John Evelyn's Diary 1641

1641 Trial and Execution of the Earl of Strafford

1641 Treaty of London

John Evelyn's Diary 1641 is in John Evelyn's Diary 1640s.

John Evelyn's Diary January 1641

John Evelyn's Diary 02 January 1641

02 Jan 1641. It was a sad and lugubrious beginning of the year, when, on the 2nd of January 1641, we at night followed the mourning hearse to the church at Wotton; when, after a sermon and funeral oration by the minister, my father (54) was interred near his formerly erected monument, and mingled with the ashes of our mother (42), his dear wife. Thus we were bereft of both our parents in a period when we most of all stood in need of their counsel and assistance, especially myself, of a raw, vain, uncertain, and very unwary inclination; but so it pleased God to make trial of my conduct in a conjuncture of the greatest and most prodigious hazard that ever the youth of England saw; and, if I did not amidst all this impeach my liberty nor my virtue with the rest who made shipwreck of both, it was more the infinite goodness and mercy of God than the least providence or discretion of mine own, who now thought of nothing but the pursuit of vanity, and the confused imaginations of young men.

John Evelyn's Diary April 1641

John Evelyn's Diary 15 April 1641

15 Apr 1641 I repaired to London to hear and see the famous trial of the Earl of Strafford, Lord-Deputy of Ireland (48), who, on the 22nd of March, had been summoned before both Houses of Parliament, and now appeared in Westminster Hall, which was prepared with scaffolds for the Lords and Commons, who, together with the King (40), Queen (31), Prince (10), and flower of the noblesse, were spectators and auditors of the greatest malice and the greatest innocency that ever met before so illustrious an assembly. It was Thomas Earl of Arundel and Surrey (55), Earl Marshal of England, who was made High Steward upon this occasion; and the sequel is too well known to need any notice of the event.

In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. Around 1712. Charles D'Agar Painter 1669-1723. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. In 1611 Robert In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649. Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II In 1618 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. In 1630 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 and wearing his Garter Collar. Around 1629 Peter Paul Rubens Painter 1577-1640. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646.

John Evelyn's Diary 27 April 1641

27 Apr 1641, came over out of Holland the young Prince of Orange (14), with a splendid equipage, to make love to his Majesty's (40) eldest daughter (9), the now Princess Royal.

That evening, was celebrated the pompous funeral of the Duke of Richmond (66), who was carried in effigy, with all the ensigns of that illustrious family, in an open chariot, in great solemnity, through London to Westminster Abbey.

In 1611 Robert In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649. Before 1656 Gerrit van Honthorst Painter 1592-1656. Portrait of Mary Stewart Princess Orange 1631-1660. In 1656 Adriaen Hanneman Painter 1603-1671. Portrait of Mary Stewart Princess Orange 1631-1660. Around 1658 Adriaen Hanneman Painter 1603-1671. Portrait of Mary Stewart Princess Orange 1631-1660. Around 1620 Daniel Mijtens Painter 1590-1648. Portrait of Ludovic Stewart 2nd Duke Lennox 1st Duke Richmond 1574-1624.

John Evelyn's Diary May 1641

John Evelyn's Diary 12 May 1641

12 May 1641, I beheld on Tower-hill the fatal stroke which severed the wisest head in England from the shoulders of the Earl of Strafford (48), whose crime coming under the cognizance of no human law, or statute, a new one was made, not to be a precedent, but his destruction. With what reluctancy the King (40) signed the execution, he has sufficiently expressed; to which he imputes his own unjust suffering — to such exorbitancy were things arrived.

In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. Around 1712. Charles D'Agar Painter 1669-1723. Portrait of Thomas Wentworth 1st Earl Strafford 1593-1641. In 1611 Robert In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649.

