Pendants

Pendants is in Church Monument Details.

Beaufort Portcullis

1527 Hans Holbein The Younger Painter 1497-1543 (30). Portrait of Thomas More Chancellor Speaker 1478-1535 (48) wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.

1527 Hans Holbein The Younger Painter 1497-1543. Portrait of Thomas More Chancellor Speaker 1478-1535 wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.

Lion Pendant

After 1554. St Mary the Virgin Church North Aston. Believed to be a. Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dogs chewing at her dress. Possibly Harpur and Moorecock of Burton on Trent. Angels Supporting Pillow. Chest with Weepers. Chest with Angels with Rounded Wings holding Shields. Gabled Headress with Lappets.

Lion of March Pendant

1482. Monument at Church of St Michael and All Angels Thornhill. Some discussion as to whose monument it is. Some say it is John Savile of Thornhill 1407-1482 (75) and his wife Alice Gascoigne 1415-1482 (66). Others say Thomas Savile 1381-1449 and Margaret Pilkington 1390-1442 (92) which appears to early but monuments sometimes erected long after the death of its subjects.
Alabaster chest tomb. Possibly York School of Carving. Similarities with the monuments at All Saints Church Harewood which are also Gascoigne, Church of St Helen and the Holy Cross Sheriff Hutton and Church of St Oswald Methley. Suns and Roses Collar. Lion of March Pendant. Maidens Head Crest from Thornhill family; the Savile family obtained Thorhill through marriage.

Rose Pendant

After 10 Nov 1559. Church of St Nicholas Alcester. Monument to Fulk Greville 11th Baron Latimer 3rd Baron Willoughby Broke 1503-1559 and Elizabeth Willoughby 11th Baroness Latimer 3rd Baroness Willoughby Broke 1512-1562Somewhat curious armour; possibly imagined by the carver. Rose Pendant. Chunky Lions Mane. Chest with Weepers. Helm with Folds. Dress Folds at Feet.

St George Pendant

In 1527 Hans Holbein The Younger Painter 1497-1543 (30). Portrait of Henry Guildford 1489-1532 (38) wearing the Garter and Inter twined Knots Collar with St George Pendant. Standing three-quarter length, richly dressed in velvet, fur and cloth-of-gold. Holbein has meticulously shown the varied texture of his cloth-of-gold double which is woven into a pomegranate pattern with a variety of different weaves including loops of gold thread. Similarly, he has carefully articulated the band of black satin running down Guildford's arm against the richer black of the velvet of his sleeve. A lavish use of both shell-gold paint and gold leaf (which has been used to emulate the highlights of the gold thread in the material) emphasises the luxuriousness of the sitter's dress and his high status. In his right-hand he holds the Comptroller of the Household Staff of Office.

In 1527 Hans Holbein The Younger Painter 1497-1543. Portrait of Henry Guildford 1489-1532 wearing the Garter and Inter twined Knots Collar with St George Pendant. Standing three-quarter length, richly dressed in velvet, fur and cloth-of-gold. Holbein has meticulously shown the varied texture of his cloth-of-gold double which is woven into a pomegranate pattern with a variety of different weaves including loops of gold thread. Similarly, he has carefully articulated the band of black satin running down Guildford's arm against the richer black of the velvet of his sleeve. A lavish use of both shell-gold paint and gold leaf (which has been used to emulate the highlights of the gold thread in the material) emphasises the luxuriousness of the sitter's dress and his high status. In his right-hand he holds the Comptroller of the Household Staff of Office.

In 1559 Hans Eworth Painter 1520-1574 (39). Portrait of Anthony Browne 1st Viscount Montague 1528-1592 (30) wearing a Garter Collar and St George Pendant.

In 1559 Hans Eworth Painter 1520-1574. Portrait of Anthony Browne 1st Viscount Montague 1528-1592 wearing a Garter Collar and St George Pendant.

Tudor Rose Pendant

After 1517. St Bartholemew's Church Tong. Monument to Richard Vernon 1477-1517 and Margaret Dymoke 1500-1545. Fluted Period. Angels Supporting Pillow. The alabaster chest was once used as the altar. He with an Lancastrian Esses Collar and Tudor Rose Pendant. Chest with Bedesmen. Note the swirling tail at his feet which may indicate the work of Harpur and Moorecock of Burton on Trent.

1527 Hans Holbein The Younger Painter 1497-1543 (30). Portrait of Thomas More Chancellor Speaker 1478-1535 (48) wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.

1527 Hans Holbein The Younger Painter 1497-1543. Portrait of Thomas More Chancellor Speaker 1478-1535 wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.

On 14 Aug 1539 Ralph Sacheverell 1506-1539 (33) died at Ratcliffe on Soar. He was buried at Holy Trinity Church Ratcliffe on Soar.
On 27 Jun 1538 Cecilia Durance 1508-1538 (30) died. She was buried at Holy Trinity Church Ratcliffe on Soar.
Decorated Gabled Headress. Lancastrian Esses Collar with Big Esses with Tudor Rose Pendant. Possibly second hand monuments. Gabled Headress.

Unicorn Pendant

On 26 Jul 1594 Richard Shireburn 1526-1594 (68) died. He was buried in Church of All Hallows Great Mitton. Monument sculpted by Richard and Gabriel Royley of Burton upon Trent. Bongrace. Unicorn Pendant. Ruff. Dogs chewing at her dress. Dress Folds at Feet. Chunky Lions Mane. Chest with Weepers holding Shields. Dogs chewing at her dress with Studded Collar.

Yorkist Boar Pendant

On 02 Mar 1484 Ralph Fitzherbert 1428-1484 (56) died at Norbury. He was buried at Church of St Barlok Norbury.
On 20 Oct 1490 Elizabeth Marshall 1437-1490 (53) died. She was buried at Church of St Barlok Norbury.
Monument to Ralph and Elizabeth. Finely made in Chellaston alabaster of the Fluted Period. His effigy notable for being the only remaining with the Yorkist Boar Pendant (boar of Richard III) on his Suns and Roses Collar. Bobbed hair with finely detailed ringlets. No facial hair. The chest finely made with weepers on the three extant sides. On one side five single men (a knight, a monk, two merchants and one unknown), and one couple. On the other side women, four single, two duos. Ralph and Elizabeth had twelve children, six male, six female so probable the weepers represent their children, possibly with spouses, possibly with offspring since in the two females duos there is a noticeable difference in height. Suns and Roses Collar. Fine Sabatons, the armoured feet, with spurs. Note the Bedesman under the right foot. Unlikely the sculptor had ever seen a lion. Feet resting on a Lion. The Fitzherbert Clenched Fist Crest. A finely carved Horned Headdress. A finely carved collar with Mary and baby Jesus pendant. A Bedesman looking somewhat bored. Excellent weepers on all sides, probably their issue, possibly with grandchildren, on the longer sides since they had six boys and six girls. Possibly Harpur and Moorecock of Burton on Trent. Swirling Tail. Chunky Lions Mane. Chest with Weepers holding Shields.

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