1603-1610 James I

On 3rd June 1603 a number of English noble ladies selected by the Privy Council greeted Anne of Denmark Queen Consort Scotland England and Ireland at Berwick on Tweed, Northumberland with two-hundred horse including...

Frances Howard Countess Kildare

Elizabeth Hastings Countess of Worcester

Philadelphia Carey Baroness Scrope Bolton

Penelope Devereux Countess Devonshire.

Anne Lady Herbert

Audrey Shelton Lady Walsingham.

The Elizabethan Stage by E K Chambers Volume 3 The Twelve Goddesses 08 Jan 1604. 1604. The true discription of a Royall Masque. Presented at Hampton Court, vpon Sunday night, being the eight of Ianuary, 1604. And Personated by the Queenes most Excellent Majestie, attended by Eleuen Ladies of Honour. Edward Allde.[278]

The Vision of the 12 Goddesses, presented in a Maske the 8 of Ianuary, at Hampton Court: By the Queenes most Excellent Maiestie, and her Ladies. T. C. for Simon Waterson. [A preface to Lucy, Countess of Bedford, is signed by Daniel, who states that the publication was motived by 'the unmannerly presumption of an indiscreet Printer, who without warrant hath divulged the late shewe ... and the same very disorderly set forth'. Lady Bedford had 'preferred' Daniel to the Queen 'in this imployment'.]

See Collections.

Editions by Nichols, James, i. 305 (1828), E. Law (1880), and H. A. Evans (1897, English Masques).

The maskers, in various colours and with appropriate emblems, were twelve Goddesses, and were attended by torchbearers (cf. Carleton, infra); the presenters, 'for the introducing this show', Night, Sleep, Iris, Sibylla, and the Graces; the cornets, Satyrs.

The locality was the Hall at Hampton Court. At the lower end was a mountain, from which the maskers descended, and in which the cornets played; at the upper end the cave of Sleep and, on the left (Carleton), a temple of Peace, in the cupola of which was 'the consort music', while viols and lutes were 'on one side of the hall'.

The maskers presented their emblems, which Sibylla laid upon the altar of the temple. They danced 'their own measures', then took out the lords for 'certain measures, galliards, and corantoes', and after a 'short departing dance' reascended the mountain.

his was a Queen's mask, danced, according to manuscript notes in a copy of the Allde edition (B.M. 161, a. 41) thought by Mr. Law to be 'in a hand very like Lord Worcester's' (vide infra), and possibly identical with the 'original MS. of this mask' from which the same names are given in Collier, i. 347, by the Queen (Pallas), the Countesses of Suffolk (Juno), Hertford (Diana), Bedford (Vesta), Derby (Proserpine), and Nottingham (Concordia), and the Ladies Rich (Venus), Hatton (Macaria), Walsingham (Astraea), Susan Vere (Flora), Dorothy Hastings (Ceres), and Elizabeth Howard (Tethys).

Anticipations of masks at Court during the winter of 1603-4 are to be found in letters to Lord Shrewsbury from Arabella Stuart on 18 Dec. (Bradley, ii. 193), 'The Queene intendeth to make a Mask this Christmas, to which end my Lady of Suffolk and my Lady Walsingham hath warrants to take of the late Queenes best apparell out of the Tower at theyr discretion. Certain Noblemen (whom I may not yet name to you, because some of them have made me of theyr counsell) intend another. Certain gentlemen of good sort another'; from Cecil on 23 Dec. (Lodge, iii. 81), 'masks and much more'; and from Sir Thomas Edmondes on 23 Dec. (Lodge, iii. 83):

'Both the King's and Queen's Majesty have a humour to have some masks this Christmas time, and therefore, for that purpose, both the young lords and chief gentlemen of one part, and the Queen and her ladies of the other part, do severally undertake the accomplishment and furnishing[279] thereof; and, because there is use of invention therein, special choice is made of Mr. Sanford to direct the order and course for the ladies';

also in the letters of Carleton to Chamberlain on 27 Nov. (Birch, i. 24; Hardwicke Papers, i. 383), 'many plays and shows are bespoken, to give entertainment to our ambassadors', and 22 Dec. (S. P. D. Jac. I, v. 20; Law, 9):

'We shall have a merry Christmas at Hampton Court, for both male and female maskes are all ready bespoken, whereof the Duke [of Lennox] is rector chori of th' one side and the La: Bedford of the other.'

