Text this colour is a link for Members only. Support us by becoming a Member for only £3 a month by joining our 'Buy Me A Coffee page'; Membership gives you access to all content and removes ads.

Text this colour links to Pages. Text this colour links to Family Trees. Place the mouse over images to see a larger image. Click on paintings to see the painter's Biography Page. Mouse over links for a preview. Move the mouse off the painting or link to close the popup.



Biography of John Gibson 1790-1866

Gyffin Rome, Italy Durham Cathedral St Chad's Church, Longford St Mary's Church, Fawsley St Peter's Church, Llanbedr

John Gibson 1790-1866 is in Sculptors.

On 19th June 1790 John Gibson was born at Gyffin. He moved with his family to Liverpool aged nine.

In 1816 John Gibson (age 25) had two works exhibited in the Royal Academy's Summer Exhibition.

In October 1817 John Gibson (age 27) travelled to Rome, Italy [Map] where he studied under Antonio Canova (age 59).

In 1824 John Gibson (age 33) completed his first marble sculpture Sleeping Shepherd Boy.

On 4th November 1833 John Gibson (age 43) was elected Associate of the Royal Academy despite not meeting the criterion of being resident in Britain.

After 1836. Durham Cathedral [Map]. Monument to Bishop William van Mildert (age 70) sculpted by John Gibson (age 45).

On 10th February 1836 John Gibson (age 45) was elected Fellow of the Royal Academy. He submitted a statue of Narcissus as his Diploma Work. The subject is one from classical mythology but the figure was initially inspired by a scene Gibson observed in Rome. While out walking on the Pincian Hill, the artist caught sight of a boy looking at his reflection in water, reminding him of the story of Narcissus.

Image from Royal Academy

In 1844 John Gibson (age 53) visited Britain at which time he was introduced to Queen Victoria of the United Kingdom (age 24) and Prince Albert Saxe Coburg Gotha (age 24). He enjoyed their patronage for the rest of his life. Gibson produced several portraits of Queen Victoria, including a bust and a full-length statue. He also made a marble relief of Cupid and Psyche that the Queen gave to her husband as a Christmas present.

After 22nd July 1844. St Chad's Church, Longford [Map]. Monument to Anne Amelia Keppel Countess Leicester (deceased). White marble with relief carving of angels probably sculpted by John Gibson (age 54).

Anne Amelia Keppel Countess Leicester: In 1803 she was born to William Charles Keppel 4th Earl Albermarle and Elizabeth Southwell Countess Albermarle. She a great x 3 granddaughter of King Charles II of England Scotland and Ireland. In 1822 Thomas Coke 1st Earl of Leicester and she were married. The difference in their ages was 48 years. She the daughter of William Charles Keppel 4th Earl Albermarle and Elizabeth Southwell Countess Albermarle. In 1837 Thomas Coke 1st Earl of Leicester was created 1st Earl of Leicester. She by marriage Countess of Leicester. On 22nd July 1844 Anne Amelia Keppel Countess Leicester died.

After 27th July 1856. St Mary's Church, Fawsley [Map]. Monument to Selina Mary Hervey Lady Knightley sculpted by John Gibson (age 66).

Selina Mary Hervey Lady Knightley: she was born to Felton Hervey. On 24th August 1813 Charles Knightley 2nd Baronet and she were married. She by marriage Lady Knightley of Fawsley. On 27th July 1856 Selina Mary Hervey Lady Knightley died.

In 1862 John Gibson (age 71) presented the polychrome "Tinted Venus" at the 1862 Great Exhibition, provoking fierce debate about the use of colour in sculpture. Gibson himself was devoted to the work and resisted handing it over to its buyer for four years after the purchase was made.

1863. St Peter's Church, Llanbedr [Map]. Monument to Edward Lloyd of Berth in Denbighshire. Sculpted by John Gibson (age 72).

Edward Lloyd of Berth in Denbighshire: Around 1778 he was born. On 14th October 1859 he died.

Before 1866. Margaret Sarah Carpenter nee Geddes (age 72). Portrait of John Gibson (age 75).

On 7th January 1866 or 27th January 1866 John Gibson (age 75) died at Rome, Italy [Map]. He bequeathed the contents of his studio, a large selection of his works and a large sum of money to the Royal Academy.