John Evelyn's Diary 1679

1640 Long Parliament

1678 Popish Plot

John Evelyn's Diary 1679 is in John Evelyn's Diary 1670s.

John Evelyn's Diary January 1679

John Evelyn's Diary 15 January 1679

15 Jan 1679. I went with my Lady Sunderland (33) to Chelsea, and dined with the Countess of Bristol (59) [her mother] in the great house, formerly the Duke of Buckingham's, a spacious and excellent place for the extent of ground and situation in a good air. The house is large but ill-contrived, though my Lord of Bristol (66), who purchased it after he sold Wimbledon to my Lord Treasurer (46), expended much money on it. There were divers pictures of Titian and Vandyke (79), and some of Bassano, very excellent, especially an Adonis and Venus, a Duke of Venice, a butcher in his shambles selling meat to a Swiss; and of Vandyke (79), my Lord of Bristol's (66) picture, with the Earl of Bedford's at length, in the same table. There was in the garden a rare collection of orange trees, of which she was pleased to bestow some upon me.

Before 1666 Peter Lely Painter 1618-1680. Portrait of Anne Digby Countess Sunderland 1646-1715. One of the Windsor Beauties. Around 1637 Anthony Van Dyck Painter 1599-1641. Portrait of George Digby 2nd Earl Bristol 1612-1677 and William Russell 1st Duke Bedford 1616-1700. Around 1638 Anthony Van Dyck Painter 1599-1641. Portrait of George Digby 2nd Earl Bristol 1612-1677.

John Evelyn's Diary 16 January 1679

16 Jan 1679. I supped this night with Mr. Secretary at one Mr. Houblon's (49), a French merchant, who had his house furnished en Prince, and gave us a splendid entertainment.

John Evelyn's Diary 25 January 1679

25 Jan 1679. The Long Parliament, which had sat ever since the Restoration, was dissolved by persuasion of the Lord Treasurer (46), though divers of them were believed to be his pensioner. At this, all the politicians were at a stand, they being very eager in pursuit of the late plot of the Papists.

John Evelyn's Diary 30 January 1679

30 Jan 1679. Dr. Cudworth preached before the King (48) at Whitehall, on 2 Timothy iii. 5, reckoning up the perils of the last times, in which, among other wickedness, treasons should be one of the greatest, applying it to the occasion, as committed under a form of reformation and godliness; concluding that the prophecy did intend more particularly the present age, as one of the last times; the sins there enumerated, more abundantly reigning than ever.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II

John Evelyn's Diary February 1679

John Evelyn's Diary 04 February 1679

04 Feb 1679. Dr. Pierce, Dean of Salisbury, preached on 1 John, iv. 1, "Try the Spirits, there being so many delusory ones gone forth of late into the world"; he inveighed against the pernicious doctrines of Mr. Hobbes.

My brother Evelyn, was now chosen Knight for the County of Surrey, carrying it against my Lord Longford and Sir Adam Brown, of Bechworth Castle. The country coming in to give him their suffrages were so many, that I believe they ate and drank him out near £2,000, by a most abominable custom.

John Evelyn's Diary April 1679

John Evelyn's Diary 01 April 1679

01 Apr 1679. My friend, Mr. Godolphin (33), was now made one of the Lords Commissioners of the Treasury, and of the Privy Council.

John Evelyn's Diary 04 April 1679

04 Apr 1679. The Bishop of Gloucester preached in a manner very like Bishop Andrews, full of divisions, and scholastical, and that with much quickness. The Holy Communion followed.

John Evelyn's Diary 20 April 1679

20 Apr 1679. Easter day. Our vicar preached exceedingly well on 1 Cor. v. 7. The Holy Communion followed, at which I and my daughter, Mary (14) (now about fourteen years old), received for the first time. The Lord Jesus continue his grace unto her, and improve this blessed beginning!

John Evelyn's Diary 24 April 1679

24 Apr 1679. The Duke of York (45), voted against by the Commons for his recusancy, went over to Flanders; which made much discourse.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of King James II when Duke of York. Around 1666 Peter Lely Painter 1618-1680. Portrait of King James II and Anne Hyde Queen Consort England 1637-1671. See Diary of Samuel Pepys 24 March 1666. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of King James II wearing his Garter Robes. Around 1672 Henri Gascar Painter 1635-1701. Portrait of King James II.

