Adam Murimuth's Continuation and Robert of Avesbury’s 'The Wonderful Deeds of King Edward III'
This volume brings together two of the most important contemporary chronicles for the reign of Edward III and the opening phases of the Hundred Years’ War. Written in Latin by English clerical observers, these texts provide a vivid and authoritative window into the political, diplomatic, and military history of fourteenth-century England and its continental ambitions. Adam Murimuth Continuatio's Chronicarum continues an earlier chronicle into the mid-fourteenth century, offering concise but valuable notices on royal policy, foreign relations, and ecclesiastical affairs. Its annalistic structure makes it especially useful for establishing chronology and tracing the development of events year by year. Complementing it, Robert of Avesbury’s De gestis mirabilibus regis Edwardi tertii is a rich documentary chronicle preserving letters, treaties, and official records alongside narrative passages. It is an indispensable source for understanding Edward III’s claim to the French crown, the conduct of war, and the mechanisms of medieval diplomacy. Together, these works offer scholars, students, and enthusiasts a reliable and unembellished account of a transformative period in English and European history. Essential for anyone interested in medieval chronicles, the Hundred Years’ War, or the reign of Edward III.
Available at Amazon in eBook and Paperback format.
Meynnart Wewyck is in Painters.
Around 1460 Meynnart Wewyck was born. The date someting of a guess. He had become established by 1502.
On 19th September 1502 Mynour, the Inglis payntour (age 42) delivered four portraits of the English royal family to James IV of Scotland (age 29) at Stirling Castle [Map].
In November 1503 Meynnart Wewyck (age 43) returned to England from the Scottish Court.
Around 1510 Meynnart Wewyck (age 50) is believed to have painted the portrait of King Henry VII of England and Ireland.
Around 1510 Meynnart Wewyck (age 50). Portrait of Margaret Beaufort Countess Richmond in the Masters Lodge St John's College, Oxford University. Commissioned by Bishop John Fisher (age 40). Note the Beaufort Arms on the wall beneath which is the Beafort Portcullis. Repeated in the window. She is wearing widow's clothes, or possibly that of a convent; Gabled Headress with Lappets. On 29th March 2019, St John's College, Cambridge, which she founded, announced the portrait was original work by Wewyck.
After 1525 Meynnart Wewyck (deceased) died.