John Evelyn's Diary 19 May 1641

19 May 1641, we made a short excursion to Rochester, and having seen the cathedral, went to Chatham to see the Royal Sovereign, a glorious vessel of burden lately built there, being for defence and ornament, the richest that ever spread cloth before the wind. She carried an hundred brass cannon, and was 1200 tons; a rare sailer, the work of the famous Phineas Pett, inventor of the frigate-fashion of building, to this day practised. But what is to be deplored as to this vessel is, that it cost his Majesty (40) the affections of his subjects, perverted by the malcontent great ones, who took occasion to quarrel for his having raised a very slight tax for the building of this, and equipping the rest of the navy without an act of Parliament; though, by the suffrages of the major part of the Judges, the King (40) might legally do in times of imminent danger, of which his Majesty (40) was best apprised. But this not satisfying a jealous party, it was condemned as unprecedential, and not justifiable as to the Royal prerogative; and, accordingly, the Judges were removed out of their places, fined, and imprisoned.

In 1611 Robert In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649.

John Evelyn's Diary 21 May 1641

21 May 1641. We returned again this evening, and on the 21st embarked in a Dutch frigate, bound for Flushing, convoyed and accompanied by five other stout vessels, whereof one was a man-of-war. The next day, at noon, we landed at Flushing. Being desirous to overtake the Leagure, which was then before Genep, ere the summer should be too far spent, we went this evening from Flushing to Middleburg, another fine town in this island, to De Vere, whence the most ancient and illustrious Earls of Oxford derive their family, who have spent so much blood in assisting the state during their wars. From De Vere we passed over many towns, houses, and ruins of demolished suburbs, &c., which have formerly been swallowed up by the sea; at what time no less eight of those islands had been irrecoverably lost.

The next day, we arrived at Dort, the first town of Holland, furnished with all German commodities, and especially Rhenish wines and timber. It hath almost at the extremity a very spacious and venerable church; a stately senate-house, wherein was holden that famous synod against the Arminians in 1618, and in that hall hangeth a picture of The Passion, an exceeding rare and much-esteemed piece.

John Evelyn's Diary 23 May 1641

23 May 1641. From Dort, being desirous to hasten towards the army, I took waggon this afternoon to Rotterdam, whither we were hurried in less than an hour, though it be ten miles distant; so furiously do these foremen drive. I went first to visit the great church, the Doole, the Bourse, and the public statue of the learned Erasmus, of brass. They showed us his house, or rather the mean cottage, wherein he was bom, over which there are extant these lines, in capital letters: "DIBUS HIS ORTUS, MUNDUM DECORAVIT ERASMUS ARTIBUS, INGENIO, RELIGIONE, FIDE"..

John Evelyn's Diary 24 May 1641

24 May 1641, I returned to Wotton; and, on the 28th of June, I went to London with my sister Jane, and the day after sat to one Vanderborcht for my picture in oil, at Arundel House, whose servant that excellent painter was, brought out of Germany when the Earl returned from Vienna (whither he was sent Ambassador-extraordinary, with great pomp and charge, though without any effect, through the artifice of the Jesuited Spaniard, who governed all in that conjuncture). With Vanderborcht, the painter, he brought over Winceslaus Hollar, the sculptor, who engraved not only this unhappy Deputy's trial in Westminster Hall, but his decapitation; as he did several other historical things, then relating to the accidents happening during the Rebellion in England, with great skill, besides many cities, towns, and landscapes, not only of this nation, but of foreign parts, and divers portraits of famous persons then in being; and things designed from the best pieces of the rare paintings and masters of which the Earl of Arundel was possessor, purchased and collected in his travels with incredible expense; so as, though Hollar's were but etched in aqua-fortis, I account the collection to be the most authentic and useful extant. Hollar was the son of a gentleman near Prague, in Bohemia, and my very good friend, perverted at last by the Jesuits at Antwerp to change his religion; a very honest, simple, well-meaning man, who at last came over again into England, where he died. We have the whole history of the King's (40) reign, from his trial in Westminster-hall and before, to the restoration of King Charles II, represented in several sculptures, with that also of Archbishop Laud (67), by this indefatigable artist, besides innumerable sculptures in the works of Dugdale, Ashmole, and other historical and useful works. I am the more particular upon this for the fruit of that collection, which I wish I had entire.

