Scientific Publications

Scientific Publications is in Letters and Papers Foreign and Domestic Henry VIII.

Religio Medici

In 1643 "Religio Medici" aka The Religion of a Doctor was published by Thomas Browne Polymath 1605-1682 (37).

John Evelyn's Diary 17 October 1671. 17 Oct 1671. My Lord Henry Howard (43) coming this night to visit my Lord Chamberlain, and staying a day, would needs have me go with him to Norwich, promising to convey me back, after a day or two; this, as I could not refuse, I was not hard to be pursuaded to, having a desire to see that famous scholar and physician, Dr. T. Browne (65), author of the "Religio Medici" and "Vulgar Errors", now lately knighted. Thither, then, went my Lord and I alone, in his flying chariot with six horses; and by the way, discoursing with me of several of his concerns, he acquainted me of his going to marry his eldest son (43) to one of the King's (41) natural daughters [Note. Either Anne Fitzroy Countess Sussex 1661-1722 (10) or Charlotte Fitzroy Countess Lichfield 1664-1718 (7).], by the Duchess of Cleveland (30); by which he reckoned he (43) should come into mighty favor. He (43) also told me that, though he kept that idle creature, Mrs. B—— [Note. Jane Bickerton Duchess Norfolk 1643-1693 (28)], and would leave £200 a year to the son [Note. Henry Howard and Jane Bickerton had three sons; not clear which is being referred to since the eldest may have died and the reference may be to a surviving son.] he had by her (28), he would never marry her (28), and that the King (41) himself had cautioned him against it. All the world knows how he kept his promise [Note. meaning he didn't keep his promise since Henry Howard did marry Jane Bickerton - this a case of John Evelyn writing his diary retrospectively?], and I was sorry at heart to hear what now he confessed to me; and that a person and a family which I so much honored for the sake of that noble and illustrious friend of mine, his grandfather, should dishonor and pollute them both with those base and vicious courses he of late had taken since the death of Sir Samuel Tuke (56), and that of his own virtuous lady (my Lady Anne Somerset, sister to the Marquis); who, while they lived, preserved this gentleman by their example and advice from those many extravagances that impaired both his fortune and reputation.
Being come to the Ducal palace, my Lord (43) made very much of me; but I had little rest, so exceedingly desirous he was to show me the contrivance he had made for the entertainment of their Majesties, and the whole Court not long before, and which, though much of it was but temporary, apparently framed of boards only, was yet standing. As to the palace, it is an old wretched building, and that part of it newly built of brick, is very ill understood; so as I was of the opinion it had been much better to have demolished all, and set it up in a better place, than to proceed any further; for it stands in the very market-place, and, though near a river, yet a very narrow muddy one, without any extent.
Next morning, I went to see Sir Thomas Browne (65) (with whom I had some time corresponded by letter, though I had never seen him before); his whole house and garden being a paradise and cabinet of rarities; and that of the best collection, especially medals, books, plants, and natural things. Among other curiosities, Sir Thomas (65) had a collection of the eggs of all the fowl and birds he could procure, that country (especially the promontory of Norfolk) being frequented, as he said, by several kinds which seldom or never go further into the land, as cranes, storks, eagles, and variety of water fowl. He led me to see all the remarkable places of this ancient city, being one of the largest, and certainly, after London, one of the noblest of England, for its venerable cathedral, number of stately churches, cleanness of the streets, and buildings of flint so exquisitely headed and squared, as I was much astonished at; but he told me they had lost the art of squaring the flints, in which they so much excelled, and of which the churches, best houses, and walls, are built. The Castle is an antique extent of ground, which now they call Marsfield, and would have been a fitting area to have placed the Ducal palace in. The suburbs are large, the prospects sweet, with other amenities, not omitting the flower gardens, in which all the inhabitants excel. The fabric of stuffs brings a vast trade to this populous town.
Being returned to my Lord's, who had been with me all this morning, he advised with me concerning a plot to rebuild his house, having already, as he said, erected a front next the street, and a left wing, and now resolving to set up another wing and pavilion next the garden, and to convert the bowling green into stables. My advice was, to desist from all, and to meditate wholly on rebuilding a handsome palace at Arundel House, in the Strand, before he proceeded further here, and then to place this in the Castle, that ground belonging to his Lordship.
I observed that most of the church yards (though some of them large enough) were filled up with earth, or rather the congestion of dead bodies one upon another, for want of earth, even to the very top of the walls, and some above the walls, so as the churches seemed to be built in pits.

