Chronicle of Walter of Guisborough
A canon regular of the Augustinian Guisborough Priory, Yorkshire, formerly known as The Chronicle of Walter of Hemingburgh, describes the period from 1066 to 1346. Before 1274 the Chronicle is based on other works. Thereafter, the Chronicle is original, and a remarkable source for the events of the time. This book provides a translation of the Chronicle from that date. The Latin source for our translation is the 1849 work edited by Hans Claude Hamilton. Hamilton, in his preface, says: 'In the present work we behold perhaps one of the finest samples of our early chronicles, both as regards the value of the events recorded, and the correctness with which they are detailed; Nor will the pleasing style of composition be lightly passed over by those capable of seeing reflected from it the tokens of a vigorous and cultivated mind, and a favourable specimen of the learning and taste of the age in which it was framed.'
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In July 1856 [her father] Abraham Pullen [aged 22] and [her mother] Sarah Eagle [aged 23] were married.
On 20th November 1865 Edith Ellen Pullen was born to [her father] Abraham Pullen [aged 31] and [her mother] Sarah Eagle [aged 32].
In or before 1879 [her mother] Sarah Eagle [aged 45] died. See Leighton Biography.
1888. [her future husband] Herbert Gustav Schmalz aka Carmichael [aged 31]. "Imogen". Probably modelled by future wife, Edith Ellen Pullen [aged 22].
1889. [her future husband] Herbert Gustav Schmalz aka Carmichael [aged 32]. "A Fair Beuaty". Probably a portrait of his wife, or future wife, Edith Ellen Pullen [aged 23].
On or after 24th April 1889, the date of the licence, Herbert Gustav Schmalz aka Carmichael [aged 32] and Edith Ellen Pullen [aged 23] were married.
Frederick Leighton Biography. 1895. Frederick Leighton 1st Baron Leighton [aged 64]. "Memories". Model Edith Ellen Pullen [aged 29].
In 1900 Edith Ellen Pullen [aged 34] died.
On 24th November 1935 [her former husband] Herbert Gustav Schmalz aka Carmichael [aged 79] died.
Frederick Leighton Biography. Meanwhile four of these beautiful children became useful to him as models. From the second daughter [Edith Ellen Pullen], who afterwards married an artist, Leighton painted "Memories," reproduced here; from the third, [her sister] Hetty, he painted "Simœtha the Sorceress" and "Farewell"; but it was the youngest, Lina, quite a small child, who delighted him most, and who had a rare, refined charm which must have captivated any child-lover. She took the place of little Connie Gilchrist of the "Cleobouline," the "Music Lesson," and other of the earlier paintings, in the later pictures. She sat for "Sister's Kiss," "The Light of the Harem," "Letty," the sleeping group in "Cymon and Iphigenia," "Kittens," in the friezes "The Dance" and "Music," and "A little girl with golden hair and pale blue eyes" -
"Yellow and pale as ripened corn
Which Autumn's kiss frees—grain from sheath
Such was her hair, while her eyes beneath,
Showed Spring's faint violets freshly born."
Robert Browning.