, being called, tell the King (36) to his face the reason of it; and Mr. Evelyn (46) tells me several of the menial servants of the Court lacking bread, that have not received a farthing wages since the King's coming in. He tells me the King of France (28) hath his mistresses, but laughs at the foolery of our King, that makes his bastards Princes2, and loses his revenue upon them, and makes his mistresses his masters and the King of France (28) did never grant Lavalliere (22)3 any thing to bestow on others, and gives a little subsistence, but no more, to his bastards.
He told me the whole story of Mrs. Stewart's (19) going away from Court, he knowing her well; and believes her, up to her leaving the Court, to be as virtuous as any woman in the world: and told me, from a Lord that she told it to but yesterday, with her own mouth, and a sober man, that when the Duke of Richmond (28) did make love to her, she did ask the King (36), and he did the like also; and that the King (36) did not deny it, and [she] told this Lord that she was come to that pass as to resolve to have married any gentleman of £1500 a-year that would have had her in honour; for it was come to that pass, that she could not longer continue at Court without prostituting herself to the King (36)4, whom she had so long kept off, though he had liberty more than any other had, or he ought to have, as to dalliance5. She told this Lord that she had reflected upon the occasion she had given the world to think her a bad woman, and that she had no way but to marry and leave the Court, rather in this way of discontent than otherwise, that the world might see that she sought not any thing but her honour; and that she will never come to live at Court more than when she comes to town to come to kiss the Queene (57) her Mistress's hand: and hopes, though she hath little reason to hope, she can please her Lord so as to reclaim him, that they may yet live comfortably in the country on his estate. She told this Lord that all the jewells she ever had given her at Court, or any other presents, more than the King's allowance of £700 per annum out of the Privypurse for her clothes, were, at her first coming the King (36) did give her a necklace of pearl of about £1100 and afterwards, about seven months since, when the King (36) had hopes to have obtained some courtesy of her, the King (36) did give her some jewells, I have forgot what, and I think a pair of pendants. The Duke of York (33), being once her Valentine, did give her a jewell of about £800; and my Lord Mandeville (33), her Valentine this year, a ring of about £300; and the King of France (28) would have had her mother, who, he says, is one of the most cunning women in the world, to have let her stay in France, saying that he loved her not as a mistress, but as one that he could marry as well as any lady in France; and that, if she might stay, for the honour of his Court he would take care she should not repent. But her mother, by command of the Queen-Mother (57), thought rather to bring her into England; and the King of France (28) did give her a jewell: so that Mr. Evelyn (46) believes she may be worth in jewells about £6000, and that that is all that she hath in the world: and a worthy woman; and in this hath done as great an act of honour as ever was done by woman.
That now the Countesse Castlemayne (26) do carry all before her: and among other arguments to prove Mrs. Stewart (19) to have been honest to the last, he says that the King's keeping in still with my Baroness Castlemayne (26) do show it; for he never was known to keep two mistresses in his life, and would never have kept to her had he prevailed any thing with Mrs. Stewart (19).
She is gone yesterday with her Lord to Cobham. He did tell me of the ridiculous humour of our King and Knights of the Garter the other day, who, whereas heretofore their robes were only to be worn during their ceremonies and service, these, as proud of their coats, did wear them all day till night, and then rode into the Parke with them on. Nay, and he tells me he did see my Lord Oxford (40) and the Duke of Monmouth (18) in a Hackney-coach with two footmen in the Parke, with their robes on; which is a most scandalous thing, so as all gravity may be said to be lost among us.
By and by we discoursed of Sir Thomas Clifford (36), whom I took for a very rich and learned man, and of the great family of that name. He tells me he is only a man of about seven-score pounds a-year, of little learning more than the law of a justice of peace, which he knows well: a parson's son, got to be burgess in a little borough in the West, and here fell into the acquaintance of my Lord Arlington (49), whose creature he is, and never from him; a man of virtue, and comely, and good parts enough; and hath come into his place with a great grace, though with a great skip over the heads of a great many, as Chichly and Duncum, and some Lords that did expect it.
By the way, he tells me, that of all the great men of England there is none that endeavours more to raise those that he takes into favour than my Lord Arlington (49); and that, on that score, he is much more to be made one's patron than my Chancellor (58), who never did, nor never will do, any thing, but for money! After having this long discourse we parted, about one of the clock, and so away by water home, calling upon Michell, whose wife and girle are pretty well, and I home to dinner, and after dinner with Sir W. Batten (66) to White Hall, there to attend the Duke of York (33) before council, where we all met at his closet and did the little business we had, and here he did tell us how the King of France (28) is intent upon his design against Flanders, and hath drawn up a remonstrance of the cause of the war, and appointed the 20th of the next month for his rendezvous, and himself to prepare for the campaign the 30th, so that this, we are in hopes, will keep him in employment. Turenne is to be his general. Here was Carcasses business unexpectedly moved by him, but what was done therein appears in my account of his case in writing by itself. Certain newes of the Dutch being abroad on our coast with twenty-four great ships.
This done Sir W. Batten (66) and I back again to London, and in the way met my Lady Newcastle (44) going with her coaches and footmen all in velvet: herself, whom I never saw before, as I have heard her often described, for all the town-talk is now-a-days of her extravagancies, with her velvetcap, her hair about her ears; many black patches, because of pimples about her mouth; naked-necked, without any thing about it, and a black just-au-corps. She seemed to me a very comely woman: but I hope to see more of her on Mayday. My mind is mightily of late upon a coach.
At home, to the office, where late spending all the evening upon entering in long hand our late passages with Carcasse for memory sake, and so home in great pain in my back by the uneasiness of Sir W. Batten's (66) coach driving hard this afternoon over the stones to prevent coming too late. So at night to supper in great pain, and to bed, where lay in great pain, not able to turn myself all night.
Note 1. Eleanor (40), daughter of Robert Needham, Viscount Kilmurrey, and widow of Peter Warburton, became in 1644 the second wife of John Byron (68), first Lord Byron. Died 1663. B.
Note 2. Louis made his own bastards dukes and Princes, and legitimatized them as much as he could, connecting them also by marriage with the real blood-royal. B.
Note 3. Louise Francoise de la Baume le Blanc de la Valliere (22) had four children by Louis XIV., of whom only two survived - Marie Anne Bourbon, called Mademoiselle de Blois, born in 1666, afterwards married to the Prince de Conti (6), and the Comte de Vermandois, born in 1667. In that year (the very year in which Evelyn was giving this account to Pepys), the Duchy of Vaujour and two baronies were created in favour of La Valliere, and her daughter, who, in the deed of creation, was legitimatized, and styled Princess. B.
Note 4. Even at a much later time Mrs. GoDolphin well resolved "not to talk foolishly to men, more especially the King (36)",—"be sure never to talk to the King (36)" ("Life", by Evelyn). These expressions speak volumes as to Charles's character. B.
Note 5. Evelyn evidently believed the Duchess of Richmond to be innocent; and his testimony, coupled with her own declaration, ought to weigh down all the scandal which Pepys reports from other sources. B.