Around 1672 Gilbert Soest Painter 1605-1681. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Around 1669 John Michael Wright Painter 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Around 1664 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 2nd Earl Manchester 1602-1671.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Before 1718 Godfrey Kneller Painter 1646-1723. Portrait of Charlotte Fitzroy Countess Lichfield 1664-1718.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1664 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child.Around 1666 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. One of the Windsor Beauties.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1690 Jacob Huysmans Painter 1633-1696. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Nov 1666. William Faithorne The Elder Engraver 1616-1691. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. See Samuel Pepys' Diary 07 November 1666.Around 1675 Mary Beale aka Cradock Painter 1633-1699. Portrait of Lady Norwich. Probably Jane Bickerton Duchess Norfolk 1643-1693 who married the Duke around 1675 being his mistress prior to their marriage.In 1618 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646.In 1630 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 and wearing his Garter Collar.Around 1605 Unknown Painter. Portrait (possibly) of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646.Around 1629 Peter Paul Rubens Painter 1577-1640. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. Before 1652 John Michael Wright Painter 1617-1694. Portrait of Anne Somerset Countess Norfolk 1631-1662.

Vulgar Errors

In 1646 "Vulgar Errors" aka "Pseudodoxia Epidemica", or its full name "Pseudodoxia Epidemica or Enquiries into very many received tenents and commonly presumed truths", was published by Thomas Browne Polymath 1605-1682 (40).

John Evelyn's Diary 17 October 1671. 17 Oct 1671. My Lord Henry Howard (43) coming this night to visit my Lord Chamberlain, and staying a day, would needs have me go with him to Norwich, promising to convey me back, after a day or two; this, as I could not refuse, I was not hard to be pursuaded to, having a desire to see that famous scholar and physician, Dr. T. Browne (65), author of the "Religio Medici" and "Vulgar Errors", now lately knighted. Thither, then, went my Lord and I alone, in his flying chariot with six horses; and by the way, discoursing with me of several of his concerns, he acquainted me of his going to marry his eldest son (43) to one of the King's (41) natural daughters [Note. Either Anne Fitzroy Countess Sussex 1661-1722 (10) or Charlotte Fitzroy Countess Lichfield 1664-1718 (7).], by the Duchess of Cleveland (30); by which he reckoned he (43) should come into mighty favor. He (43) also told me that, though he kept that idle creature, Mrs. B—— [Note. Jane Bickerton Duchess Norfolk 1643-1693 (28)], and would leave £200 a year to the son [Note. Henry Howard and Jane Bickerton had three sons; not clear which is being referred to since the eldest may have died and the reference may be to a surviving son.] he had by her (28), he would never marry her (28), and that the King (41) himself had cautioned him against it. All the world knows how he kept his promise [Note. meaning he didn't keep his promise since Henry Howard did marry Jane Bickerton - this a case of John Evelyn writing his diary retrospectively?], and I was sorry at heart to hear what now he confessed to me; and that a person and a family which I so much honored for the sake of that noble and illustrious friend of mine, his grandfather, should dishonor and pollute them both with those base and vicious courses he of late had taken since the death of Sir Samuel Tuke (56), and that of his own virtuous lady (my Lady Anne Somerset, sister to the Marquis); who, while they lived, preserved this gentleman by their example and advice from those many extravagances that impaired both his fortune and reputation.
Being come to the Ducal palace, my Lord (43) made very much of me; but I had little rest, so exceedingly desirous he was to show me the contrivance he had made for the entertainment of their Majesties, and the whole Court not long before, and which, though much of it was but temporary, apparently framed of boards only, was yet standing. As to the palace, it is an old wretched building, and that part of it newly built of brick, is very ill understood; so as I was of the opinion it had been much better to have demolished all, and set it up in a better place, than to proceed any further; for it stands in the very market-place, and, though near a river, yet a very narrow muddy one, without any extent.
Next morning, I went to see Sir Thomas Browne (65) (with whom I had some time corresponded by letter, though I had never seen him before); his whole house and garden being a paradise and cabinet of rarities; and that of the best collection, especially medals, books, plants, and natural things. Among other curiosities, Sir Thomas (65) had a collection of the eggs of all the fowl and birds he could procure, that country (especially the promontory of Norfolk) being frequented, as he said, by several kinds which seldom or never go further into the land, as cranes, storks, eagles, and variety of water fowl. He led me to see all the remarkable places of this ancient city, being one of the largest, and certainly, after London, one of the noblest of England, for its venerable cathedral, number of stately churches, cleanness of the streets, and buildings of flint so exquisitely headed and squared, as I was much astonished at; but he told me they had lost the art of squaring the flints, in which they so much excelled, and of which the churches, best houses, and walls, are built. The Castle is an antique extent of ground, which now they call Marsfield, and would have been a fitting area to have placed the Ducal palace in. The suburbs are large, the prospects sweet, with other amenities, not omitting the flower gardens, in which all the inhabitants excel. The fabric of stuffs brings a vast trade to this populous town.
Being returned to my Lord's, who had been with me all this morning, he advised with me concerning a plot to rebuild his house, having already, as he said, erected a front next the street, and a left wing, and now resolving to set up another wing and pavilion next the garden, and to convert the bowling green into stables. My advice was, to desist from all, and to meditate wholly on rebuilding a handsome palace at Arundel House, in the Strand, before he proceeded further here, and then to place this in the Castle, that ground belonging to his Lordship.
I observed that most of the church yards (though some of them large enough) were filled up with earth, or rather the congestion of dead bodies one upon another, for want of earth, even to the very top of the walls, and some above the walls, so as the churches seemed to be built in pits.

