The Scornful Lady

The Scornful Lady is in Jacobean and Restoration Plays.

Samuel Pepys' Diary 04 January 1661. 04 Jan 1661. Office all the morning, my wife and Pall being gone to my father's to dress dinner for Mr. Honiwood, my mother being gone out of town. Dined at home, and Mr. Moore with me, with whom I had been early this morning at White Hall, at the Jewell Office1, to choose a piece of gilt plate for my Lord, in return of his offering to the King (which it seems is usual at this time of year, and an Earl gives twenty pieces in gold in a purse to the King). I chose a gilt tankard, weighing 31 ounces and a half, and he is allowed 30; so I paid 12s. for the ounce and half over what he is to have; but strange it was for me to see what a company of small fees I was called upon by a great many to pay there, which, I perceive, is the manner that courtiers do get their estates. After dinner Mr. Moore and I to the Theatre, where was "The Scornful Lady", acted very well, it being the first play that ever he saw. Thence with him to drink a cup of ale at Hercules Pillars, and so parted. I called to see my father, who told me by the way how Will and Mary Joyce do live a strange life together, nothing but fighting, &c., so that sometimes her father has a mind to have them divorced. Thence home.
Several of the Jewel Office rolls are in the British Museum. They recite all the sums of money given to the King, and the particulars of all the plate distributed in his name, as well as gloves and sweetmeats. The Museum possesses these rolls for the 4th, 9th, 18th, 30th, and 31st Eliz.; for the 13th Charles I; and the 23rd, 24th, 26th, and 27th of Charles II B.

Samuel Pepys' Diary 12 February 1661. 12 Feb 1661. To my Lord's, and there with him all the morning, and then (he going out to dinner) I and Mr. Pickering, Creed, and Captain Ferrers to the Leg in the Palace to dinner, where strange Pickering's impertinences. Thence the two others and I after a great dispute whither to go, we went by water to Salsbury Court play-house, where not liking to sit, we went out again, and by coach to the Theatre, and there saw "The Scornful Lady", now done by a woman, which makes the play appear much better than ever it did to me. Then Creed and I (the other being lost in the crowd) to drink a cup of ale at Temple Bar, and there we parted, and I (seeing my father and mother by the way) went home.

Samuel Pepys' Diary 17 November 1662. 17 Nov 1662. To the Duke's to-day, but he is gone a-hunting, and therefore I to my Lord Sandwich's (37), and having spoke a little with him about his businesses, I to Westminster Hall and there staid long doing many businesses, and so home by the Temple and other places doing the like, and at home I found my wife dressing by appointment by her woman [Mrs. Gosnell.] that I think is to be, and her other sister being here to-day with her and my wife's brother, I took Mr. Creed, that came to dine, to an ordinary behind the Change, and there dined together, and after dinner home and there spent an hour or two till almost dark, talking with my wife, and making Mrs. Gosnell sing; and then, there being no coach to be got, by water to White Hall; but Gosnell not being willing to go through bridge, we were forced to land and take water, again, and put her and her sister ashore at the Temple. I am mightily pleased with her humour and singing. At White Hall by appointment, Mr. Creed carried my wife and I to the Cockpitt, and we had excellent places, and saw the King (32), Queen (23), Duke of Monmouth (13), his son, and my Baroness Castlemaine's (21), and all the fine ladies; and "The Scornful Lady", well performed. They had done by eleven o'clock, and it being fine moonshine, we took coach and home, but could wake nobody at my house, and so were fain to have my boy get through one of the windows, and so opened the door and called up the maids, and went to supper and to bed, my mind being troubled at what my wife tells me, that her woman will not come till she hears from her mother, for I am so fond of her that I am loth now not to have her, though I know it will be a great charge to me which I ought to avoid, and so will make it up in other things.
So to bed.

Around 1650 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 1st Earl Sandwich 1625-1672.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670. John Riley Painter 1646-1691. Portrait of James Scott 1st Duke Monmouth 1st Duke Buccleuch 1649-1685.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1664 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child.Around 1666 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. One of the Windsor Beauties.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Around 1690 Jacob Huysmans Painter 1633-1696. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709.Before 07 Nov 1666. William Faithorne The Elder Engraver 1616-1691. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. See Samuel Pepys' Diary 07 November 1666.