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John Evelyn's Diary 16 November 1676. 16 Nov 1676. My son (21) and I dining at my Lord Chamberlain's (58), he showed us among others that incomparable piece of Raphael's, being a Minister of State dictating to Guicciardini, the earnestness of whose face looking up in expectation of what he was next to write, is so to the life, and so natural, as I esteem it one of the choicest pieces of that admirable artist. There was a woman's head of Leonardo da Vinci; a Madonna of old Palma, and two of Vandyke's (77), of which one was his own picture at length, when young, in a leaning posture; the other, an eunuch, singing. Rare pieces indeed!

John Evelyn's Diary 15 January 1679. 15 Jan 1679. I went with my Lady Sunderland (33) to Chelsea, and dined with the Countess of Bristol (59) [her mother] in the great house, formerly the Duke of Buckingham's, a spacious and excellent place for the extent of ground and situation in a good air. The house is large but ill-contrived, though my Lord of Bristol (66), who purchased it after he sold Wimbledon to my Lord Treasurer (46), expended much money on it. There were divers pictures of Titian and Vandyke (79), and some of Bassano, very excellent, especially an Adonis and Venus, a Duke of Venice, a butcher in his shambles selling meat to a Swiss; and of Vandyke (79), my Lord of Bristol's (66) picture, with the Earl of Bedford's at length, in the same table. There was in the garden a rare collection of orange trees, of which she was pleased to bestow some upon me.

Before 1684. Circle of Anthony Van Dyck Painter 1599-1641. Portrait of Peter Gunning Bishop 1614-1684.

Before 1684. Circle of Anthony Van Dyck Painter 1599-1641. Portrait of Peter Gunning Bishop 1614-1684.