John Evelyn's Diary June 1679

John Evelyn's Diary 04 June 1679

04 Jun 1679. I dined with Mr. Pepys (46) in the Tower of London, he having been committed by the House of Commons for misdemeanors in the Admiralty when he was secretary; I believe he was unjustly charged. Here I saluted my Lords Stafford (64) and Petre (53), who were committed for the Popish plot.

In 1666. John Hayls Painter 1600-1679. Portrait of Samuel Pepys Diarist 1633-1703. See Diary of Samuel Pepys 14 February 1666, Diary of Samuel Pepys 17 March 1666, Diary of Samuel Pepys 23 March 1666, Diary of Samuel Pepys 28 March 1666, Diary of Samuel Pepys 30 March 1666, Diary of Samuel Pepys 04 April 1666, Diary of Samuel Pepys 06 April 1666, Diary of Samuel Pepys 11 April 1666, Diary of Samuel Pepys 20 April 1666, Diary of Samuel Pepys 16 May 1666. In 1689 Godfrey Kneller 1646-1723. Portrait of Samuel Pepys Diarist 1633-1703.

John Evelyn's Diary 07 June 1679

07 Jun 1679. I saw the magnificent cavalcade and entry of the Portugal Ambassador (53).

John Evelyn's Diary 17 June 1679

17 Jun 1679. I was godfather to a son of Sir Christopher Wren (55), surveyor of his Majesty's (49) buildings, that most excellent and learned person, with Sir William Fermor (30), and my Lady Viscountess Newport, wife of the Treasurer of the Household (59).

Thence to Chelsea, to Sir Stephen Fox (52), and my lady, in order to the purchase of the Countess of Bristol's (59) house there, which she desired me to procure a chapman for.

In 1711 Godfrey Kneller 1646-1723. Portrait of Christopher Wren 1632-1723. Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II After 28 Apr 1642 Peter Lely Painter 1618-1680. Portrait of Diana Russell Countess Bradford -1695. Before 1725. John James Baker Painter -1725. Portrait of Stephen Fox Paymaster 1627-1716.

John Evelyn's Diary 19 June 1679

19 Jun 1679. I dined at Sir Robert Clayton's (50) with Sir Robert Viner (48), the great banker.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of Robert Vyner Banker 1st Baronet 1631-1688 and Mary Whitchurch Lady Vyner -1674 and their children.

John Evelyn's Diary 22 June 1679

22 Jun 1679. There were now divers Jesuits executed about the plot, and a rebellion in Scotland of the fanatics, so that there was a sad prospect of public affairs.

John Evelyn's Diary 25 June 1679

25 Jun 1679. The new Commissioners of the Admiralty came to visit me, viz, Sir Henry Capell (41), brother to the Earl of Essex (47), Mr. Finch (31), eldest son to the Lord Chancellor (57), Sir Humphry Winch (57), Sir Thomas Meeres (45), Mr. Hales, with some of the Commissioners of the Navy. I went with them to London.

Around 1655 John Hoskins Painter 1590-1664. Portrait of Henry Capell 1st Baron Capell Tewkesbury 1638-1696. In 1666 Peter Lely Painter 1618-1680. Portrait of Heneage Finch 1st Earl Nottingham 1621-1682.

John Evelyn's Diary July 1679

John Evelyn's Diary 01 July 1679

01 Jul 1679. I dined at Sir William Godolphin's (39), and with that learned gentleman went to take the air in Hyde Park, where was a glorious cortège.

John Evelyn's Diary 03 July 1679

03 Jul 1679. Sending a piece of venison to Mr. Pepys (46), still a prisoner, I went and dined with him.

In 1666. John Hayls Painter 1600-1679. Portrait of Samuel Pepys Diarist 1633-1703. See Diary of Samuel Pepys 14 February 1666, Diary of Samuel Pepys 17 March 1666, Diary of Samuel Pepys 23 March 1666, Diary of Samuel Pepys 28 March 1666, Diary of Samuel Pepys 30 March 1666, Diary of Samuel Pepys 04 April 1666, Diary of Samuel Pepys 06 April 1666, Diary of Samuel Pepys 11 April 1666, Diary of Samuel Pepys 20 April 1666, Diary of Samuel Pepys 16 May 1666. In 1689 Godfrey Kneller 1646-1723. Portrait of Samuel Pepys Diarist 1633-1703.

John Evelyn's Diary 06 July 1679

06 Jul 1679. Now were there papers, speeches, and libels, publicly cried in the streets against the Dukes of York (45) and Lauderdale (63), etc., obnoxious to the Parliament, with too much and indeed too shameful a liberty; but the people and Parliament had gotten head by reason of the vices of the great ones.

