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All About History Books
The Chronicle of Walter of Guisborough, a canon regular of the Augustinian Guisborough Priory, Yorkshire, formerly known as The Chronicle of Walter of Hemingburgh, describes the period from 1066 to 1346. Before 1274 the Chronicle is based on other works. Thereafter, the Chronicle is original, and a remarkable source for the events of the time. This book provides a translation of the Chronicle from that date. The Latin source for our translation is the 1849 work edited by Hans Claude Hamilton. Hamilton, in his preface, says: "In the present work we behold perhaps one of the finest samples of our early chronicles, both as regards the value of the events recorded, and the correctness with which they are detailed; Nor will the pleasing style of composition be lightly passed over by those capable of seeing reflected from it the tokens of a vigorous and cultivated mind, and a favourable specimen of the learning and taste of the age in which it was framed." Available at Amazon in eBook and Paperback.
Memoirs of Count Grammont by Anthony Hamilton is in Stewart Books.
Samuel Pepys' Diary. 8th February 1663. By and by to my Lord's, and with him a good while talking upon his want of money, and ways of his borrowing some, &c., and then by other visitants, I withdrew and away, Creed and I and Captn. Ferrers to the Park, and there walked finely, seeing people slide [ice-skating], we talking all the while; and Captn. Ferrers telling me, among other Court passages, how about a month ago, at a ball at Court, a child was dropped by one of the ladies in dancing, but nobody knew who, it being taken up by somebody in their handkercher. The next morning all the Ladies of Honour appeared early at Court for their vindication, so that nobody could tell whose this mischance should be. But it seems Mrs. Wells (age 21)1 fell sick that afternoon, and hath disappeared ever since, so that it is concluded that it was her.
Note 1. Winifred Wells, maid of honour to the Queen (age 24), who figures in the "Grammont Memoirs". the King (age 32) is supposed to have been father of the child. A similar adventure is told of Mary Kirke (age 17) (afterwards married to Sir Thomas Vernon), who figures in the "Grammont Memoirs" as Miss Warmestre.
Samuel Pepys' Diary. 25th November 1666. The Council up, after speaking with Sir W. Coventry (age 38) a little, away home with Captain Cocke (age 49) in his coach, discourse about the forming of his contract he made with us lately for hempe, and so home, where we parted, and I find my uncle Wight (age 64) and Mrs. Wight and Woolly, who staid and supped, and mighty merry together, and then I to my chamber to even my journal, and then to bed. I will remember that Mr. Ashburnham (age 62) to-day at dinner told how the rich fortune Mrs. Mallett (age 15) reports of her servants; that my Lord Herbert (age 25) would have had her; my Lord Hinchingbrooke (age 18) was indifferent to have her1 my Lord John Butler (age 23) might not have her; my Lord of Rochester (age 19) would have forced her2 and Sir---Popham (age 20), who nevertheless is likely to have her, would kiss her breach to have her.
Note 1. They had quarrelled (see August 26th). She, perhaps, was piqued at Lord Hinchingbroke's refusal "to compass the thing without consent of friends" (see February 25th), whence her expression, "indifferent" to have her. It is worthy of remark that their children intermarried; Lord Hinchingbroke's son married Lady Rochester's daughter. B.
Note 2. Of the lady thus sought after, whom Pepys calls "a beauty" as well as a fortune, and who shortly afterwards, about the 4th February, 1667, became the wife of the Earl of Rochester, then not twenty years old, no authentic portrait is known to exist. When Mr. Miller, of Albemarle Street, in 1811, proposed to publish an edition of the "Memoires de Grammont", he sent an artist to Windsor to copy there the portraits which he could find of those who figure in that work. In the list given to him for this purpose was the name of Lady Rochester. Not finding amongst the "Beauties", or elsewhere, any genuine portrait of her, but seeing that by Hamilton she is absurdly styled "une triste heritiere", the artist made a drawing from some unknown portrait at Windsor of a lady of a sorrowful countenance, and palmed it off upon the bookseller. In the edition of "Grammont" it is not actually called Lady Rochester, but "La Triste Heritiere". A similar falsification had been practised in Edwards's edition of 1793, but a different portrait had been copied. It is needless, almost, to remark how ill applied is Hamilton's epithet. B.
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