The Goblins

The Goblins is in Jacobean and Restoration Plays.

Samuel Pepys' Diary 23 January 1667. 23 Jan 1667. Up, and with Sir W. Batten (66) and Sir W. Pen (45) to White Hall, and there to the Duke of York (33), and did our usual business. Having done there, I to St. James's, to see the organ Mrs. Turner (44) told me of the other night, of my late Lord Aubigney's; and I took my Lord Bruncker (47) with me, he being acquainted with my present Lord Almoner, Mr. Howard (38), brother to the Duke of Norfolke (38); so he and I thither and did see the organ, but I do not like it, it being but a bauble, with a virginal! joining to it: so I shall not meddle with it.
Here we sat and talked with him a good while, and he seems a good-natured gentleman: here I observed the deske which he hath, [made] to remove, and is fastened to one of the armes of his chayre. I do also observe the counterfeit windows there was, in the form of doors with looking-glasses instead of windows, which makes the room seem both bigger and lighter, I think; and I have some thoughts to have the like in one of my rooms. He discoursed much of the goodness of the musique in Rome, but could not tell me how long musique had been in any perfection in that church, which I would be glad to know. He speaks much of the great buildings that this Pope1, whom, in mirth to us, he calls Antichrist, hath done in his time.
Having done with the discourse, we away, and my Lord and I walking into the Park back again, I did observe the new buildings: and my Lord, seeing I had a desire to see them, they being the place for the priests and Fryers, he took me back to my Lord Almoner (38); and he took us quite through the whole house and chapel, and the new monastery, showing me most excellent pieces in wax-worke: a crucifix given by a Pope to Mary Queen of Scotts, where a piece of the Cross is2 two bits set in the manner of a cross in the foot of the crucifix: several fine pictures, but especially very good prints of holy pictures. I saw the dortoire [dormitory] and the cells of the priests, and we went into one; a very pretty little room, very clean, hung with pictures, set with books. The Priest was in his cell, with his hair clothes to his skin, bare-legged, with a sandal! only on, and his little bed without sheets, and no feather bed; but yet, I thought, soft enough. His cord about his middle; but in so good company, living with ease, I thought it a very good life. A pretty library they have. And I was in the refectoire, where every man his napkin, knife, cup of earth, and basin of the same; and a place for one to sit and read while the rest are at meals. And into the kitchen I went, where a good neck of mutton at the fire, and other victuals boiling. I do not think they fared very hard. Their windows all looking into a fine garden and the Park; and mighty pretty rooms all. I wished myself one of the Capuchins. !Having seen what we could here, and all with mighty pleasure, so away with the Almoner (38) in his coach, talking merrily about the difference in our religions, to White Hall, and there we left him. I in my Lord Bruncker's (47) coach, he carried me to the Savoy, and there we parted. I to the Castle Tavern, where was and did come all our company, Sir W. Batten (66), Sir W. Pen (45), Sir R. Ford (53), and our Counsel Sir Ellis Layton, Walt Walker, Dr. Budd, Mr. Holder, and several others, and here we had a bad dinner of our preparing, and did discourse something of our business of our prizes, which was the work of the day.
I staid till dinner was over, and there being no use of me I away after dinner without taking leave, and to the New Exchange, there to take up my wife and Mercer, and to Temple Bar to the Ordinary, and had a dish of meat for them, they having not dined, and thence to the King's house, and there saw "The Numerous Lieutenant", a silly play, I think; only the Spirit in it that grows very tall, and then sinks again to nothing, having two heads breeding upon one, and then Knipp's singing, did please us. Here, in a box above, we spied Mrs. Pierce; and, going out, they called us, and so we staid for them; and Knipp took us all in, and brought to us Nelly (16); a most pretty woman, who acted the great part of Coelia to-day very fine, and did it pretty well: I kissed her, and so did my wife; and a mighty pretty soul she is. We also saw Mrs. Halls which is my little Roman-nose black girl, that is mighty pretty: she is usually called Betty. Knipp made us stay in a box and see the dancing preparatory to to-morrow for "The Goblins", a play of Suckling's, not acted these twenty-five years; which was pretty; and so away thence, pleased with this sight also, and specially kissing of Nell (16).
