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Chronicle of Abbot Ralph of Coggeshall
The Chronicle of Abbot Ralph of Coggeshall (Chronicon Anglicanum) is an indispensable medieval history that brings to life centuries of English and European affairs through the eyes of a learned Cistercian monk. Ralph of Coggeshall, abbot of the Abbey of Coggeshall in Essex in the early 13th century, continued and expanded his community’s chronicle, documenting events from the Norman Conquest of 1066 into the tumultuous reign of King Henry III. Blending eyewitness testimony, careful compilation, and the monastic commitment to record-keeping, this chronicle offers a rare narrative of political intrigue, royal power struggles, and social upheaval in England and beyond. Ralph’s work captures the reigns of pivotal figures such as Richard I and King John, providing invaluable insights into their characters, decisions, and the forces that shaped medieval rule. More than a simple annal, Chronicon Anglicanum conveys the texture of medieval life and governance, making it a rich source for scholars and readers fascinated by English history, monastic authorship, and the shaping of the medieval world.
Available at Amazon in eBook and Paperback format.
In July 1856 [her father] Abraham Pullen (age 22) and [her mother] Sarah Eagle (age 23) were married.
On 20th November 1865 Edith Ellen Pullen was born to [her father] Abraham Pullen (age 31) and [her mother] Sarah Eagle (age 32).
In or before 1879 [her mother] Sarah Eagle (age 45) died. See Leighton Biography.
1888. [her future husband] Herbert Gustav Schmalz aka Carmichael (age 31). "Imogen". Probably modelled by future wife, Edith Ellen Pullen (age 22).
1889. [her future husband] Herbert Gustav Schmalz aka Carmichael (age 32). "A Fair Beuaty". Probably a portrait of his wife, or future wife, Edith Ellen Pullen (age 23).
On or after 24th April 1889, the date of the licence, Herbert Gustav Schmalz aka Carmichael (age 32) and Edith Ellen Pullen (age 23) were married.
Frederick Leighton Biography. 1895. Frederick Leighton 1st Baron Leighton (age 64). "Memories". Model Edith Ellen Pullen (age 29).
In 1900 Edith Ellen Pullen (age 34) died.
On 24th November 1935 [her former husband] Herbert Gustav Schmalz aka Carmichael (age 79) died.
The Deeds of the Dukes of Normandy
The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.
Available at Amazon in eBook and Paperback format.
Frederick Leighton Biography. Meanwhile four of these beautiful children became useful to him as models. From the second daughter [Edith Ellen Pullen], who afterwards married an artist, Leighton painted "Memories," reproduced here; from the third, [her sister] Hetty, he painted "Simœtha the Sorceress" and "Farewell"; but it was the youngest, [her sister] Lina, quite a small child, who delighted him most, and who had a rare, refined charm which must have captivated any child-lover. She took the place of little Connie Gilchrist of the "Cleobouline," the "Music Lesson," and other of the earlier paintings, in the later pictures. She sat for "Sister's Kiss," "The Light of the Harem," "Letty," the sleeping group in "Cymon and Iphigenia," "Kittens," in the friezes "The Dance" and "Music," and "A little girl with golden hair and pale blue eyes" -
"Yellow and pale as ripened corn
Which Autumn's kiss frees—grain from sheath
Such was her hair, while her eyes beneath,
Showed Spring's faint violets freshly born."
Robert Browning.