24 May 1641. This picture [his portrait] I presented to my sister, being at her request, on my resolution to absent myself from this ill face of things at home, which gave umbrage to wiser than myself, that the medal was reversing, and our calamities but yet in their infancy; so that, on the 15th of July, having procured a pass at the Custom-house, where I repeated my oath of allegiance, I went from London to Gravesend, accompanied with one Mr. Caryll, a Surrey gentleman, and our servants, where we arrived by six o'clock that evening, with a purpose to take the first opportunity of a passage for Holland. But the wind as yet not favourable, we had time to view the Block-house of that town, which answered to another over against it at Tilbury, famous for the rendezvous of Queen Ehzabeth, in the year 1588, which we found stored with twenty pieces of cannon, and other ammunition proportionable.

In 1611 Robert In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649. In 1631 Daniel Mijtens Painter 1590-1648. Portrait of William Laud Archbishop of Canterbury 1573-1645. Around 1636 Anthony Van Dyck Painter 1599-1641. Portrait of William Laud Archbishop of Canterbury 1573-1645. Wearing a black Chimere over his white Rochet.

John Evelyn's Diary 26 May 1641

26 May 1641, I passed by a straight and commodious river through Delft to Hague; in which journey I observed divers leprous poor creatures dwelling in sohtary huts on the brink of the water, and permitted to ask the charity of passengers, which is conveyed to them in a floating box that they cast out.

John Evelyn's Diary 27 May 1641

27 May 1641. Arrived at Hague, I went first to the Queen of Bohemia's (44) Court, where I had the honour to kiss her Majesty's (44) hand, and several of the Princesses' her daughters. Prince Maurice (20) was also there, newly come out of Germany, and my Lord Finch (19), not long before fled out of England from the fury of the Parliament. It was a fasting-day with the Queen for the unfortunate death of her husband (44), and the presence-chamber had been hung with black velvet ever since his decease.

In 1610 Robert In 1642 Gerrit van Honthorst Painter 1592-1656. Portrait of Princess Elizabeth Stewart Queen Bohemia 1596-1662. After 07 Feb 1612 Unknown Painter. Portrait of Princess Elizabeth Stewart Queen Bohemia 1596-1662. Elizabeth's standing collar of reticella is worked with the Royal coat of arms with its lion and unicorn supporters. She wears a gown of Italian silk brocade. The black armband is thought to be a sign of mourning for her brother Henry Frederick, Prince of Wales who died on 07 Feb 1612. In 1666 Peter Lely Painter 1618-1680. Portrait of Heneage Finch 1st Earl Nottingham 1621-1682. Around 1630 Michiel Janszoon van Mierevelt Painter 1566-1641. Portrait of Frederick Palatinate Simmern V Elector Palatine Rhine 1596-1632. In 1635 Gerrit van Honthorst Painter 1592-1656. Portrait of Frederick Palatinate Simmern V Elector Palatine Rhine 1596-1632.

John Evelyn's Diary 28 May 1641

28 May 1641. I went to Leyden; and the 29th to Utredit, being thirty English miles distant, (as they reckon by hours). It was now Kermas, or a fair, in this town, the streets swarming with boors and rudeness, so that early the next morning, having visited the ancient Bishop's court, and the two famous churches, I satisfied my curiosity till my return, and better leisure. We then came to Hynen, where the Queen of Bohemia hath a neat and •well-built palace^ or country-house, after the Itahan manner, as I remember; and so, crossing the Rhine, upon which this villa is situated, lodged that night in a countryman's house.

John Evelyn's Diary 31 May 1641

31 May 1641. To Nimeguen: and on the 2nd of August we arrived at the League, where was then the whole army encamped about Genep, a very strong castle situated on the river Waal; but, being taken four or five days before, we had only a sight of the demolitions. The next Sunday was the thanksgiving sermons performed in Colonel Goring's (32) regiment (eldest son of the since Earl of Norwich) by Mr. Goffe (36), his chaplain (now turned Roman, and father-confessor to the Queen-Mother (31)). The evening was spent in firing cannon and other expressions of military triumphs.

Now, according to the compliment, I was received a volunteer in the company of Captain Apsley (25), of whose Captain-lieutenant, Honywood, (Apsley being absent,) T received many civilities.

Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.

