Memoires of Jacques du Clercq

This is a translation of the 'Memoires of Jacques du Clercq', published in 1823 in two volumes, edited by Frederic, Baron de Reissenberg. In his introduction Reissenberg writes: 'Jacques du Clercq tells us that he was born in 1424, and that he was a licentiate in law and a counsellor to Philip the Good, Duke of Burgundy, in the castellany of Douai, Lille, and Orchies. It appears that he established his residence at Arras. In 1446, he married the daughter of Baldwin de la Lacherie, a gentleman who lived in Lille. We read in the fifth book of his Memoirs that his father, also named Jacques du Clercq, had married a lady of the Le Camelin family, from Compiègne. His ancestors, always attached to the counts of Flanders, had constantly served them, whether in their councils or in their armies.' The Memoires cover a period of nineteen years beginning in in 1448, ending in in 1467. It appears that the author had intended to extend the Memoirs beyond that date; no doubt illness or death prevented him from carrying out this plan. As Reissenberg writes the 'merit of this work lies in the simplicity of its narrative, in its tone of good faith, and in a certain air of frankness which naturally wins the reader’s confidence.' Du Clercq ranges from events of national and international importance, including events of the Wars of the Roses in England, to simple, everyday local events such as marriages, robberies, murders, trials and deaths, including that of his own father in Book 5; one of his last entries.

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Ophelia

Hamlet Act IV Scene 7 Part IV. [Enter Queen.]

How now, sweet queen?

Gertrude. One woe doth tread upon another's heel,

So fast they follow. Your sister's drown'd, Laertes.

Laertes. Drown'd! O, where?

Gertrude. There is a willow grows aslant a brook,

That shows his hoar leaves in the glassy stream.

There with fantastic garlands did she come

Of crowflowers, nettles, daisies, and long purples,

That liberal shepherds give a grosser name,

But our cold maids do dead men's fingers call them.

There on the pendant boughs her coronet weeds

Clamb'ring to hang, an envious sliver broke,

When down her weedy trophies and herself

Fell in the weeping brook. Her clothes spread wide

And, mermaid-like, awhile they bore her up;

Which time she chaunted snatches of old tunes,

As one incapable of her own distress,

Or like a creature native and indued

Unto that element; but long it could not be

Till that her garments, heavy with their drink,

Pull'd the poor wretch from her melodious lay

To muddy death.

Laertes. Alas, then she is drown'd?

Gertrude. Drown'd, drown'd.

Laertes. Too much of water hast thou, poor Ophelia,

And therefore I forbid my tears; but yet

It is our trick; nature her custom holds,

Let shame say what it will. When these are gone,

The woman will be out. Adieu, my lord.

I have a speech of fire, that fain would blaze

But that this folly douts it. Exit.

Claudius. Let's follow, Gertrude.

How much I had to do to calm his rage I

Now fear I this will give it start again;

Therefore let's follow.

Exeunt.

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Samuel Pepys' Diary. 13th February 1661. At the office all the morning; dined at home, and poor Mr. Wood with me, who after dinner would have borrowed money of me, but I would lend none. Then to Whitehall by coach with Sir W. Pen [aged 39], where we did very little business, and so back to Mr. Rawlinson's [aged 47], where I took him and gave him a cup of wine, he having formerly known Mr. Rawlinson, and here I met my uncle Wight, and he drank with us, and with him to Sir W. Batten's [aged 60], whither I sent for my wife, and we chose Valentines against to-morrow1, my wife chose me, which did much please me; my Lady Batten Sir W. Pen, &c. Here we sat late, and so home to bed, having got my Lady Batten to give me a spoonful of honey for my cold.

Note 1. The observation of St. Valentine's day is very ancient in this country. Shakespeare makes Ophelia sing "To-morrow is Saint Valentine's day, All in the morning betime, And I a maid at your window To be your Valentine". Hamlet, act iv. sc. 5.-M. B.

1850. Ernest Hébert [aged 32]. "Ophelia".

Around 1851. John Everett Millais 1st Baronet [aged 21]. Study for Ophelia. Model Elizabeth Siddal [aged 21].

1851 to 1852. John Everett Millais 1st Baronet [aged 21]. "Ophelia". Hamlet Act IV Scene 7 Part IV in which Queen Gertrude describes Ophelia's death to Laertes. Millais painted the scene near Tolworth, Surrey [Map] using the River Hogsmill. Elizabeth Siddal [aged 21] modelled in a bath-tub at 7 Gower Street, Camden [Map]. The initials PRB bottom right next to his signature. See Ophelia by John Everett MIllais.

1852. Arthur Hughes [aged 19]. "Ophelia". The quote from Hamlet Act IV Scene 7 Part IV: "There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream. There with fantastic garlands did she come, Of crowflowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them. There on the pendant boughs her coronet weeds, Clamb'ring to hang, an envious sliver broke, When down her weedy trophies and herself, Fell in the weeping brook."

1863. George Frederick Watts [aged 45]. Portrait of Ophelia. Model Ellen Terry [aged 15]. Re-worked in 1877.

The painting itself presents the moment just before Ophelia meets her watery death in Hamlet, Act IV, scene vii, a moment which is reported but not enacted on stage:

There is a willow grows aslant a brook

That shows his hoar leaves in the glassy stream,

Therewith fantastic garlands did she come,

Of crowflowers, nettles, daisies, and long purples…

April 1864. Dante Gabriel Rossetti [aged 35]. "The First Madness of Ophelia".

1865. Thomas Francis Dicksee [aged 45]. "Ophelia".

1865. Arthur Hughes [aged 32]. "Ophelia". It illustrates the scene in Shakespeare's 'Hamlet' (Act IV, scene 7) in which Ophelia picks flowers to make garlands shortly before she drowns.

1866. Dante Gabriel Rossetti [aged 37]. Watercolour "Hamlet and Ophelia".

1872. Jean-Baptiste Bertrand [aged 48]. "Death of Ophelia".

1873. Thomas Francis Dicksee [aged 53]. "Ophelia".

1874. William Quiller Orchardson [aged 41]. "Ophelia".

1876. Jean-Baptiste Bertrand [aged 52]. "Ophelia".

1876. Georges Clairin [aged 32]. Actress in the role of Ophelia.

1880. Anne Lea aka Merritt [aged 35]. "Ophelia".

1883. Alexandre Cabanel [aged 59]. "Ophelia".

1888. Marcus Stone [aged 47]. "Ophelia".

1889. John William Waterhouse [aged 39]. "Ophelia".

1890. Jules Joseph Lefebvre [aged 53]. "Ophelia".

1894. John William Waterhouse [aged 44]. "Ophelia".

1895. Paul Albert Steck [aged 28]. "Ophelia".

1896. Joseph Kirkpatrick [aged 24]. "Ophelia".

Around 1900. Friedrich Heyser [aged 42]. "Ophelia".

Around 1900. Pascal Dagnan-Bouveret [aged 47]. "Ophelia".

1900. Pascal Dagnan-Bouveret [aged 47]. "Ophelia".

1910. John William Waterhouse [aged 60]. "Ophelia".

1942. Gerald Leslie Brockhurst [aged 51]. "Ophelia". Portrait of Kathleen Woodward [aged 29].