Punch and Judy

Punch and Judy is in Jacobean and Restoration Plays.

Samuel Pepys' Diary 09 May 1662. 09 May 1662. Up and to my office, and so to dinner at home, and then to several places to pay my debts, and then to Westminster to Dr. Castle, who discoursed with me about Privy Seal business, which I do not much mind, it being little worth, but by Watkins's [clerk of the Privy Seal] late sudden death we are like to lose money.
Thence to Mr. De Cretz, and there saw some good pieces that he hath copyed of the King's pieces, some of Raphael and Michael Angelo; and I have borrowed an Elizabeth of his copying to hang up in my house, and sent it home by Will.
Thence with Mr. Salisbury, who I met there, into Covent Garden to an alehouse, to see a picture that hangs there, which is offered for 20s., and I offered fourteen—but it is worth much more money—but did not buy it, I having no mind to break my oath.
Thence to see an Italian puppet play [Possibly Punch and Judy] that is within the rayles there, which is very pretty, the best that ever I saw, and great resort of gallants.
So to the Temple and by water home, and so walk upon the leads, and in the dark there played upon my flageolette, it being a fine still evening, and so to supper and to bed.
This day I paid Godfrey's debt of 40 and odd pounds. The Duke of York (28) went last night to Portsmouth; so that I believe the Queen (23) is near.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.

Samuel Pepys' Diary 10 November 1662. 10 Nov 1662. Up betimes and to set my workmen to work, and then a little to the office, and so with Sir J. Minnes (63), Sir W. Batten (61), and myself by coach to White Hall, to the Duke (29), who, after he was ready, did take us into his closett. Thither come my Lord General Monk (53), and did privately talk with the Duke (29) about having the life-guards pass through the City today only for show and to fright people, for I perceive there are great fears abroad; for all which I am troubled and full of doubt that things will not go well. He being gone, we fell to business of the Navy. Among other things, how to pay off this fleet that is now come from Portugall; the King (32) of Portugall sending them home, he having no more use for them, which we wonder at, that his condition should be so soon altered. And our landmen also are coming back, being almost starved in that poor country. Having done here I went by my Lord Sandwich's (37), who was not at home, and so to Westminster Hall, where full of term, and here met with many about business, among others my cozen Roger Pepys (45), who is all for a composition with my uncle Thomas, which upon any fair terms I am for also and desire it.
Thence by water, and so by land to my Lord Crew's, and dined with him and his brother, I know not his name; where very good discourse; among others, of France's intention to make a patriarch of his own, independent from the Pope, by which he will be able to cope with the Spaniard in all councils, which hitherto he has never done. My Lord Crew told us how he heard my Lord of Holland say that, being Embassador about the match with the Queene-Mother (23) that now is, the King (32) of France [Louis XIII, in 1624.] insisted upon a dispensation from the Pope, which my Lord Holland making a question of, and that he was commanded to yield to nothing to the prejudice of our religion, says the King (32) of France, "You need not fear that, for if the Pope will not dispense with the match, my Bishopp of Paris shall". By and by come in great Mr. Swinfen, the Parliament-man, who, among other discourse of the rise and fall of familys, told us of Bishopp Bridgeman (brother of Sir Orlando (56)) who lately hath bought a seat anciently of the Levers, and then the Ashtons; and so he hath in his great hall window (having repaired and beautified the house) caused four great places to be left for coates of armes. In one, he hath put the Levers, with this motto, "Olim". In another the Ashtons, with this, "Heri". In the next his own, with this, "Hodie". In the fourth nothing but this motto, "Cras nescio cujus". Thence towards my brother's; met with Jack Cole in Fleet Street, and he and I went into his cozen Mary Cole's (whom I never saw since she was married), and drank a pint of wine and much good discourse. I found him a little conceited, but he had good things in him, and a man may know the temper of the City by him, he being of a general conversation, and can tell how matters go; and upon that score I will encourage his acquaintance.
Thence to my brother's, and taking my wife up, carried her to Charing Cross, and there showed her the Italian motion [possibly Punch and Judy], much after the nature of what I showed her a while since in Covent Garden. Their puppets here are somewhat better, but their motions not at all.
Thence by coach to my Lady's, and, hiding my wife with Sarah below, I went up and heard some musique with my Lord, and afterwards discoursed with him alone, and so good night to him and below, having sent for Mr. Creed, had thought to have shown my wife a play before the King (32), but it is so late that we could not, and so we took coach, and taking up Sarah at my brother's with their night geare we went home, and I to my office to settle matters, and so home and to bed. This morning in the Duke's chamber Sir J. Minnes (63) did break to me his desire about my chamber, which I did put off to another time to discourse of, he speaking to me very kindly to make me the less trouble myself, hoping to save myself and to contrive something or other to pleasure him as well, though I know not well what. The town, I hear, is full of discontents, and all know of the King's new bastard by Mrs. Haslerigge, and as far as I can hear will never be contented with Episcopacy, they are so cruelly set for Presbytery, and the Bishopps carry themselves so high, that they are never likely to gain anything upon them.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of John Mennes Comptroller 1599-1671.Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Before 03 Jan 1670  Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670.Before 03 Jan 1670 Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670 in his Garter Robes.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1650 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 1st Earl Sandwich 1625-1672.Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1622. Frans Pourbus the Younger Painter 1569-1622. Portrait of Louis XIII King France 1601-1643. In 1634 Daniel Mijtens Painter 1590-1648. Portrait of Henry Rich 1st Earl Holland 1590-1649.Before 1691. John Riley Painter 1646-1691. Portrait of Orlando Bridgeman 1st Baronet Bridgeman 1606-1674.Around 1670 Pieter Borsseler Painter 1634-1687. Portrait of Orlando Bridgeman 1st Baronet Bridgeman 1606-1674. Chirk Castle.

John Evelyn's Diary 21 August 1667. 21 Aug 1667. Saw the famous Italian puppet-play, for it was no other.