I suppose Mr. Sanford to be Henry Sanford, who, like Daniel, had been of the Wilton household (cf. Aubrey, i. 311) and may well have lent him his aid.

The masks of lords on 1 Jan. and of Scots on 6 Jan. are not preserved. The latter is perhaps most memorable because Ben Jonson and his friend Sir John Roe were thrust out from it by the Lord Chamberlain (cf. ch. vi). Arabella Stuart briefly told Shrewsbury on 10 Jan. that there were three masks (Bradley, ii. 199). Wilbraham's Journal (Camden Misc. x), 66, records:

The masks of lords on 1 Jan. and of Scots on 6 Jan. are not preserved. The latter is perhaps most memorable because Ben Jonson and his friend Sir John Roe were thrust out from it by the Lord Chamberlain (cf. ch. vi). Arabella Stuart briefly told Shrewsbury on 10 Jan. that there were three masks (Bradley, ii. 199). Wilbraham's Journal (Camden Misc. x), 66, records:

But the fullest description was given by Carleton to Chamberlain on 15 Jan. (S. P. D. Jac. I, vi. 21, printed by Law, 33, 45; Sullivan, 192).

'On New yeares night we had a play of Robin goode-fellow and a maske brought in by a magicien of China. There was a heaven built at the lower end of the hall, owt of which our magicien came downe and after he had made a long sleepy speech to the King of the nature of the cuntry from whence he came comparing it with owrs for strength and plenty, he sayde he had broughte in cloudes certain Indian and China Knights to see the magnificency of this court. And theruppon a trauers was drawne and the maskers seen sitting in a voulty place with theyr torchbearers and other lights which was no vnpleasing spectacle. The maskers were brought in by two boyes and two musitiens who began with a song and whilst that went forward they presented themselves to the King. The first gave the King an Impresa in a shield with a sonet in a paper to exprese his deuice and presented a jewell of 40,000£ valew which the King is to buy of Peter Van Lore, but that is more than euery man knew and it made a faire shew to the French Ambassadors eye whose master would have bin well pleased with such a maskers present but not at that prise. The rest in theyr order deliuered theyr scutchins with letters and there was no great stay at any of them saue only at one who was putt to the interpretacion of his deuise. It was a faire horse colt in a faire greene field which he meant to be a colt of Busephalus race and had this virtu of his sire that none could mount him but one as great at lest as Alexander. The King made himself merry with threatening to send this colt to the stable and he could not breake loose till he promised to dance as well as Bankes his horse. The first measure was full of changes and seemed confused but was well gone[280] through with all, and for the ordinary measures they tooke out the Queen, the ladies of Derby, Harford, Suffolke, Bedford, Susan Vere, Suthwell th' elder and Rich. In the corantoes they ran over some other of the young ladies, and so ended as they began with a song; and that done, the magicien dissolved his enchantment, and made the maskers appear in theyr likenes to be th' Erle of Pembroke, the Duke, Monsr. d'Aubigny, yong Somerset, Philip Harbert the young Bucephal, James Hayes, Richard Preston, and Sir Henry Godier. Theyr attire was rich but somewhat too heavy and cumbersome for dancers which putt them besides ther galliardes. They had loose robes of crimsen sattin embrodered with gold and bordered with brood siluer laces, dublets and bases of cloth of siluer; buskins, swordes and hatts alike and in theyr hats ech of them an Indian bird for a fether with some jewells. The twelfe-day the French Ambassador was feasted publikely; and at night there was a play in the Queens presence with a masquerado of certaine Scotchmen who came in with a sword dance not vnlike a matachin, and performed it clenly.... The Sunday following was the great day of the Queenes maske.'

This Carleton describes at length; I only note points which supplement Daniel's description.

