Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.
In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.
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Memoirs of Richard Cumberland is in Georgian Books.
I hope I shall in no wise hurt the feelings of a lady, who now most worthily fills a very elevated station, if, in speaking of my humble productions In the course of my subject, I cannot avoid to speak of one of the most elegant actresses that ever graced the stage. When I brought out my comedy of The Natural Son, I flattered myself that in the sketch of Lady Paragon I had conceived a character not quite unworthy of the talents of Miss Farren [aged 47]: it is saying little in the way of praise, when I acknowledge the partiality I still retain for that particular part, and indeed for that play in general. It was acted and published in the same season with the Carmelite, and though I did not either in that instance, or in any other to my knowledge, obtrude myself upon the public to the exclusion of a competitor, still it was so that the town was pleased to interpret my second appeal to their candour, and the newspapers of the day vented their malignancy against me in the most opprobrious terms. So exquisite was the style, in which Miss Farren gave her character its best display, and so respectable were her auxiliaries in the scene, particularly Mr. John Palmer, that they could never deprive the comedy of favourable audiences, though their efforts too frequently succeeded in preventing them from being full ones. It was a persecution most disgraceful to the freedom of the press, and the performer^ resented it with a sensibility, that did them honour; they traced some of the paragraphs to their dirty origin, but upon minds entirely debased shame has no effect.
