Crescent is in Charges.
See: Crescents Argent, Crescents Or.
On 12th March 1560. [Some sources say 25th February 1560] Catherine Blount [deceased] died. On 11th August 1580 Maurice Berkeley [aged 54] died. Church of St Mary, Bruton [Map]. Elizabethan Period recumbent effigies of himself and his two wives Catherine Blount and Elizabeth Sands [aged 27] in an Easter sepulchre-type recess with double round arched front, Corinthian pilasters and strapwork panels. Ruff. Panel with quartered arms 1
Berkeley Arms 2 probably
Tiptoft Arms, possibly Wotton Arms 3 Unknown Arms 4 probably
Babington Arms, possibly
Zouche Arms differenced with a label three points, overall a Crescent.
Catherine Blount: John Champernowne and she were married. Around 1518 she was born to William Blount 4th Baron Mountjoy and Alice Keble Baroness Mountjoy. After 1541 Maurice Berkeley and she were married. They were sixth cousins. Henry Machyn's Diary. 12th March 1560. The xij day of Marche was bered at Dyttun [Map] my Catherine Blount, the wyff of ser Mores Barthelay knyght, with a penon of armes and a iiij dosen of skochyons, and a harold of armes, master Rychemond.
Elizabeth Sands: In 1533 she was born to Anthony Sands of Throwley in Kent. In 1562 Maurice Berkeley and she were married. The difference in their ages was 27 years. On 16th June 1585 she died at Berkeley House. She was buried at the St James' Church, Clerkenwell where a monument was constructed. Before 16th June 1685 she was appointed Lady of the Bedchamber to Queen Elizabeth I of England and Ireland.






On 10th July 1759 Catherine Blount Freeman [aged 22] died of a malignant fever. She was buried at St Andrew's Church, Wimpole [Map]. Armorial
Yorke Arms differenced with a crescent to indicate son of the current holder; her husband Charles Yorke [aged 36] with an inescutcheon of Freeman Arms quartered with unknown arms two lions passant guardant with a bordure engrailed.
Stylised sarcophagus in white veined marble, bearing a white inscription panel; above is an urn in brown marble against a grey background standing on a base of three steps around which are grouped three putti: two garlanding the urn while the third stands by in dejection with reversed torch; in front of the steps is a portrait medallion and at the base of the sarcophagus is an achievement of arms; signed 'JAMES STUART [aged 46], INVT. PR. SCHEEMAKERS [aged 68], SCULP. MDCCLXI'.
Catherine Blount Freeman: Around 1737 she was born to William Freeman of Hamels in Hertfordshire and Catherine Blount. On 19th May 1755 Charles Yorke and she were married. He the son of Philip Yorke 1st Earl of Hardwicke and Margaret Cocks Countess Hardwicke.




Scott Arms. Or, on a bend azure a mullet of six points between two crescents of the field. Source.
Salusbury Arms. Gules a lion rampant argent three crescents argent.
Jermyn Arms. Sable, a crescent between two mullets in pale argent. Source.
Tennant Arms. Argent, two crescents in fess sable on a chief gules a boar's head couped of the first. Source.
Hovell Arms. Sable, a crescent or.
NO IMAGE. Or, a chief indented azure, a crescent for difference. Source.
Annals of the six Kings of England by Nicholas Trivet
Translation of the Annals of the Six Kings of England by that traces the rise and rule of the Angevin aka Plantagenet dynasty from the mid-12th to early 14th century. Written by the Dominican scholar Nicholas Trivet, the work offers a vivid account of English history from the reign of King Stephen through to the death of King Edward I, blending political narrative with moral reflection. Covering the reigns of six monarchs—from Stephen to Edward I—the chronicle explores royal authority, rebellion, war, and the shifting balance between crown, church, and nobility. Trivet provides detailed insight into defining moments such as baronial conflicts, Anglo-French rivalry, and the consolidation of royal power under Edward I, whose reign he describes with particular immediacy. The Annals combines careful year-by-year reporting with thoughtful interpretation, presenting history not merely as a sequence of events but as a moral and political lesson. Ideal for readers interested in medieval history, kingship, and the origins of the English state, this chronicle remains a valuable and accessible window into the turbulent world of the Plantagenet kings.
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Rous Arms. Sable, a fess dancetté or between three crescents argent. Source.
Coventry Arms. Sable a fess between three crescents or. Source.
Dorward Arms. Ermine on a chevron sable, three crescents or.
Preston Arms. Or, a chief sable three crescents or.
Watson Arms. Argent, on a chevron engrailed azure between three martlets sable as many crescents or. Source.