John Evelyn's Diary August 1641

John Evelyn's Diary September 1641

John Evelyn's Diary 01 September 1641

01 Sep 1641. I went to Delft and Rotterdam, and two days after back to the Hague, to bespeak a suit of horseman's armour, which I caused to be made to fit me. I now rode out of town to see the monument of the woman, pretended to have been a Countess of Holland, reported to have had as many children at one birth, as there are days in the year. The basins were hung up in which they were baptized, together with a large description of the matter-of-fact in a frame of carved work, in the church of Lysdun, a desolate place. As I returned, I diverted to see one of the prince's Palaces, called the Hoff Van Hounslers Dyck, a very fair cloistered and quadrangular building. The gallery is prettily painted with several huntings and at one end a Gordian knot, with rustical instruments so artificially represented, as to deceive an accurate eye to distinguish it from actual rehevo. The ceiling of the staircase is painted with the Rape of Ganymede, and other pendent figures, the work of F. Covenberg, of whose hand I bought an excellent drollery, which I afterwards parted with to my brother George of Wotton, where it now hangs. To this palace join a fair garden and park, curiously planted with limes.

John Evelyn's Diary 08 September 1641

08 Sep 1641. Returned to Rotterdam, through Delftshaven and Sedan, where were at that time Colonel Goring's (33) winter quarters. This town has heretofore been very much talked of for witches.

John Evelyn's Diary 10 September 1641

10 Sep 1641. I took waggon for Dort, to be present at the reception of the Queen-mother, Marie de Medicis (66), Dowager of France, widow of Henry the Great, and mother to the French King, Louis XIII (39), and the Queen of England (31), whence she newly arrived, tossed to and fro by the various fortune of her life. From this city, she designed for Cologne, conducted by the Earl of Arundel (14) and the Herr Van Bredrod. At this interview, I saw the Princess of Orange (39), and the lady her daughter (13), afterwards married to the House of Brandenburgh. There was little remarkable in this reception befitting the greatness of her person; but an universal discontent, which accompanied that unlucky woman wherever she went.

Around 1590. Santi di Tito Painter 1536-1603. Portrait of Marie de Medici Queen Consort France 1575-1642. Around 1610. Frans Pourbus the Younger Painter 1569-1622. Portrait of Marie de Medici Queen Consort France 1575-1642. 1616. Frans Pourbus the Younger Painter 1569-1622. Portrait of Marie de Medici Queen Consort France 1575-1642. Before 1622. Frans Pourbus the Younger Painter 1569-1622. Portrait of Louis XIII King France 1601-1643. Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. 1627. Daniel Mijtens Painter 1590-1648. Portrait of Luise Henriette Orange Nassau 1627-1667. 1642. Gerrit van Honthorst Painter 1592-1656. Portrait of Luise Henriette Orange Nassau 1627-1667.

John Evelyn's Diary 12 September 1641

12 Sep 1641. I went towards Bois-le-Duc, where we arrived on the 16th, at the time when the new citadel was advancing with innumerable hands, and incomparable inventions for draining off the waters out of the fens and morasses about it, being by buckets, mills, cochleas, pumps, and the like; in which the Hollanders are the most expert in Europe. Here were now sixteen companies and nine troops of horse. They were also cutting a new river, to pass from the town to a castle not far from it. Here we split our skiff, falling foul upon another through negligence of the master, who was fain to run aground, to our no little hazard. At our arrival, a soldier conveyed us to the Governor, where our names were taken, and our persons examined very strictly.

John Evelyn's Diary 17 September 1641

17 Sep 1641. I was permitted to walk the round and view the works, and to visit a convent of religious women of the order of St. Clara, who by the capitulation were allowed to enjoy their monastery and maintenance undisturbed, at the surrender of the town twelve years since, where we had a collation and very civil entertainment. They had a neat chapel, in which the heart of the Duke of Cleves, their founder, lies inhumed under a plate of brass. Within the cloister is a garden, and in the middle of it an overgrown lime-tree, out of whose stem, near the root, issue five upright and exceeding tall suckers, or bolls, the hke whereof for evenness and height I had not observed.

The chief church of this city is curiously carved within and without, furnished with a pair of organs, and a most magnificent font of copper.

John Evelyn's Diary 18 September 1641

18 Sep 1641. I went to see that most impregnable town and fort of Hysdune, where I was exceedingly obliged to one Colonel Crombe, the Keutenant-govemor, who would needs make me accept the honour of being captain of the watch, and to give the word this night. The fortification is very irregular, but esteemed one of the most considerable for strength and situation in the Netherlands. We departed towards Gorcum. Here Sir Kenelm Digby (38), travelling towards Cologne, met us.