Around 1672 Gilbert Soest Painter 1605-1681. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Around 1669 John Michael Wright Painter 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Around 1664 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 2nd Earl Manchester 1602-1671.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Before 1718 Godfrey Kneller Painter 1646-1723. Portrait of Charlotte Fitzroy Countess Lichfield 1664-1718.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1664 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child.Around 1666 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. One of the Windsor Beauties.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1690 Jacob Huysmans Painter 1633-1696. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Nov 1666. William Faithorne The Elder Engraver 1616-1691. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. See Samuel Pepys' Diary 07 November 1666.Around 1675 Mary Beale aka Cradock Painter 1633-1699. Portrait of Lady Norwich. Probably Jane Bickerton Duchess Norfolk 1643-1693 who married the Duke around 1675 being his mistress prior to their marriage.In 1618 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646.In 1630 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 and wearing his Garter Collar.Around 1605 Unknown Painter. Portrait (possibly) of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646.Around 1629 Peter Paul Rubens Painter 1577-1640. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. Before 1652 John Michael Wright Painter 1617-1694. Portrait of Anne Somerset Countess Norfolk 1631-1662.

Philosophical Transactions of the Royal Society

John Evelyn's Diary 30 April 1684. 30 Apr 1684. A Letter of mine to the Royal Society concerning the terrible effects of the past winter being read, they desired it might be printed in the next Part of their Transactions.

History of the Silk worm

In 1668 Marcello Malpighi Physician 1628-1694 (39) published his History of the Silk-worm.

John Evelyn's Diary 18 February 1669. 18 Feb 1669. To the Royal Society, when Signor Malpighi (40), an Italian physician and anatomist, sent this learned body the incomparable "History of the Silk worm".

Sylva

John Evelyn's Diary 15 October 1662. 15 Oct 1662. I this day delivered my "Discourse concerning Forest Trees" to the Society, upon occasion of certain queries sent to us by the Commissioners of his Majestie's Navy, being the first book that was printed by order of the Society, and by their printer, since it was a corporation.