Samuel Pepys' Diary 27 December 1666. 27 Dec 1666. Up; and called up by the King's trumpets, which cost me 10s. So to the office, where we sat all the morning.
At noon, by invitation, my wife, who had not been there these to months, I think, and I, to meet all our families at Sir W. Batten's (65) at dinner, whither neither a great dinner for so much company nor anything good or handsome. In the middle of dinner I rose, and my wife, and by coach to the King's playhouse, and meeting Creed took him up, and there saw "The Scornful Lady" well acted; Doll Common doing Abigail most excellently, and Knipp the widow very well, and will be an excellent actor, I think. In other parts the play not so well done as used to be, by the old actors.
Anon to White Hall by coach, thinking to have seen a play there to-night, but found it a mistake, so back again, and missed our coach[man], who was gone, thinking to come time enough three hours hence, and we could not blame him. So forced to get another coach, and all three home to my house, and there to Sir W. Batten's (65), and eat a bit of cold chine of beef, and then staid and talked, and then home and sat and talked a little by the fireside with my wife and Creed, and so to bed, my left eye being very sore. No business publick or private minded all these two days. This day a house or two was blown up with powder in the Minorys, and several people spoiled, and many dug out from under the rubbish.

Samuel Pepys' Diary 16 September 1667. 16 Sep 1667. Up, and several come to me, among others Mr. Yeabsly of Plymouth, to discourse about their matters touching Tangier, and by and by Sir H. Cholmly (35), who was with me a good while; who tells me that the Duke of York's (33) child is christened, the Duke of Albemarle (58) and the Marquis of Worcester (38) godfathers, and my Lady Suffolke (45) godmother; and they have named it Edgar, which is a brave name. But it seems they are more joyful in the Chancellor's (58) family, at the birth of this Prince, than in wisdom they should, for fear it should give the King (37) cause of jealousy.
Sir H. Cholmly (35) do not seem to think there is any such thing can be in the King's intention as that of raising the Duke of Monmouth (18) to the Crowne, though he thinks there may possibly be some persons that would, and others that would be glad to have the Queen (28) removed to some monastery, or somewhere or other, to make room for a new wife; for they will all be unsafe under the Duke of York (33). He says the King (37) and Parliament will agree; that is, that the King (37) will do any thing that they will have him. We together to the Exchequer about our Tangier orders, and so parted at the New Exchange, where I staid reading Mrs. Phillips's poems till my wife and Mercer called me to Mrs. Pierce's, by invitation to dinner, where I find her painted, which makes me loathe her, and the nastiest poor dinner that made me sick, only here I met with a Fourth Advice to the Painter upon the coming in of the Dutch to the River and end of the war, that made my heart ake to read, it being too sharp, and so true. Here I also saw a printed account of the examinations taken, touching the burning of the City of London, shewing the plot of the Papists therein; which, it seems, hath been ordered and to have been burnt by the hands of the hangman, in Westminster Palace. I will try to get one of them.
After dinner she showed us her closet, which is pretty, with her James's picture done by Hales, but with a mighty bad hand, which is his great fault that he do do negligently, and the drapery also not very good. Being tired of being here, and sick of their damned sluttish dinner, my wife and Mercer and I away to the King's play-house, to see the "Scornfull Lady"; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in, but, against our wills, went all to see "Tu Quoque" again, where there is a pretty store of company, and going with a prejudice the play appeared better to us. Here we saw Madam Morland, who is grown mighty fat, but is very comely. But one of the best arts of our sport was a mighty pretty lady that sat behind, that did laugh so heartily and constantly, that it did me good to hear her.
Thence to the King's house, upon a wager of mine with my wife, that there would be no acting there today, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of he play, and so to the coach again, and to the Cock ale house, and there drank in our coach, and so home, and my wife read to me as last night, and so to bed vexed with our dinner to-day, and myself more with being convinced that Mrs. Pierce paints, so that henceforth to be sure I shall loathe her.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Before 03 Jan 1670  Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670.Before 03 Jan 1670 Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670 in his Garter Robes.Before 1699 Godfrey Kneller Painter 1646-1723. Portrait of Henry Somerset 1st Duke Beaufort 1629-1700.Before 1675. Remigius van Leemput Painter 1607-1675. Portrait of Barbara Villiers Countess Suffolk 1622-1680.Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1670. John Riley Painter 1646-1691. Portrait of James Scott 1st Duke Monmouth 1st Duke Buccleuch 1649-1685.Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.