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of Kenelm Digby 1603-1665.

John Evelyn's Diary 19 September 1641

19 Sep 1641, we arrived at Dort, passing by the Decoys, where they catch innumerable quantities of fowl.

John Evelyn's Diary 22 September 1641

22 Sep 1641. I went again to Rotterdam to receive a pass which I expected from Brussels, securing me through Brabant and Flanders, designing to go into England through those countries. The Cardinal Infante (32), brother to the king of Spain (36), was then governor. By this pass, having obtained another from the Prince of Orange, upon the 24th of September I departed through Dort; but met with very bad tempestuous weather, being several times driven back, and obliged to lie at anchor off Keele, other vessels lying there waiting better weather. The 25th and 26th we made other essays; but were again repulsed to the harbour, where lay sixty vessels waiting to sail. But, on the 27th we, impatient of the time and inhospitableness of the place, sailed again with a contrary and impetuous wind and a terrible sea, in great jeopardy; for we had much ado to keep ourselves above water, the billows breaking desperately on our vessel: we were driven into Willemstad, North Brabant, a place garrisoned by the English, where the Governor of had a fair house. The works, and especially the counterscarp, are curiously hedged with quick, and planted with a stately row of limes on the rampart. The church is of a round structure, with a cupola, and the town belongs entirely to the Prince of Orange, as does that of Breda, and some other places.

1623. Diego Velázquez Painter 1599-1660. Portrait of Philip IV King Spain 1605-1665. 1621 to 1623. Diego Velázquez Painter 1599-1660. Portrait of Philip IV King Spain 1605-1665 in Brown and Silver. 1644. Diego Velázquez Painter 1599-1660. Portrait of Philip IV King Spain 1605-1665. 1656. Diego Velázquez Painter 1599-1660. Portrait of Philip IV King Spain 1605-1665. Around 1628. Gaspar de Crayer Painter 1584-1669. Portrait of Philip IV King Spain 1605-1665 in armour. 1666. Juan Bautista Martínez del Mazo 1612-1667. Portrait of Margaret Theresa Habsburg Holy Roman Empress 1651-1673 in mourning for her father Philip IV King Spain 1605-1665.

John Evelyn's Diary 28 September 1641

28 Sep 1641. Failing of an appointment, I was constrained to return to Dort for a bill of exchange; but it was the 1st of October ere I could get back. At Keele, I numbered 141 vessels, who durst not yet venture out; but, animated by the master of a stout barque, after a small encounter of weather, we arrived by four that evening at Steenbergen. In the passage we sailed over a sea called the Plaats, an exceeding dangerous water, by reason of two contrary tides which meet there very impetuously. Here, because of the many shelves, we were forced to tide it along the Channel; but, ere we could gain the place, the ebb was so far spent, that we were compelled to foot it at least two long miles, through a most pelting shower of rain.

John Evelyn's Diary October 1641

John Evelyn's Diary November 1641

John Evelyn's Diary 07 November 1641

07 Nov 1641. After receiving the Sacrament at Wotton church, I visited my Lord Marshal (56) at Albury.

In 1618 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. In 1630 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 and wearing his Garter Collar. Around 1629 Peter Paul Rubens Painter 1577-1640. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646.

John Evelyn's Diary 23 November 1641

23 Nov 1641. I returned to London; and, on the 25th, saw his Majesty (41) ride through the City after his coming out of Scotland, and a Peace proclaimed, with great acclamations and joy of the giddy people.

In 1611 Robert In 1633 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649 known as Charles I with M.De St Antoine. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of King Charles I of England, Scotland and Ireland 1600-1649.

John Evelyn's Diary December 1641

John Evelyn's Diary 15 December 1641

15 Dec 1641. I was elected one of the Comptrollers of the Middle Temple revellers, as the fashion of the young students and gentlemen was, the Christmas being kept this year with great solemnity; but, being desirous to pass it in the country, I got leave to resign my staff of office, and went with my brother Richard to Wotton.