John Evelyn's Diary 21 November 1662. 21 Nov 1662. Spent the evening at Court, Sir Kenelm Digby (59) giving me great thanks for my "Sylva"..

Around 1640 Anthony Van Dyck Painter 1599-1641. Portrait of Kenelm Digby 1603-1665.

John Evelyn's Diary 16 February 1664. 16 Feb 1664. I presented my "Sylva" to the Society; and next day to his Majesty (33), to whom it was dedicated; also to the Lord Treasurer (56) and the Lord Chancellor (54).

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1660 Peter Lely Painter 1618-1680. Portrait of Thomas Wriothesley 4th Earl of Southampton 1607-1667 holding his Lord Treasurer Staff of Office.Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.

John Evelyn's Diary 26 February 1664. 26 Feb 1664. Dined with my Lord Chancellor (55); and thence to Court, where I had great thanks for my "Sylva", and long discourse with the King (33) of divers particulars.

Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

John Evelyn's Diary 27 October 1664. 27 Oct 1664. Being casually in the privy gallery at Whitehall, his Majesty (34) gave me thanks before divers lords and noblemen for my book of "Architecture", and again for my "Sylva" saying they were the best designed and useful for the matter and subject, the best printed and designed (meaning the taille-douces of the Parallel of Architecture) that he had seen. He then caused me to follow him alone to one of the windows, and asked me if I had any paper about me unwritten, and a crayon; I presented him with both, and then laying it on the window-stool, he with his own hands designed to me the plot for the future building of Whitehall, together with the rooms of state, and other particulars. After this, he talked with me of several matters, asking my advice, in which I find his Majesty (34) had an extraordinary talent becoming a magnificent prince.
The same day at Council, there being Commissioners to be made to take care of such sick and wounded and prisoners of war, as might be expected upon occasion of a succeeding war and action at sea, war being already declared against the Hollanders, his Majesty (34) was pleased to nominate me to be one, with three other gentlemen, Parliament men, viz, Sir William Doily, Knt. and Bart., Sir Thomas Clifford, and Bullein Rheymes, Esq; with a salary of £1,200 a year among us, besides extraordinaries for our care and attention in time of station, each of us being appointed to a particular district, mine falling out to be Kent and Sussex, with power to constitute officers, physicians, chirurgeons, provost-marshals, and to dispose of half of the hospitals through England. After the Council, we kissed his Majesty's (34) hand. At this Council I heard Mr. Solicitor Finch plead most elegantly for the merchants trading to the Canaries, praying for a new Charter.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

John Evelyn's Diary 08 December 1669. 08 Dec 1669. To London, upon the second edition of my "Sylva", which I presented to the Royal Society.

History of Chalcography

John Evelyn's Diary 10 June 1662. 10 Jun 1662. I returned to London, and presented my "History of Chalcography" (dedicated to Mr. Boyle (35)) to our Society.

In 1689. John Riley Painter 1646-1691. Portrait of Robert Boyle Scientist 1627-1691.

Florentine Council

John Evelyn's Diary 17 November 1661. 17 Nov 1661. Dr. Creighton (22), a Scot, author of the "Florentine Council", and a most eloquent man and admirable Grecian, preached on Cant. vi. 13, celebrating the return and restoration of the Church and King.

Nova Atlantis

John Evelyn's Diary 22 June 1664. 22 Jun 1664. One Tomson, a Jesuit, showed me such a collection of rarities, sent from the Jesuits of Japan and China to their Order at Paris, as a present to be reserved in their repository, but brought to London by the East India ships for them, as in my life I had not seen. The chief things were, rhinoceros's horns; glorious vests, wrought and embroidered on cloth of gold, but with such lively colors, that for splendor and vividness we have nothing in Europe that approaches it; a girdle studded with agates and rubies of great value and size; knives, of so keen an edge as one could not touch them, nor was the metal of our color, but more pale and livid; fans, like those our ladies use, but much larger, and with long handles curiously carved and filled with Chinese characters; a sort of paper very broad, thin, and fine, like abortive parchment, and exquisitely polished, of an amber yellow, exceedingly glorious and pretty to look on, and seeming to be like that which my Lord Verulam describes in his "Nova Atlantis"; several other sorts of paper, some written, others printed; prints of landscapes, their idols, saints, pagods, of most ugly serpentine monstrous and hideous shapes, to which they paid devotion; pictures of men and countries, rarely painted on a sort of gummed calico, transparent as glass; flowers, trees, beasts, birds, etc., excellently wrought in a kind of sleeve silk, very natural; divers drugs that our druggists and physicians could make nothing of, especially one which the Jesuit called Lac Tigridis: it looked like a fungus, but was weighty like metal, yet was a concretion, or coagulation, of some other matter; several book MSS.; a grammar of the language written in Spanish; with innumerable other rarities.