'The Hale was so much lessened by the workes that were in it, so as none could be admitted but men of apparance, the one end was made into a rock and in several places the waightes placed; in attire like savages. Through the midst from the top came a winding stayre of breadth for three to march; and so descended the maskers by three and three; which being all seene on the stayres at once was the best presentacion I have at any time seene. Theyre attire was alike, loose mantles and petticotes but of different colors, the stuffs embrodered sattins and cloth of gold and silver, for which they were beholding to Queen Elizabeth's wardrobe.... Only Pallas had a trick by herself for her clothes were not so much below the knee, but that we might see a woman had both feete and legs which I never knew before.'

He describes the torchbearers as pages in white satin loose gowns, although Daniel says they were 'in the like several colours' to the maskers. The temple was 'on the left side of the hall towards the upper end'. For the 'common measures' the lords taken out were Pembroke, Lennox, Suffolk, Henry Howard, Southampton, Devonshire, Sidney, Nottingham, Monteagle, Northumberland, Knollys, and Worcester.

'For galliardes and corantoes they went by discretion, and the yong Prince was tost from hand to hand like a tennis bal. The Lady Bedford and Lady Susan tooke owt the two ambassadors; and they bestirred themselfe very liuely: speceally the Spaniard for the Spanish galliard shewed himself a lusty old reueller.... But of all for goode grace and goode footmanship Pallas bare the bell away.'

The dancers unmasked about midnight, and then came a banquet in the presence-chamber, 'which was dispatched with the accustomed confusion'.

Carleton also mentions the trouble between the Spanish and French ambassadors, which is also referred to in a letter of O. Renzo to G. A. Frederico (S. P. D. Jac. I, vi. 37; cf. Sullivan, 195), and is the subject of several dispatches by and to the Comte de Beaumont[281] (King's MSS. cxxiv, ff. 328, 359v, 363, 373, 381, 383v, 389; cf. Reyher, 519, Sullivan, 193-5). was the object of the Court not to invite both ambassadors together, as this would entail an awkward decision as to precedence. Beaumont was asked first, to the mask on 1 Jan. He hesitated to accept, expressing a fear that it was intended to ask De Taxis to the Queen's mask on Twelfth Night, 'dernier jour des festes de Noël selon la facon d'Angleterre et le plus honnorable de tout pour la cérémonie qui s'y obserue de tout temps publiquement'. After some negotiation he extracted a promise from James that, if the Spaniard was present at all, it would be in a private capacity, and he then dropped the point, and accepted his own invitation, threatening to kill De Taxis in the presence if he dared to dispute precedence with him. On 5 Jan. he learnt that Anne had refused to dance if De Taxis was not present, and that the promise would be broken. He protested, and his protest was met by an invitation for the Twelfth Night to which he had attached such importance. But the Queen's mask was put off until 8 Jan., a Scottish mask substituted on 6 Jan., and on 8 Jan. De Taxis was present, revelling it in red, while Anne paid him the compliment of wearing a red favour on her costume.

Reyher, 519, cites references to the Queen's mask in the accounts of the Treasurer of the Chamber and of the Office of Works. E. Law (Hist. of Hampton Court, ii. 10) gives, presumably from one of these, 'making readie the lower ende with certain roomes of the hall at Hampton Court for the Queenes Maiestie and ladies against their mask by the space of three dayes'.

Allde's edition must have been quickly printed. On 2 Feb. Lord Worcester wrote to Lord Shrewsbury (Lodge, iii. 87): 'Whereas your Lordship saith you were never particularly advertised of the mask, I have been at sixpence charge with you to send you the book, which will inform you better than I can, having noted the names of the ladies applied to each goddess; and for the other, I would likewise have sent you the ballet, if I could have got it for money, but these books, as I hear, are all called in, and in truth I will not take upon me to set that down which wiser than myself do not understand.

Note 278. Henslowe Papers, 139.

Note 279. James IV, 106, 605, 618, 1115.

Note 280. Looking Glass, 152, 1756.

On 8th January 1604 the Masque of the Twelve Goddesses was performed in the Great Hall at Hampton Court Palace, Richmond. The performers included:

Anne of Denmark Queen Consort Scotland England and Ireland played Pallas.

