William of Worcester's Chronicle of England
William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.
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Livery Collars is in Church Monument Details.
After 17th January 1425. Monument in Church of St Oswald, Methley [Map] to Robert Waterton [deceased] and Cecily Fleming.
York School of Carving. Crocketed arch. He in Early Plate Bascinet Period armour. Large Orle highly decorated with head resting on great helm with feathered crest. Beard with spiral twists. Collar Esses and Crowns Alternating. Misericorde. Hip Belt with decorated buckle. She wearing a squared crespine headress and small Esses Collar. Chest with Angels with Rounded Wings holding Shields. Chunky Lions Mane.
Cecily Fleming: she was born to Robert Fleming of Woodhall. Before 1398 Robert Waterton and she were married. Around 1424 she died.















In 1527 Hans Holbein The Younger [aged 30]. Portrait of Henry Guildford [aged 38] wearing the Garter and Inter twined Knots Collar with St George Pendant. Standing three-quarter length, richly dressed in velvet, fur and cloth-of-gold. Holbein has meticulously shown the varied texture of his cloth-of-gold double which is woven into a pomegranate pattern with a variety of different weaves including loops of gold thread. Similarly, he has carefully articulated the band of black satin running down Guildford's arm against the richer black of the velvet of his sleeve. A lavish use of both shell-gold paint and gold leaf (which has been used to emulate the highlights of the gold thread in the material) emphasises the luxuriousness of the sitter's dress and his high status. In his right-hand he holds the Comptroller of the Household Staff of Office.
After 20th September 1543. Alabaster Monument to Thomas Manners 1st Earl of Rutland [deceased] and Eleanor Paston Countess Rutland [aged 48] in the Chancel of St Mary the Virgin Church, Bottesford, Leicestershire [Map].
Chest with Weepers. Monument sculpted by Richard Parker of Burton on Trent.

Detail of his head with a short haircut and beard. He wearing a circlet, possibly coronet. His head resting on a Great Helm with Peacock in Pride ie with its feathers displayed.
His Mitten Gauntlets with the cloven-hooved foot of the Unicorn visible.
Detail of his Great Helm with Cap of Maintenance and the Manners Peacock in Pride ie with its feathers displayed.


Detail of the panels of the chest.
Detail of her dress with fastenings, heart locket, hands crasped in prayer.