In 1576 Nicholas Hilliard Painter 1547-1619, whilst in France, painted a portrait of Francis Bacon 1st Viscount St Alban 1561-1626 who was attached to the English Embassy at the time.In 1731 (Copy of 1618 original).John Vanderbank Painter 1694-1739. Portrait of Francis Bacon 1st Viscount St Alban 1561-1626.

Parallel between Ancient and Modern Architecture

John Evelyn's Diary 15 October 1664. 15 Oct 1664. Dined at the Lord Chancellor's (55), where was the Duke of Ormond (53), Earl of Cork, and Bishop of Winchester (66). After dinner, my Lord Chancellor (55) and his lady (47) carried me in their coach to see their palace (for he now lived at Worcester-House in the Strand), building at the upper end of St. James's street, and to project the garden. In the evening, I presented him with my book on Architecture, as before I had done to his Majesty (34) and the Queen-Mother (54). His lordship caused me to stay with him in his bedchamber, discoursing of several matters very late, even till he was going into his bed.

Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.In 1715 Godfrey Kneller Painter 1646-1723. Portrait of James Butler 1st Duke Ormonde 1610-1688.Around 1647 Peter Lely Painter 1618-1680. Portrait of James Butler 1st Duke Ormonde 1610-1688.Around 1678 Peter Lely Painter 1618-1680. Portrait of James Butler 1st Duke Ormonde 1610-1688 in his Garter Robes.Before 10 Sep 1687 Willem Wissing Painter 1656-1687. Portrait of James Butler 1st Duke Ormonde 1610-1688.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.

John Evelyn's Diary 27 October 1664. 27 Oct 1664. Being casually in the privy gallery at Whitehall, his Majesty (34) gave me thanks before divers lords and noblemen for my book of "Architecture", and again for my "Sylva" saying they were the best designed and useful for the matter and subject, the best printed and designed (meaning the taille-douces of the Parallel of Architecture) that he had seen. He then caused me to follow him alone to one of the windows, and asked me if I had any paper about me unwritten, and a crayon; I presented him with both, and then laying it on the window-stool, he with his own hands designed to me the plot for the future building of Whitehall, together with the rooms of state, and other particulars. After this, he talked with me of several matters, asking my advice, in which I find his Majesty (34) had an extraordinary talent becoming a magnificent prince.
The same day at Council, there being Commissioners to be made to take care of such sick and wounded and prisoners of war, as might be expected upon occasion of a succeeding war and action at sea, war being already declared against the Hollanders, his Majesty (34) was pleased to nominate me to be one, with three other gentlemen, Parliament men, viz, Sir William Doily, Knt. and Bart., Sir Thomas Clifford, and Bullein Rheymes, Esq; with a salary of £1,200 a year among us, besides extraordinaries for our care and attention in time of station, each of us being appointed to a particular district, mine falling out to be Kent and Sussex, with power to constitute officers, physicians, chirurgeons, provost-marshals, and to dispose of half of the hospitals through England. After the Council, we kissed his Majesty's (34) hand. At this Council I heard Mr. Solicitor Finch plead most elegantly for the merchants trading to the Canaries, praying for a new Charter.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

John Evelyn's Diary 02 November 1664. 02 Nov 1664. Her Majesty, the Queen-Mother (54), came across the gallery in Whitehall to give me thanks for my book of "Architecture", which I had presented to her, with a compliment that I did by no means deserve.

Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629.Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669.