Catherine Knyvet Countess Suffolk played Juno.

Frances Howard Duchess Lennox and Richmond played Diana.

Lucy Harrington Countess Bedford played Vesta.

Elizabeth Vere Countess Derby played Proserpine.

Margaret Stewart 1st Countess Nottingham played Concordia.

Penelope Devereux Countess Devonshire played Venus.

Elizabeth Cecil Lady Hatton played Macaria.

Audrey Shelton Lady Walsingham played Astraea.

Susan Vere Countess Montgomery played Flora.

Dorothy Hastings played Ceres.

Elizabeth Howard Countess Banbury played Tethys.

Memorials of affairs of state in the reigns of Q Elizabeth and K James I Volume 2. Jan 1605. Dudley Carleton to Ralph Winwood

Sir

I had written unto you at this time, though I had not been invited by your Letters I received by Captain Doyly. For in Mr. Chamberlain's Absense, I come in quarter, and have waited so diligently at Court this Christmas, that I have Matter enough, if the Report of Masks and Mummings can please you.

On St. John's Day we had the Marriage of Sir Philip Herbert and the Lady Susan performed at Whitehall, with all the Honour could be done a great Favourite. The Court was great, and for that Day put on the best Bravery. The Prince and Duke of Holst led the Bride to Church, the Queen follow'd her from thence. The King gave her, and she in her Tresses, and Trinketts brided and bridled it so handsomly, and indeed became her self so well, that the King said, if he were unmarried he would not give her, but keep her himself. The Marriage Dinner was kept in the great Chamber, where the Prince and the Duke of Holst, and the great Lords and Ladies accompanied the Bride. The Ambassador of Venice was the only bidden Guest of Strangers, and he had place above the Duke of Holst, which the Duke took not well. But after Dinner he was as little pleased himself; for being brought into the Closet to retire himself, he was there suffered to walk out his Supper unthought of. At Night there was a Mask in the Hall, which for Conceit and Fashion was fuitable to the Occasion. The Actors, were the Earle of Pembrook, the Lord Willoby, Sir Samuel Hays, Sir Thomas Germain, Sir Robert Cary, Sir John Lee, Sir Richard Preston, and Sir Thomas Eager. There was no smal Loss that Night of Chaines and Jewells, and many great Ladies were made shorter by the Skirts, and were well enough served that they could keep cut no better. The Presents of Plate, and other Things given by the Noblemen, were valued at £2500, but that which made it a good Marriage, was a Gift of the King's of £500 Land for the Bride's Joynture. They were lodged in the Councill Chamber, where the King in his Shirt and NightGown gave them a Reveille Matin before they were up, and spent a good time in or upon the Bed, chuse which you will believe. No Ceremony was omitted of Bride-Cakes, Points, Garters, and Gloves, which have been ever since the Livery of the Court; and at Night there was sewing into the Sheet, casting off the Bride's left Hose, with many other petty Sorceries.

On 6th January 1605, Twelfth Night, the Ben Johnson Masque of Blackness was performed at the Banqueting House, Whitehall Palace. The performers included:

Anne of Denmark Queen Consort Scotland England and Ireland played Euphoris.

Lucy Harrington Countess Bedford played Aglaia.

Anne Lady Herbert played Diaphane.

Elizabeth Vere Countess Derby played Eucampse.

Catherine Knyvet Countess Suffolk played Kathare.

Penelope Devereux Countess Devonshire played Ocyte.

Frances Knyvet Lady Bevill played Notis.

Anne St John Lady Effingham played Psychrote.

Elizabeth Howard Countess Banbury played Glycyte.

Susan Vere Countess Montgomery played Malacia.

Mary Sidney Lady Wroth played Baryte.

Audrey Shelton Lady Walsingham played Periphere.