There was now brought up to London a child, son of one Mr. Wotton, formerly amanuensis to Dr. Andrews, Bishop of Winton, who both read and perfectly understood Hebrew, Greek, Latin, Arabic, Syriac, and most of the modern languages; disputed in divinity, law, and all the sciences; was skillful in history, both ecclesiastical and profane; in politics; in a word, so universally and solidly learned at eleven years of age, that he was looked on as a miracle. Dr. Lloyd (42), one of the most deeply learned divines of this nation in all sorts of literature, with Dr. Burnet (35), who had severely examined him, came away astonished, and they told me they did not believe there had the like appeared in the world. He had only been instructed by his father, who being himself a learned person, confessed that his son knew all that he himself knew. But, what was more admirable than his vast memory, was his judgment and invention, he being tried with divers hard questions, which required maturity of thought and experience. He was also dexterous in chronology, antiquities, mathematics. In sum, an intellectus universalis, beyond all that we read of Picus Mirandula, and other precocious wits, and yet withal a very humble child.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of King James II when Duke of York. Around 1666 Peter Lely Painter 1618-1680. Portrait of King James II and Anne Hyde Queen Consort England 1637-1671. See Diary of Samuel Pepys 24 March 1666. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of King James II wearing his Garter Robes. Around 1672 Henri Gascar Painter 1635-1701. Portrait of King James II. Before 05 Aug 1661 Cornelius Johnson Painter 1593-1661. Portrait of Thomas Hales 3rd Baronet Hales 1695-1762 and John Maitland 1st Duke Lauderdale 1616-1682. Ham House Ham Richmond. Around 1665 Peter Lely Painter 1618-1680. Portrait of John Maitland 1st Duke Lauderdale 1616-1682. Around 1675 Peter Lely Painter 1618-1680. Portrait of John Maitland 1st Duke Lauderdale 1616-1682 and Elizabeth Murray Duchess Lauderdale 1626-1698. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of John Maitland 1st Duke Lauderdale 1616-1682 wearing his Garter Robes. Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of John Maitland 1st Duke Lauderdale 1616-1682. Around 1675 Mary Beale aka Cradock Painter 1633-1699. Portrait of Gilbert Burnet Bishop of Salisbury 1643-1715. Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Gilbert Burnet Bishop of Salisbury 1643-1715.

John Evelyn's Diary 14 July 1679

14 Jul 1679. I went to see how things stood at Parson's Green, my Lady Viscountess Mordaunt (47) (now sick in Paris, whither she went for health) having made me a trustee for her children, an office I could not refuse to this most excellent, pious, and virtuous lady, my long acquaintance.

John Evelyn's Diary 15 July 1679

15 Jul 1679. I dined with Mr. Sidney Godolphin (34), now one of the Lords Commissioners of the Treasury.

John Evelyn's Diary 18 July 1679

18 Jul 1679. I went early to the Old Bailey Sessions House, to the famous trial of Sir George Wakeman, one of the Queen's (40) physicians, and three Benedictine monks; the first (whom I was well acquainted with, and take to be a worthy gentleman abhorring such a fact), for intending to poison the King (49); the others as accomplices to carry on the plot, to subvert the government, and introduce Popery. The bench was crowded with the judges, Lord Mayor justices, and innumerable spectators. The chief accusers, Dr. Oates (29) (as he called himself), and one Bedlow, a man of inferior note. Their testimonies were not so pregnant, and I fear much of it from hearsay, but swearing positively to some particulars, which drew suspicion upon their truth; nor did circumstances so agree, as to give either the bench or jury so entire satisfaction as was expected. After, therefore, a long and tedious trial of nine hours, the jury brought them in not guilty, to the extraordinary triumph of the Papists, and without sufficient disadvantage and reflections on witnesses, especially Oates (29) and Bedlow.