John Evelyn's Diary 24 January 1685. 24 Jan 1685. I din'd at Lord Newport's (64), who has some excellent pictures, especialy that of Sr Tho. Hanmer (73), by Van Dyke (85), one of the best he ever painted; another of our English Dobson's (73) painting; but above all, Christ in the Virgin's lap by Poussin, an admirable piece, with some thing of most other famous hands.

John Evelyn's Diary 27 January 1685. 27 Jan 1685. I din'd at Lord Sunderland's (43), being invited to heare that celebrated voice of Mr. Pordage, newly come from Rome; his singing was after the Venetian recitative, as masterly as could be, and with an excellent voice both treble and basse; Dr. Walgrave accompanied it with his theorba lute, on which he perform'd beyond imagination, and is doubtlesse orie of the greatest masters in Europe on that charming in strument. Pordage is a priest, as Mr. Bernard Howard (44) told me in private. There was in the roome where we din'd, and in his bed-chamber, those incomparable pieces of Columbus, a Flagellation, the Grammar-schoole, the Venus and Adonis of Titian; and of Vandyke's (85) that picture of the late E. of Digby (72) (father of the Countess of Sunderland (39)), and Earle of Bedford (68), Sr Kenelm Digby (82), and two Ladys of incomparable performance; besides that of Moses and the burning bush of Bassano, and several other pieces of ye best masters. A marble head of M. Brutus, &c.
Sir William Estcourt (30). It was in a sudden quarrel, and there was doubt whether it was more than manslaughter: but he was advised' to plead guilty, and then had a pardon, for which he paid £l,600.

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Siege of Colchester

John Evelyn's Diary 24 March 1688. 24 Mar 1688. I went with Sir Charles Littleton (60) to Sheen, a house and estate given him by Lord Brounker (68); one who was ever noted for a hard, covetous, vicious man; but for his worldly craft and skill in gaming few exceeded him. Coming to die, he bequeathed all his land, house, furniture, etc., to Sir Charles (60), to whom he had no manner of relation, but an ancient friendship contracted at the famous siege of Colchester, forty years before. It is a pretty place, with fine gardens, and well planted, and given to one worthy of them, Sir Charles (60) being an honest gentleman and soldier. He is brother to Sir Henry Littleton (64) of Worcestershire, whose great estate he is likely to inherit, his brother being without children. They are descendants of the great lawyer of that name, and give the same arms and motto. He is married to one Mrs. Temple (39), formerly Maid of Honour to the late Queen (49), a beautiful lady, and he has many fine children, so that none envy his good fortune.
After dinner, we went to see Sir William Temple's (60) near to it; the most remarkable things are his orangery and gardens, where the wall-fruit-trees are most exquisitely nailed and trained, far better than I ever noted.
There are many good pictures, especially of Vandyke's (89), in both these houses, and some few statues and small busts in the latter.
From thence to Kew, to visit Sir Henry Capel's (50), whose orangery and myrtetum are most beautiful and perfectly well kept. He was contriving very high palisadoes of reeds to shade his oranges during the summer, and painting those reeds in oil.

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John Evelyn's Diary 21 June 1693. 21 Jun 1693. I saw a great auction of pictures in the Banqueting house, Whitehall. They had been my Lord Melford's (42), now Ambassador from King James (59) at Rome, and engaged to his creditors here. Lord Mulgrave (45) and Sir Edward Seymour (60) came to my house, and desired me to go with them to the sale. Divers more of the great lords, etc., were there, and bought pictures dear enough. There were some very excellent of Vandyke (94), Rubens, and Bassan. Lord Godolphin (48) bought the picture of the Boys, by Murillo the Spaniard, for 80 guineas, dear enough; my nephew Glanville, the old Earl of Arundel's head by Rubens, for £20. Growing late, I did not stay till all were sold.

John Evelyn's Diary 23 April 1696. 23 Apr 1696. I went to Eton, and dined with Dr. Godolphin, the provost. The schoolmaster assured me there had not been for twenty years a more pregnant youth in that place than my grandson (14). I went to see the King's House at Kensington. It is very noble, though not great. The gallery furnished with the best pictures [from] all the houses, of Titian, Raphael, Correggio, Holbein, Julio Romano, Bassan, Vandyke (97), Tintoretto, and others; a great collection of porcelain; and a pretty private library. The gardens about it very delicious.