We away, Mr. Pierce and I, on foot to his house, the women by coach. In our way we find the Guards of horse in the street, and hear the occasion to be news that the seamen are in a mutiny, which put me into a great fright; so away with my wife and Mercer home preparing against to-morrow night to have Mrs. Pierce and Knipp and a great deal more company to dance; and, when I come home, hear of no disturbance there of the seamen, but that one of them, being arrested to-day, others do go and rescue him.
So to the office a little, and then home to supper, and to my chamber awhile, and then to bed.
Note 1. Fabio Chigi, of Siena, succeeded Innocent X. in 1655 as Alexander VII He died May, 1667, and was succeeded by Clement IX.
Note 2. Pieces of "the Cross" were formerly held in such veneration, and were so common, that it has been often said enough existed to build a ship. Most readers will remember the distinction which Sir W. Scott represents Louis XI (with great appreciation of that monarch's character), as drawing between an oath taken on a false piece and one taken on a piece of the true cross. Sir Thomas More, a very devout believer in relics, says ("Works", p. 119), that Luther wished, in a sermon of his, that he had in his hand all the pieces of the Holy Cross; and said that if he so had, he would throw them there as never sun should shine on them:—and for what worshipful reason would the wretch do such villainy to the cross of Christ? Because, as he saith, that there is so much gold now bestowed about the garnishing of the pieces of the Cross, that there is none left for poore folke. Is not this a high reason? As though all the gold that is now bestowed about the pieces of the Holy Cross would not have failed to have been given to poor men, if they had not been bestowed about the garnishing of the Cross! and as though there were nothing lost, but what is bestowed about Christ's Cross!" "Wolsey, says Cavendish, on his fall, gave to Norris, who brought him a ring of gold as a token of good will from Henry, "a little chaine of gold, made like a bottle chain, with a cross of gold, wherein was a piece of the Holy Cross, which he continually wore about his neck, next his body; and said, furthermore, 'Master Norris, I assure you, when I was in prosperity, although it seem but small in value, yet I would not gladly have departed with the same for a thousand pounds.'" Life, ed. 1852, p. 167. Evelyn mentions, "Diary", November 17th, 1664, that he saw in one of the chapels in St. Peter's a crucifix with a piece of the true cross in it. Amongst the jewels of Mary Queen (28) of Scots was a cross of gold, which had been pledged to Hume of Blackadder for £1000 (Chalmers's "Life", vol. i., p. 31 ). B.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Around 1672 Gilbert Soest Painter 1605-1681. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Around 1669 John Michael Wright Painter 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.Around 1559 François Clouet Painter 1510-1572. Portrait of Mary Queen of Scots 1542-1587.Around 1576 Unknown Painter. Portrait of Mary Queen of Scots 1542-1587.In 1576. After Nicholas Hilliard Painter 1547-1619. Portrait of Mary Queen of Scots 1542-1587.Around 1841. Ford Madox Brown Painter 1821-1893. The Execution of Mary, Queen of Scots. The moment the Mary tells Richard Fletcher Bishop 1545-1596 to stop praying for her in the Protestant faith. His first wife Elizabeth modelled for one of the figuresBefore 08 Oct 1699 Mary Beale aka Cradock Painter 1633-1699 (attributed). Portrait of Nell Gwyn Actor 1650-1687.Around1680 Simon Pietersz Verelst Painter 1644-1710. Portrait of Nell Gwyn Actor 1650-1687. Before 14 Nov 1687 Simon Pietersz Verelst Painter 1644-1710. Portrait of Nell Gwyn Actor 1650-1687. Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.

Samuel Pepys' Diary 24 January 1667. 24 Jan 1667. Up, and to the office, full of thoughts how to order the business of our merry meeting to-night. So to the office, where busy all the morning1.
At noon home to dinner, and presently to the office to despatch my business, and also we sat all the afternoon to examine the loss of The Bredagh, which was done by as plain negligence as ever ship was. We being rose, I entering my letters and getting the office swept and a good fire made and abundance of candles lighted, I home, where most of my company come of this end of the town-Mercer and her sister, Mr. Batelier and Pembleton (my Lady Pen (43), and Pegg (16), and Mr. Lowther (26), but did not stay long, and I believe it was by Sir W. Pen's (45) order; for they had a great mind to have staid), and also Captain Rolt.