Memorials of affairs of state in the reigns of Q Elizabeth and K James I Volume 2. At Night we had the Queen's Maske in the Banqueting-House, or rather her Pagent. There was a great Engine at the lower end of the Room, which had Motion, and in it were the Images of Sea-Horses with other terrible Fishes, which were ridden by Moors: The Indecorum was, that there was all Fish and no Water. At the further end was a great Shell in form of a Skallop,wherein were four Seats; on the lowest sat the Queen with my Lady Bedford; on the left were placed the Ladies Suffolk, Darby, Rich, Effingham, Ann Herbert, Susan Herbert, Elizabeth Howard, Walsingham and Bevil. Their Apparell was rich, but too light and Currizan-light for such great ones. Instead of Vizzards, their Faces, and Arms up to the Elbows, were painted black, which was Disguise sufficient, for they were hard to be known; but it became them nothing so well as their red and white, and you cannot imagine a more ugly Sight, then a Troop of lean-cheeked Moors. The Spanish and Venetian Ambassadors were both present, and sate by the King in State; at which Monsieur Beaumont quarrells so extreamly, that he saith the whole Court is Spanish. But by his Favour, he should fall out with none but himself, for they were all indifferently invited to come as private Men, to a private Sport; which he refusing, the Spanish Ambassador willingly accepted, and being there, feeing no Cause to the contrary, he put off Don Taxis, and took upon him El Senor Embaxadour, wherein he outstript our little Monsieur. He was privately at the first Mask, and fate amongst his Men disguised; at this he was taken out to dance, and footed it like a lusty old Gallant with his Country Woman. He took out the Queen, and forgot not to kiss her Hand, though there was Danger it would have left a Mark on his Lips. The Night's Work was concluded with a Banquet in the great Chamber, which was so furioufly assaulted, that down went Table and Tresses before one bit was touched. They say the Duke Holst will come upon us with an after reckoning, and that we shall see him on Candlemas Night in a Mask, as he hath shewed himself a lusty Reveller all this Christmas.

On 10th January 1608 the Ben Johnson Masque of Beauty was performed at the Banqueting House, Whitehall Palace to celebrate the completion of its refurburbishment. King James I of England and Ireland and VI of Scotland attended.

The performers included:

Anne of Denmark Queen Consort Scotland England and Ireland.

Alethea Talbot Countess Arundel, Surrey and Norfolk.

Catherine Brydges Countess Bedford.

Elizabeth Vere Countess Derby.

Susan Vere Countess Montgomery.

Lettice Perrot Baroness Chichester.

Audrey Shelton Lady Walsingham.

Catherine Somerset Baroness Windsor.

Anne Clifford Countess Dorset and Pembroke.

Elizabeth Barkham Lady Garrard.

Elizabeth Somerset.

Elizabeth Cecil Lady Hatton.

Mary Neville 7th and 5th Baroness Abergavenny 3rd Baroness Despencer.

Catherine Somerset Baroness Windsor.

Arabella Stewart.

On 9th February 1608 John Ramsay, Viscount Haddington and Elizabeth Radclyffe were married at Whitehall Palace. She by marriage Viscountess Haddington. She the daughter of Robert Radclyffe 5th Earl of Sussex and Bridget Morrison Countess Sussex.

James I gave the bride away and sent the bride a gold cup containing a grant of lands worth an income of £600 per year, also paid off Ramsay's debts of £10,000.

The marriage was celebrated with the Masque of The Hue and Cry After Cupid in the evening at the Banqueting House, Whitehall Palace written by Ben Johnson.

The principal masquers, nobles and gentlemen of the Court, appeared in the guise of the twelve signs of the Zodiac; the men, five English and seven Scottish courtiers, were:

Ludovic Stewart 2nd Duke Lennox 1st Duke Richmond.

Thomas Howard 14th or 21st Earl of Arundel 4th Earl of Surrey 1st Earl Norfolk.

Philip Herbert 4th Earl Pembroke 1st Earl Montgomery.

William Herbert 3rd Earl Pembroke.

Esmé Stewart 3rd Duke Lennox.

Theophilus Howard 2nd Earl Suffolk.

James Hay 1st Earl Carlisle.

Robert Crichton 8th Lord Sanquhar.

John Kennedy, Master of Mar.

Robert Rich 2nd Earl Warwick.

Mr Erskine.