The Diary of George Price Boyce 1851. 13 Nov 1851. After Clipstone Street spent the evening with Wells (age 22) at John (age 24) and [his brother] Thomas Seddon's (age 30), 7 Percy Street; G. Rossetti (age 23), F. M. Brown (age 30) and G. Truefitt (age 27) were there.

The Diary of George Price Boyce 1851. 30 Dec 1851. Called for John Seddon (age 24) at 10 0'clock, who accompanied me to St. Paul's Cathedral to witness Turner's (deceased) funeral. We first looked over the Cathedral and criticised the wretched taste of the greater part of the monuments, one by Behnes (age 56) seemed to be almost the only one that was simple, grand, and characteristic. The mourners, consisting of the Members of the Royal Academy and manv personal friends, alighted at the west entrance and advanced slowly to the choir preceded by the choristers, etc. Seddon (age 24) and I obtained a central place in the choir, close to the coffn. The beautiful and awe-striking service for the dead was then gone through, its influence being much augmented by the sublimity of the scene. The body was then conveyed into the vaults, followed by the mourners. Father, who had brought Joanna, bought a ticket which admitted us all three into the vaults. I remained to see the stone rolled over him and to assist in adjusting the same—they first threw a basket full of human bones on and beside the coffn before rolling the stone over it. It was placed between the resting places of James Barry, the painter (next to which was that of Sir Joshua Reynolds), and Constantia, the great grand-daughter of Sir Christopher Wren, next to the tomb of Sir Christopher himself.

The Diary of George Price Boyce 1852. 30 Dec 1852. Went down to Dante G (age 24). and William Rossetti's chambers at 14 Chatham Place, Blackfriars Bridge. Met there Wells (age 24), J. P. Seddon (age 25), Clayton (age 25), and Mr. Munro (age 27), Mr. Stephens (age 25) and Mr. Hughes (age 20). Rossetti (age 24) showed me his studio but none of his works (which is his way). He had for our entertainment a series of anastatic drawings designed and coloured by the Hon. Mrs. Boyle, some of which as beautiful in feeling, natural simplicity, and colour, and in poetical treatment as almost anything I have seen. They illustrate a nursery rhyme. Also a quantity of Gavarni's works, and a grand and most striking mask of Dante taken from a caste of his face in death; a tracing of his head in Giotto's fresco with the eye imperfect; a pen and ink sketch by Millais from Keats' "Isabella." In the physical way, roast chestnuts and coffee, honey, and hot spirits. His room has a jolly balcony overhanging the river, the reflection of the lights on the bridge and quays, etc., were charming. Conversation throughout delightful, resulting methought from the happy and gentlemanly freedom of the company generally. There was only one of D. G. Rossetti's (age 24) works to be seen in the room, and that was a sketch, study of a man, back view. Gabriel Rossetti (age 24) invited me to his studio next Thursday.

The Diary of George Price Boyce 1853. 06 Jan 1853. To Rossetti's (age 24), Blackfriars Bridge. Met there W. Holman Hunt (age 25), J. E. Millais (age 23), J. P. Seddon (age 25), Clayton (age 25), Munro (age 27), whose charming group of Francesca and her lover was in Rossetti's studio, Stephens, Blanchard, C. Lucy, a Scotchman and a foreigner. Millais (age 23) somewhat egotistical and little real, his attention being easily distracted. He jerked out some good remarks. Spoke highly of Ruskin (age 33) as a friend of Art; said that Mrs. R (age 24). was sitting for one of his pictures¹. Hunt (age 25) struck me as a thoroughly genuine, humorous, good-hearted, straightforward English-like fellow. Said he was bound for Syria before long. Millais spoke highly of Charles Collins (age 24) as a good religious man?

Note 1. Probably "The Order of Release".