Abbot John Whethamstede’s Chronicle of the Abbey of St Albans

Abbot John Whethamstede's Register aka Chronicle of his second term at the Abbey of St Albans, 1451-1461, is a remarkable text that describes his first-hand experience of the beginning of the Wars of the Roses including the First and Second Battles of St Albans, 1455 and 1461, respectively, their cause, and their consequences, not least on the Abbey itself. His text also includes Loveday, Blore Heath, Northampton, the Act of Accord, Wakefield, and Towton, and ends with the Coronation of King Edward IV. In addition to the events of the Wars of the Roses, Abbot John, or his scribes who wrote the Chronicle, include details in the life of the Abbey such as charters, letters, land exchanges, visits by legates, and disputes, which provide a rich insight into the day-to-day life of the Abbey, and the challenges faced by its Abbot.

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Memoirs of Richard Cumberland

Memoirs of Richard Cumberland is in Georgian Books.

Memoirs of Richard Cumberland Volume 2

I hope I shall in no wise hurt the feelings of a lady, who now most worthily fills a very elevated station, if, in speaking of my humble productions In the course of my subject, I cannot avoid to speak of one of the most elegant actresses that ever graced the stage. When I brought out my comedy of The Natural Son, I flattered myself that in the sketch of Lady Paragon I had conceived a character not quite unworthy of the talents of Miss Farren [aged 47]: it is saying little in the way of praise, when I acknowledge the partiality I still retain for that particular part, and indeed for that play in general. It was acted and published in the same season with the Carmelite, and though I did not either in that instance, or in any other to my knowledge, obtrude myself upon the public to the exclusion of a competitor, still it was so that the town was pleased to interpret my second appeal to their candour, and the newspapers of the day vented their malignancy against me in the most opprobrious terms. So exquisite was the style, in which Miss Farren gave her character its best display, and so respectable were her auxiliaries in the scene, particularly Mr. John Palmer, that they could never deprive the comedy of favourable audiences, though their efforts too frequently succeeded in preventing them from being full ones. It was a persecution most disgraceful to the freedom of the press, and the performer^ resented it with a sensibility, that did them honour; they traced some of the paragraphs to their dirty origin, but upon minds entirely debased shame has no effect.