The Valiant Cidd

The Valiant Cidd is in Jacobean and Restoration Plays.

Samuel Pepys' Diary 01 December 1662. 01 Dec 1662. Up and by coach with Sir John Minnes (63) and Sir W. Batten (61) to White Hall to the Duke's chamber, where, as is usual, my Lord Sandwich (37) and all of us, after his being ready, to his closett, and there discoursed of matters of the Navy, and here Mr. Coventry (34) did do me the great kindness to take notice to the Duke (29) of my pains in making a collection of all contracts about masts, which have been of great use to us.
Thence I to my Lord Sandwich's (37), to Mr. Moore, to talk a little about business; and then over the Parke (where I first in my life, it being a great frost, did see people sliding with their skeates1, which is a very pretty art), to Mr. Coventry's (34) chamber to St. James's, where we all met to a venison pasty, and were very merry, Major Norwood being with us, whom they did play upon for his surrendering of Dunkirk. Here we staid till three or four o'clock; and so to the Council Chamber, where there met the Duke of York (29), Prince Rupert (42), Duke of Albemarle (53), my Lord Sandwich (37), Sir Win. Compton (37), Mr. Coventry (34), Sir J. Minnes (63), Sir R. Ford (48), Sir W. Rider, myself, and Captain Cuttance, as Commissioners for Tangier. And after our Commission was read by Mr. Creed, who I perceive is to be our Secretary, we did fall to discourse of matters: as, first, the supplying them forthwith with victualls; then the reducing it to make way for the money, which upon their reduction is to go to the building of the Mole; and so to other matters, ordered as against next meeting.
This done we broke up, and I to the Cockpitt, with much crowding and waiting, where I saw "The Valiant Cidd2" acted, a play I have read with great delight, but is a most dull thing acted, which I never understood before, there being no pleasure in it, though done by Betterton (27) and by Ianthe (25), And another fine wench that is come in the room of Roxalana (20) nor did the King (32) or Queen (24) once smile all the whole play, nor any of the company seem to take any pleasure but what was in the greatness and gallantry of the company.
Thence to my Lord's, and Mr. Moore being in bed I staid not, but with a link walked home and got thither by 12 o'clock, knocked up my boy, and put myself to bed.
Note 1. Iron skates appear to have been introduced by the Dutch, as the name certainly was; but we learn from Fitzstephen that bone skates (although not so called) were used in London in the twelfth century.
Note 2. Translated from the "Cid" of Corneille.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of John Mennes Comptroller 1599-1671.Around 1650 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 1st Earl Sandwich 1625-1672.Before 23 Jun 1686 Mary Beale aka Cradock Painter 1633-1699. Portrait of William Coventry 1628-1686.Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Around 1642. William Dobson Painter 1611-1646. Portrait of the Prince Rupert Palatinate Simmern 1st Duke Cumberland 1619-1682, Colonel John Russell 1620-1687 and Colonel William Murray.Before 1656 Gerrit van Honthorst Painter 1592-1656. Portrait of Prince Rupert Palatinate Simmern 1st Duke Cumberland 1619-1682.Around 1672 John Michael Wright Painter 1617-1694. Portrait of Prince Rupert Palatinate Simmern 1st Duke Cumberland 1619-1682.Around 1680 Simon Pietersz Verelst Painter 1644-1710. Portrait of Prince Rupert Palatinate Simmern 1st Duke Cumberland 1619-1682. Before 03 Jan 1670  Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670.Before 03 Jan 1670 Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670 in his Garter Robes.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.