Letters of Horace Walpole Earl of Orford Volume 2 Letter 64 To Richard Bentley, Esq. Here we are, my dear Sir, in the middle of our pilgrimage; and lest we should never return from this holy land of abbeys and Gothic castles, I begin a letter to you. that I hope some charitable monk, when he has buried our bones, will deliver to you. We have had piteous distresses, but then we have seen glorious sights! You shall hear of each in their order.
Monday, Wind S. E.—at least that was our direction—While they were changing our horses at Bromley, we went to see the Bishop of Rochester's palace; not for the sake of any thing there was to be seen, but because there was a chimney, in which had stood a flower-pot, in which was put the counterfeit plot against Bishop Sprat. 'Tis a paltry parsonage, with nothing of antiquity but two panes of glass, purloined from Islip's chapel in Westminster Abbey, with that abbot's rebus, an eye and a slip of a tree. In the garden there is a clear little pond, teeming with gold fish. The Bishop is more prolific than I am.
From Sevenoaks we went to Knowle. The park is sweet, with much old beech, and an immense sycamore before the great gate, that makes me more in love than ever with sycamores. The house is not near so extensive as I expected:(330) the outward court has a beautiful decent simplicity that charms one. The apartments are many, but not large. The furniture throughout, ancient magnificence; loads of portraits, not good nor curious; ebony cabinets, embossed silver in vases, dishes, etc. embroidered beds, stiff chairs, and sweet bags lying on velvet tables, richly worked in silk and gold. There are two galleries, one very small; an old hall, and a spacious great drawing-room. There is never a good staircase. The first little room you enter has sundry portraits of the times; but they seem to have been bespoke by the yard, and drawn all by the same painter; One should be happy if they were authentic; for among them there is Dudley, Duke of Northumberland, Gardiner of Winchester, the Earl of Surry, the poet, when a boy, and a Thomas, Duke of Norfolk, but I don't know which. The only fine picture is of Lord Goring and Endymion Porter by Vandyke. There is a good head of the Queen of Bohemia, a whole-length of Duc d'Espernon, and another good head of the Clifford, Countess of Dorset, who wrote that admirable haughty letter to Secretary Williamson, when he recommended a person to her for member for Appleby: "I have been bullied by an usurper, I have been neglected by a court, but I won't be dictated to by a subject: your man shan't stand. Ann Dorset, Pembroke and Montgomery." In the chapel is a piece of ancient tapestry: Saint Luke in his first profession is holding an urinal. Below stairs is a chamber of poets and players, which is proper enough in that house; for the first Earl wrote a play,(331) and the last Earl was a poet, (332) and I think married a player (333) Major Mohun and Betterton are curious among the latter, Cartwright and Flatman among the former. The arcade is newly enclosed, painted in fresco, and with modern glass of all the family matches. In the gallery is a whole-length of the unfortunate Earl of Surry, with his device, a broken column, and the motto Sat superest. My father had one of them, but larger, and with more emblems, which the Duke of Norfolk bought at my brother's sale. There is one good head of henry VIII., and divers of Cranfield, Earl of Middlesex, the citizen who came to be lord treasurer, and was very near coming to be hanged.(334) His Countess, a bouncing kind of lady-mayoress, looks pure awkward amongst so much good company. A visto cut through the wood has a delightful effect from the front: but there are some trumpery fragments of gardens that spoil the view from the state apartments.
(329) Only son of Dr. Richard Bentley, the celebrated Divine and classical scholar. He was educated at Trinity College, under his father. Cumberland, who was his nephew, describes him as a man of various and considerable accomplishments; possessing a fine genius, great wit, and a brilliant imagination; "but there was," he adds, "a certain eccentricity and want of prudence in his character, that involved him in distresses, and reduced him to situations uncongenial with his feelings, and unpropitious to the cultivation and encouragement of his talents."-E.
(330) Evelyn in his Diary for July 25, 1673, says, "In my way I visited my Lord of Dorset's house at Knowle, near Sevenoaks, a greate old-fashion'd house."-E.
(331) Thomas Sackville, Lord Buckhurst, while a student in the Temple, wrote his tragedy of Gordobuc, which was played before Queen Elizabeth, at Whitehall, in 1561. He was created Earl of Dorset by James the First, in 1604.-E.
(332) Charles Sackville, sixth Earl of Dorset. On the day previous to the naval engagement with the Dutch, in 1665, he is said to have composed his celebrated song, "to all you Ladies now on Land."-E.
(333) On the contrary, he married the Lady Frances, daughter of the Earl of Middlesex, who survived him.-E. [Note. This appears to be a mistake insofar as Richard Sackville 5th Earl Dorset 1622-1677 married Frances Cranfield Countess Dorset 1622-1687 who was the daughter of Lionel Cranfield 1st Earl Middlesex 1575-1645. Charles Sackville 6th Earl Dorset 1643-1706 married firstly Mary Bagot Countess Falmouth and Dorset 1645-1679 and secondly Mary Compton Countess Dorset 1669-1691. There, however, references to his marrying an actress Alice Lee with whom he appear to have had a daughter Mary Sackville Countess Orrery -1714.]
(334) Lionel Cranfield, Earl of Middlesex, married two wives: the first was the daughter of a London citizen; the second, the daughter of James Brett, Esq. and half-sister of Mary Beaumont, created Countess of Buckingham. To this last alliance, Lord Middlesex owed his extraordinary advancement.-E.

