John Reresby's Diary 1665

John Reresby's Diary 1665 is in John Reresby's Diary.

John Reresby's Diary 05 Aug 1665

05 Aug 1665. His royal highness (31) and his duchess (28) came down to York, where they stayed till September the 23rd, when the Duke (31) went for Oxford, where the King (35) was to meet the Parliament. The Duchess (28) went not till some time after. Most of the gentry attended at York whilst their liighnesses were there. The Duke passed his time in shooting and other exercises, the Duchess (28) in receiving the ladies, which she did very obligingly. One evening having a little snake (which I kept in bran in a box) in my hand as I was in the presence, one of the maids of honour seeing of it was frightened. The Duchess (28), hearing the noise, and what was the occasion, desired to see the snake, and took it into her hand without any fear. This Duchess (28) was Chancellor Hyde's (56) daughter, and she was a very handsome woman, and had a great deal of wit; therefore it was not without reason that Mr. Sydney (24), the handsomest youth of his time, of the Duke's bedchamber, was so much in love with her, as appeared to us all, and the Duchess (28) not unkind to him, but very innocently. He was afterwards banished the Court for another reason, as was reported.
The Duchess (28) in her return lay at Welbeck, the old Duke of Newcastle (72) being alive, where she was splendidly entertained, the Duke of York (31) having directed that the same respect should be paid her wherever she passed as if he were present. The Duke of Buckingham (37) and my Lord Ogle (35) had a quarrel there.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Around 1661 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671.Around 1662 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671. One of the Windsor Beauties.Around 1665 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Around 1675 Peter Lely Painter 1618-1680. Portrait of George Villiers 2nd Duke of Buckingham 1628-1687 wearing his Garter Collar.In 1676 Mary Beale aka Cradock Painter 1633-1699 (attributed). Portrait of Henry Cavendish 2nd Duke Newcastle upon Tyne 1630-1691 wearing the his Garter Collar.

Samuel Pepys' Diary 09 January 1666. 09 Jan 1666. Up, and then to the office, where we met first since the plague, which God preserve us in! At noon home to dinner, where uncle Thomas (71) with me, and in comes Pierce lately come from Oxford, and Ferrers.
After dinner Pierce and I up to my chamber, where he tells me how a great difference hath been between the Duke (32) and Duchesse (28), he suspecting her to be naught with Mr. Sidney (24)1. But some way or other the matter is made up; but he was banished the Court, and the Duke for many days did not speak to the Duchesse at all. He tells me that my Lord Sandwich (40) is lost there at Court, though the King (35) is particularly his friend. But people do speak every where slightly of him; which is a sad story to me, but I hope it may be better again. And that Sir G. Carteret (56) is neglected, and hath great enemies at work against him. That matters must needs go bad, while all the town, and every boy in the streete, openly cries, "the King (35) cannot go away till my Baroness Castlemaine's (25) be ready to come along with him"; she being lately put to bed And that he visits her and Mrs. Stewart (18) every morning before he eats his breakfast. All this put together makes me very sad, but yet I hope I shall do pretty well among them for all this, by my not meddling with either of their matters. He and Ferrers gone I paid uncle Thomas his last quarter's money, and then comes Mr. Gawden and he and I talked above stairs together a good while about his business, and to my great joy got him to declare that of the £500 he did give me the other day, none of it was for my Treasurershipp for Tangier (I first telling him how matters stand between Povy (52) and I, that he was to have half of whatever was coming to me by that office), and that he will gratify me at 2 per cent. for that when he next receives any money. So there is £80 due to me more than I thought of. He gone I with a glad heart to the office to write, my letters and so home to supper and bed, my wife mighty full of her worke she hath to do in furnishing her bedchamber.
Note 1. "This Duchess (28) was Chancellor Hyde's (56) daughter, and she was a very handsome woman, and had a great deal of wit; therefore it was not without reason that Mr. Sydney (24), the handsomest youth of his time, of the Duke's bedchamber, was so much in love with her, as appeared to us all, and the Duchess not unkind to him, but very innocently. He was afterwards banished the Court for another reason, as was reported" (Sir John Reresby's "Memoirs", August 5th, 1664, ed. Cartwright, pp. 64,65). "'How could the Duke of York (32) make my mother a Papist?' said the Princess Mary to Dr. Bumet. 'The Duke caught a man in bed with her,' said the Doctor, 'and then had power to make her do anything.' The Prince, who sat by the fire, said, 'Pray, madam, ask the Doctor a few more questions'" (Spence's "Anecdotes", ed. Singer, 329).

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Around 1661 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671.Around 1662 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671. One of the Windsor Beauties.Around 1665 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671.Around 1650 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 1st Earl Sandwich 1625-1672.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Before 1694 John Michael Wright Painter 1617-1694. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1664 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child.Around 1666 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. One of the Windsor Beauties.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1690 Jacob Huysmans Painter 1633-1696. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Nov 1666. William Faithorne The Elder Engraver 1616-1691. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. See Samuel Pepys' Diary 07 November 1666.Around 1662 Peter Lely Painter 1618-1680. Portrait of Frances Teresa Stewart Duchess Lennox and Richmond 1647-1702. One of the Windsor Beauties.Around 1657 John Michael Wright Painter 1617-1694. Portrait of Thomas Povey Master of Requests 1614-1705.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Thomas Povey Master of Requests 1614-1705.Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.