This was a happy day for the lords in the Tower, who, expecting their trial, had this gone against the prisoners at the bar, would all have been in the utmost hazard. For my part, I look on Oates (29) as a vain, insolent man, puffed up with the favor of the Commons for having discovered something really true, more especially as detecting the dangerous intrigue of Coleman (43), proved out of his own letters, and of a general design which the Jesuited party of the Papists ever had and still have, to ruin the Church of England; but that he was trusted with those great secrets he pretended, or had any solid ground for what he accused divers noblemen of, I have many reasons to induce my contrary belief. That among so many commissions as he affirmed to have delivered to them from P. Oliva and the Pope,—he who made no scruple of opening all other papers, letters, and secrets, should not only not open any of those pretended commissions, but not so much as take any copy or witness of any one of them, is almost miraculous. But the Commons (some leading persons I mean of them) had so exalted him that they took all he said for Gospel, and without more ado ruined all whom he named to be conspirators; nor did he spare whoever came in his way. But, indeed, the murder of Sir Edmundbury Godfrey (57), suspected to have been compassed by the Jesuits' party for his intimacy with Coleman (43) (a busy person whom I also knew), and the fear they had that he was able to have discovered things to their prejudice, did so exasperate not only the Commons, but all the nation, that much of these sharpnesses against the more honest Roman Catholics who lived peaceably, is to be imputed to that horrid fact.

The sessions ended, I dined or rather supped (so late it was) with the judges in the large room annexed to the place, and so returned home. Though it was not my custom or delight to be often present at any capital trials, we having them commonly so exactly published by those who take them in short-hand, yet I was inclined to be at this signal one, that by the ocular view of the carriages and other circumstances of the managers and parties concerned, I might inform myself, and regulate my opinion of a cause that had so alarmed the whole nation.

Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms. Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II

John Evelyn's Diary 22 July 1679

22 Jul 1679. Dined at Clapham, at Sir D. Gauden's; went thence with him to Windsor, to assist him in a business with his Majesty (49). I lay that night at Eton College, the Provost's lodgings (Dr. Craddock), where I was courteously entertained.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II

John Evelyn's Diary 23 July 1679

23 Jul 1679. To Court: after dinner, I visited that excellent painter, Verrio (43), whose works in fresco in the King's (49) palace, at Windsor, will celebrate his name as long as those walls last. He showed us his pretty garden, choice flowers, and curiosities, he himself being a skillful gardener.

I went to Clifden, that stupendous natural rock, wood, and prospect, of the Duke of Buckingham's (51), and buildings of extraordinary expense. The grots in the chalky rocks are pretty: it is a romantic object, and the place altogether answers the most poetical description that can be made of solitude, precipice, prospect, or whatever can contribute to a thing so very like their imaginations. The stand, somewhat like Frascati as to its front, and on the platform is a circular view to the utmost verge of the horizon, which, with the serpenting of the Thames, is admirable. The staircase is for its materials singular; the cloisters, descents, gardens, and avenue through the wood, august and stately; but the land all about wretchedly barren, and producing nothing but fern. Indeed, as I told his Majesty (49) that evening (asking me how I liked Clifden) without flattery, that it did not please me so well as Windsor for the prospect and park, which is without compare; there being but one only opening, and that narrow, which led one to any variety; whereas that of Windsor is everywhere great and unconfined.

Returning, I called at my cousin Evelyn's, who has a very pretty seat in the forest, two miles by hither Clifden, on a flat, with gardens exquisitely kept, though large, and the house a staunch good old building, and what was singular, some of the rooms floored dove tail-wise without a nail, exactly close. One of the closets is pargeted with plain deal, set in diamond, exceeding staunch and pretty.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II Around 1675 Peter Lely Painter 1618-1680. Portrait of George Villiers 2nd Duke of Buckingham 1628-1687 wearing his Garter Collar.

John Evelyn's Diary August 1679

John Evelyn's Diary 07 August 1679

07 Aug 1679. Dined at the Sheriff's, when, the Company of Drapers and their wives being invited, there was a sumptuous entertainment, according to the forms of the city, with music, etc., comparable to any prince's service in Europe.

John Evelyn's Diary 08 August 1679

08 Aug 1679. I went this morning to show my Lord Chamberlain (61), his Lady (45), and the Duchess of Grafton (24), the incomparable work of Mr. Gibbon (31), the carver, whom I first recommended to his Majesty (49), his house being furnished like a cabinet, not only with his own work, but divers excellent paintings of the best hands. Thence, to Sir Stephen Fox's (52), where we spent the day.

Around 1676 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685 wearing his Garter Robes. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685. In 1651 Gerrit van Honthorst Painter 1592-1656. Portrait of Elisabeth Nassau Beverweert Countess Arlington 1633-1718. Around 1700 Godfrey Kneller 1646-1723. Portrait of Isabella Bennet Duchess Grafton 1655-1723. One of the Hampton Court Beauties. In 1686 Willem Wissing Painter 1656-1687. Portrait of Isabella Bennet Duchess Grafton 1655-1723. Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II Before 1725. John James Baker Painter -1725. Portrait of Stephen Fox Paymaster 1627-1716.