And, anon, at about seven or eight o'clock, comes Mr. Harris (33), of the Duke's playhouse, and brings Mrs. Pierce with him, and also one dressed like a country-mayde with a straw hat on; which, at first, I could not tell who it was, though I expected Knipp: but it was she coming off the stage just as she acted this day in "The Goblins"; a merry jade. Now my house is full, and four fiddlers that play well. Harris (33) I first took to my closet; and I find him a very curious and understanding person in all pictures and other things, and a man of fine conversation; and so is Rolt. So away with all my company down to the office, and there fell to dancing, and continued at it an hour or two, there coming Mrs. Anne Jones, a merchant's daughter hard by, who dances well, and all in mighty good humour, and danced with great pleasure; and then sung and then danced, and then sung many things of three voices—both Harris (33) and Rolt singing their parts excellently. Among other things, Harris (33) sung his Irish song—the strangest in itself, and the prettiest sung by him, that ever I heard.
Then to supper in the office, a cold, good supper, and wondrous merry. Here was Mrs. Turner (44) also, but the poor woman sad about her lodgings, and Mrs. Markham: after supper to dancing again and singing, and so continued till almost three in the morning, and then, with extraordinary pleasure, broke up only towards morning, Knipp fell a little ill, and so my wife home with her to put her to bed, and we continued dancing and singing; and, among other things, our Mercer unexpectedly did happen to sing an Italian song I know not, of which they two sung the other two parts to, that did almost ravish me, and made me in love with her more than ever with her singing.
As late as it was, yet Rolt and Harris (33) would go home to-night, and walked it, though I had a bed for them; and it proved dark, and a misly night, and very windy. The company being all gone to their homes, I up with Mrs. Pierce to Knipp, who was in bed; and we waked her, and there I handled her breasts and did 'baiser la', and sing a song, lying by her on the bed, and then left my wife to see Mrs. Pierce in bed to her, in our best chamber, and so to bed myself, my mind mightily satisfied with all this evening's work, and thinking it to be one of the merriest enjoyment I must look for in the world, and did content myself therefore with the thoughts of it, and so to bed; only the musique did not please me, they not being contented with less than 30s.
Note 1. While we were sitting in the morning at the office, we were frighted with news of fire at Sir W. Batten's (66) by a chimney taking fire, and it put me into much fear and trouble, but with a great many hands and pains it was soon stopped.

Samuel Pepys' Diary 22 May 1667. 22 May 1667. Up, and by water to White Hall to Sir G. Carteret (57), who tells me now for certain how the Commission for the Treasury is disposed of: viz., to Duke of Albemarle (58), Lord Ashly (45), Sir W. Coventry (39), Sir John Duncomb (44), and Sir Thomas Clifford (36): at which, he says, all the whole Court is disturbed; it having been once concluded otherwise into the other hands formerly mentioned in yesterday's notes, but all of a sudden the King's choice was changed, and these are to be the men; the first of which is only for a puppet to give honour to the rest. He do presage that these men will make it their business to find faults in the management of the late Lord Treasurer, and in discouraging the bankers: but I am, whatever I in compliance do say to him, of another mind, and my heart is very glad of it, for I do expect they will do much good, and that it is the happiest thing that hath appeared to me for the good of the nation since the King (36) come in.
Thence to St. James's, and up to the Duke of York (33); and there in his chamber Sir W. Coventry (39) did of himself take notice of this business of the Treasury, wherein he is in the Commission, and desired that I would be thinking of any thing fit for him to be acquainted with for the lessening of charge and bettering of our credit, and what our expence bath been since the King's coming home, which he believes will be one of the first things they shall enquire into: which I promised him, and from time to time, which he desires, will give him an account of what I can think of worthy his knowledge. I am mighty glad of this opportunity of professing my joy to him in what choice the King (36) hath made, and the hopes I have that it will save the Kingdom from perishing and how it do encourage me to take pains again, after my having through despair neglected it! which he told me of himself that it was so with him, that he had given himself up to more ease than ever he expected, and that his opinion of matters was so bad, that there was no publick employment in the Kingdom should have been accepted by him but this which the King (36) hath now given him; and therein he is glad, in hopes of the service he may do therein; and in my conscience he will.
