Tu Quoque

Tu Quoque is in Jacobean and Restoration Plays.

Samuel Pepys' Diary 12 September 1667. 12 Sep 1667. Up, and at the office all the morning till almost noon, and then I rode from the office (which I have not done five times I think since I come thither) and to the Exchequer for some tallies for Tangier; and that being done, to the Dog taverne, and there I spent half a piece upon the clerks, and so away, and I to Mrs. Martin's, but she not at home, but staid and drunk with her sister and landlady, and by that time it was time to go to a play, which I did at the Duke's house, where "Tu Quoque" was the first time acted, with some alterations of Sir W. Davenant's (61); but the play is a very silly play, methinks; for I, and others that sat by me, Mr. Povy (53) and Mr. Progers, were weary of it; but it will please the citizens.
My wife also was there, I having sent for her to meet me there, and W. Hewer (25). After the play we home, and there I to the office and despatched my business, and then home, and mightily pleased with my wife's playing on the flageolet, she taking out any tune almost at first sight, and keeping time to it, which pleases me mightily.
So to supper and to bed.

Around 1657 John Michael Wright Painter 1617-1694. Portrait of Thomas Povey Master of Requests 1614-1705.Before 1694 John Michael Wright Painter 1617-1694. Portrait of Thomas Povey Master of Requests 1614-1705.In 1689 Godfrey Kneller Painter 1646-1723. Portrait of William Hewer 1642-1715.

Samuel Pepys' Diary 16 September 1667. 16 Sep 1667. Up, and several come to me, among others Mr. Yeabsly of Plymouth, to discourse about their matters touching Tangier, and by and by Sir H. Cholmly (35), who was with me a good while; who tells me that the Duke of York's (33) child is christened, the Duke of Albemarle (58) and the Marquis of Worcester (38) godfathers, and my Lady Suffolke (45) godmother; and they have named it Edgar, which is a brave name. But it seems they are more joyful in the Chancellor's (58) family, at the birth of this Prince, than in wisdom they should, for fear it should give the King (37) cause of jealousy.
Sir H. Cholmly (35) do not seem to think there is any such thing can be in the King's intention as that of raising the Duke of Monmouth (18) to the Crowne, though he thinks there may possibly be some persons that would, and others that would be glad to have the Queen (28) removed to some monastery, or somewhere or other, to make room for a new wife; for they will all be unsafe under the Duke of York (33). He says the King (37) and Parliament will agree; that is, that the King (37) will do any thing that they will have him. We together to the Exchequer about our Tangier orders, and so parted at the New Exchange, where I staid reading Mrs. Phillips's poems till my wife and Mercer called me to Mrs. Pierce's, by invitation to dinner, where I find her painted, which makes me loathe her, and the nastiest poor dinner that made me sick, only here I met with a Fourth Advice to the Painter upon the coming in of the Dutch to the River and end of the war, that made my heart ake to read, it being too sharp, and so true. Here I also saw a printed account of the examinations taken, touching the burning of the City of London, shewing the plot of the Papists therein; which, it seems, hath been ordered and to have been burnt by the hands of the hangman, in Westminster Palace. I will try to get one of them.
After dinner she showed us her closet, which is pretty, with her James's picture done by Hales, but with a mighty bad hand, which is his great fault that he do do negligently, and the drapery also not very good. Being tired of being here, and sick of their damned sluttish dinner, my wife and Mercer and I away to the King's play-house, to see the "Scornfull Lady"; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in, but, against our wills, went all to see "Tu Quoque" again, where there is a pretty store of company, and going with a prejudice the play appeared better to us. Here we saw Madam Morland, who is grown mighty fat, but is very comely. But one of the best arts of our sport was a mighty pretty lady that sat behind, that did laugh so heartily and constantly, that it did me good to hear her.
Thence to the King's house, upon a wager of mine with my wife, that there would be no acting there today, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of he play, and so to the coach again, and to the Cock ale house, and there drank in our coach, and so home, and my wife read to me as last night, and so to bed vexed with our dinner to-day, and myself more with being convinced that Mrs. Pierce paints, so that henceforth to be sure I shall loathe her.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.Around 1666 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 and Anne Hyde Queen Consort England 1637-1671. See Samuel Pepys' Diary 24 March 1666.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.Around 1672 Henri Gascar Painter 1635-1701. Portrait of James II King England Scotland and Ireland 1633-1701.Before 03 Jan 1670  Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670.Before 03 Jan 1670 Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670 in his Garter Robes.Before 1699 Godfrey Kneller Painter 1646-1723. Portrait of Henry Somerset 1st Duke Beaufort 1629-1700.Before 1675. Remigius van Leemput Painter 1607-1675. Portrait of Barbara Villiers Countess Suffolk 1622-1680.Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685.Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes.Around 1661 John Michael Wright Painter 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes.Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1670. John Riley Painter 1646-1691. Portrait of James Scott 1st Duke Monmouth 1st Duke Buccleuch 1649-1685.Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.