John Evelyn's Diary 31 August 1679

31 Aug 1679. After evening service, to see a neighbor, one Mr. Bohun, related to my son's (24) late tutor of that name, a rich Spanish merchant, living in a neat place, which he has adorned with many curiosities, especially several carvings of Mr. Gibbons (31), and some pictures by Streeter (58).

John Evelyn's Diary September 1679

John Evelyn's Diary 13 September 1679

13 Sep 1679. To Windsor, to congratulate his Majesty (49) on his recovery; I kissed the Duke's (45) hand, now lately returned from Flanders to visit his brother the King (49), on which there were various bold and foolish discourses, the Duke of Monmouth (30) being sent away.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II Before 1694 John Michael Wright Painter 1617-1694. Portrait of King James II when Duke of York. Around 1666 Peter Lely Painter 1618-1680. Portrait of King James II and Anne Hyde Queen Consort England 1637-1671. See Diary of Samuel Pepys 24 March 1666. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of King James II wearing his Garter Robes. Around 1672 Henri Gascar Painter 1635-1701. Portrait of King James II. Around 1670. John Riley Painter 1646-1691. Portrait of James Scott 1st Duke Monmouth 1st Duke Buccleuch 1649-1685.

John Evelyn's Diary 19 September 1679

19 Sep 1679. My Lord Sunderland (38), one of the principal Secretaries of State, invited me to dinner, where was the King's (49) natural son, the Earl of Plymouth (22), the Earl of Shrewsbury (56), Earl of Essex (47), Earl of Mulgrave (31), Mr. Hyde, and Mr. Godolphin (34). After dinner I went to prayers at Eton College, and visited Mr. Henry Godolphin (31), fellow there, and Dr. Craddock.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II Around 1704 Johnathan

John Evelyn's Diary 25 September 1679

25 Sep 1679. Mr. Slingsby (58) and Signor Verrio (43) came to dine with me, to whom I gave China oranges off my own trees, as good, I think, as were ever eaten.

John Evelyn's Diary October 1679

John Evelyn's Diary 06 October 1679

06 Oct 1679. A very wet and sickly season.

John Evelyn's Diary 23 October 1679

23 Oct 1679. Dined at my Lord Chamberlain's (61), the King (49) being now newly returned from his Newmarket recreations.

Around 1676 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685 wearing his Garter Robes. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685. Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II

John Evelyn's Diary November 1679

John Evelyn's Diary December 1679

John Evelyn's Diary 04 December 1679

04 Dec 1679. I dined, together with Lord Ossory (45) and the Earl of Chesterfield (45), at the Portugal Ambassador's (53), now newly come, at Cleveland House, a noble palace, too good for that infamous.... [Note. Probably a reference to Barbara Villiers 1st Duchess of Cleveland 1640-1709 (39)] The staircase is sumptuous, and the gallery and garden; but, above all, the costly furniture belonging to the Ambassador, especially the rich Japan cabinets, of which I think there were a dozen. There was a billiard table, with as many more hazards as ours commonly have; the game being only to prosecute the ball till hazarded, without passing the port, or touching the pin; if one miss hitting the ball every time, the game is lost, or if hazarded. It is more difficult to hazard a ball, though so many, than in our table, by reason the bound is made so exactly even, and the edges not stuffed; the balls are also bigger, and they for the most part use the sharp and small end of the billiard stick, which is shod with brass, or silver. The entertainment was exceedingly civil; but, besides a good olio, the dishes were trifling, hashed and condited after their way, not at all fit for an English stomach, which is for solid meat. There was yet good fowls, but roasted to coal, nor were the sweetmeats good.

Before 07 Nov 1666. William Faithorne Before 1694 John Michael Wright Painter 1617-1694. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Around 1664 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child. Around 1666 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. One of the Windsor Beauties. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Around 1690 Jacob Huysmans Painter 1633-1696. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.

John Evelyn's Diary 30 December 1679

30 Dec 1679. I went to meet Sir John Stonehouse (40), and give him a particular of the settlement on my son (59), who now made his addresses to the young lady (20) his daughter-in-law [Note. Step-daughter], daughter of Lady Stonehouse.

Around 1644. Robert Walker Painter 1599-1658. Portrait of John Evelyn 1620-1706. In 1689 Godfrey Kneller 1646-1723. Portrait of John Evelyn 1620-1706. Around 1650 Adriaen Hanneman Painter 1603-1671. Portrait of John Evelyn 1620-1706.