So into the Duke of York's (33) closet; and there, among other things, Sir W. Coventry (39) did take notice of what he told me the other day, about a report of Commissioner Pett's (56) dealing for timber in the Navy, and selling it to us in other names; and, besides his own proof, did produce a paper I had given him this morning about it, in the case of Widow Murford and Morecocke, which was so handled, that the Duke of York (33) grew very angry, and commanded us presently to fall into the examination of it, saying that he would not trust a man for his sake that lifts up the whites of his eyes. And it was declared that if he be found to have done so, he should be reckoned unfit to serve the Navy; and I do believe he will be turned out; and it was, methought, a worthy saying of Sir W. Coventry (39) to the Duke of York (33), "Sir", says he, "I do not make this complaint out of any disrespect to Commissioner Pett (56), but because I do love to do these things fairly and openly".
Thence I to Westminster Hall with Sir G. Carteret (57) to the Chequer Chamber to hear our cause of the Lindeboome prize there before the Lords of Appeal, where was Lord Ashly (45), Arlington (49), Barkely (65), and Sir G. Carteret (57), but the latter three signified nothing, the former only either minding or understanding what was said. Here was good pleading of Sir Walter Walker's and worth hearing, but little done in our business.
Thence by coach to the Red Lyon, thinking to meet my father, but I come too soon, but my wife is gone out of town to meet him. I am in great pain, poor man, for him, lest he should come up in pain to town. So I staid not, but to the 'Change, and there staid a little, where most of the newes is that the Swedes are likely to fall out with the Dutch, which we wish, but how true I know not. Here I met my uncle Wight (65), the second day he hath been abroad, having been sick these two months even to death, but having never sent to me even in the greatest of his danger. I do think my Aunt had no mind I should come, and so I never went to see him, but neither he took notice of it to me, nor I made any excuse for it to him, but past two or three How do you's, and so parted and so home, and by and by comes my poor father, much better than I expected, being at ease by fits, according as his truss sits, and at another time in as much pain. I am mighty glad to see him come well to town.
So to dinner, where Creed comes. After dinner my wife and father abroad, and Creed and I also by water, and parted at the Temple stairs, where I landed, and to the King's house, where I did give 18d., and saw the two last acts of "The Goblins", a play I could not make any thing of by these two acts, but here Knipp spied me out of the tiring-room, and come to the pit door, and I out to her, and kissed her, she only coming to see me, being in a country-dress, she, and others having, it seemed, had a country-dance in the play, but she no other part: so we parted, and I into the pit again till it was done. The house full, but I had no mind to be seen, but thence to my Mr. Cutler's, and two or three other places on small, errands, and so home, where my father and wife come home, and pretty well my father, who to supper and betimes to bed at his country hours. I to Sir W. Batten's (66), and there got some more part of my dividend of the prize-money.
So home and to set down in writing the state of the account, and then to supper, and my wife to her flageolet, wherein she did make out a tune so prettily of herself, that I was infinitely pleased beyond whatever I expected from her, and so to bed. This day coming from Westminster with W. Batten (66), we saw at White Hall stairs a fisher-boat, with a sturgeon that he had newly catched in the River; which I saw, but it was but a little one; but big enough to prevent my mistake of that for a colt, if ever I become Mayor of Huntingdon!1

Before 03 Jan 1670  Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670.Before 03 Jan 1670 Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670 in his Garter Robes.Around 1672 John Greenhill Painter 1644-1676. Portrait of Anthony Ashley-Cooper 1st Earl Shaftesbury 1621-1683.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Anthony Ashley-Cooper 1st Earl Shaftesbury 1621-1683. Before 23 Jun 1686 Mary Beale aka Cradock Painter 1633-1699. Portrait of William Coventry 1628-1686.Around 1672 Peter Lely Painter 1618-1680. Portrait of Thomas Clifford 1st Baron Clifford Chudleigh 1630-1673.Around 1660 Peter Lely Painter 1618-1680. Portrait of Thomas Wriothesley 4th Earl of Southampton 1607-1667 holding his Lord Treasurer Staff of Office.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Around 1676 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685 wearing his Garter Robes.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685.