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Around 1575 Unknown Painter. Based on a work of 1546. After William Scrots Painter 1517-1553. Portrait of Henry Howard 1516-1547.Around 1575 based on a work of 1546.Unknown Painter. Portrait of Henry Howard 1516-1547.In 1546 Unknown Painter. Italian. Portrait of Henry Howard 1516-1547 wearing his Garter Collar and Leg Garter. His right Thomas of Brotherton 1st Earl Norfolk 1300 1338 Arms, his left Thomas of Woodstock Plantagenet 1st Duke Albemarle 1st Duke Gloucester 1355 1397 Arms.Around 1642. William Dobson Painter 1611-1646. Portrait of Endymion Porter 1587-1649.Around 1627 Daniel Mijtens Painter 1590-1648. Portrait of Endymion Porter 1587-1649.Around 1616 William Larkin Painter 1582-1619. Portrait of Anne Clifford Countess Dorset and Pembroke 1590-1676.Before 1591. Hieronimo Custodis Painter -1593. Portrait of Thomas Sackville 1st Earl Dorset 1536-1608.In 1620 Daniel Mijtens Painter 1590-1648. Portrait of Lionel Cranfield 1st Earl Middlesex 1575-1645.Before 11 Dec 1643 Daniel Mijtens Painter 1590-1648. Portrait of Lionel Cranfield 1st Earl Middlesex 1575-1645.Around 1650. Robert Walker Painter 1599-1658. Portrait of Richard Sackville 5th Earl Dorset 1622-1677.Before 09 Dec 1641. After Anthony Van Dyck Painter 1599-1641. Portrait of Frances Cranfield Countess Dorset 1622-1687.Before 1652 John Weesop Painter -1652. Portrait of Frances Cranfield Countess Dorset 1622-1687.Around 1670 John Michael Wright Painter 1617-1694. Portrait of Mary Bagot Countess Falmouth and Dorset 1645-1679.Around 1700 Godfrey Kneller Painter 1646-1723. Portrait of Mary Compton Countess Dorset 1669-1691. One of the Hampton Court Beauties.

Charge of the Light Brigade

My Recollections by Adeline Horsey Countess Cardigan 1824 1915 Chapter IX: Deene and its History. I believe my husband replaced a great deal of the original furniture at Deene with more modern examples, but many valuable old pieces still remain. The pictures are very beautiful, including a priceless Vandyke representing Queen Henrietta Maria, in the happy days of her early married life, as a regal, gracious figure arrayed in shimmering satin. There is a lovely portrait of Louise de Keroualle and her son, the Duke of Richmond, who married a Brudenell, and there are many examples of Lely, Sir Joshua Reynolds and other eighteenth- and nineteenth-century artists. One painting by Sant represents the Prince Consort and the Royal children listening to the account of the Charge of the Light Brigade by Lord Cardigan, and there are also some interesting pictures of hunting-field incidents, depicting Cardigan and his friends on their favourite mounts.

1841 Francis Grant Painter 1803-1878. Portrait of James Brudenell 7th Earl Cardigan 1797-1868.Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.Before 1723 Godfrey Kneller Painter 1646-1723. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734.In 1670 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734.In 1673 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734.Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734.Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734.Before 05 Oct 1878 Francis Grant Painter 1803-1878. Portrait of Prince Albert Saxe Coburg Gotha 1819-1861.Around 1846. Franz Xaver Winterhalter Painter 1805-1873. Portrait of Prince Albert Saxe Coburg Gotha 1819-1861.Around 1846. Franz Xaver Winterhalter Painter 1805-1873. Portrait of Queen Victoria of the United Kingdom 1819-1901 and Prince Albert Saxe Coburg Gotha 1819-1861 and their children.Around 1859. Franz Xaver Winterhalter Painter 1805-1873. Portrait of Prince Albert Saxe Coburg Gotha 1819-1861.