William of Worcester's Chronicle of England

William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.

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Acheson to Ayscough

Acheson to Ayscough is in Armorials.

Acheson Arms

Acland Arms

Adams Arms

Addington Arms

Addington Arms. Per pale ermine and ermines a chevron charged with five lozenges counterchanged between three fleurs-de-lys or. Source.

Agar Arms

Angoulême Arms

NO IMAGE. Lozengy or and gules. Source.

Aragon Arms

Aragon Arms. Or, four pallets gules. Source.

Arden Arms

Arundell Arms

Ashley Arms

Ashley Arms. Argent three bulls passant sable, armed and unguled or.

Earl Shaftesbury Arms

The Deeds of the Dukes of Normandy

The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.

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Earl Shaftesbury Arms. Quarterly: 1&4 Ashley Arms; 2&3: gules, a bend engrailed between six lions rampant or (Cooper). Source.

Atholl Arms

Duke Atholl Arms

Duke Atholl Arms. Earl Atholl Arms overall, an inescutcheon en surtout azure three mullets argent within a double tressure flory or ensigned of a Marquess's coronet. Source.

Earl Atholl Arms

Earl Dunmore Arms

Marquess Atholl Arms

Audley Arms

Audley of Walden Arms

Audley of Walden Arms. Quarterly per pale indented or and azure, in the 2nd and 3rd an eagle displayed of the 1st on a bend of the 2nd a fret between two martlets of the 1st. The fret or knot is a reference to the arms of Audley Arms, which family died out in the male line in 1391. Source.

Avenell Arms

Avenell Arms. Argent, a fess between five annulets gules. Modified from source.

Around 1400. Window in the Chicheley Chapel at St Andrew's Church, Wimpole [Map] from the late 14th early 15th Century depicting alliances of the Ufford family (who are thought to have owned the manor of Wimpole before the Chicheleys) and the Plantagenets through the marriage of Ralph Ufford and Maud Plantagenet Countess Ulster, daughter of Henry Plantagenet 3rd Earl of Leicester 3rd Earl Lancaster .

From top to bottom, left to right:

Tiptoft Arms. The Tiptoft family owned the nearby manor of Harleston.

Bardolf Arms.

Avenell Arms. The Avenell family once held a manor in Wimpole.

Telemache Arms.

Ufford Arms. Believed to be the arms of William Ufford 2nd Earl Suffolk. Note the difference of an annulet argent (white) in the top left corner.

Bohun Arms. Possibly William Bohun 1st Earl of Northampton.

Henry Plantagenet 3rd Earl of Leicester 3rd Earl Lancaster 1281 1345 Arms. Possibly Henry Plantagenet 3rd Earl of Leicester 3rd Earl Lancaster although the label doesn't appear to have the fleur de lys of France.

Bassingbourne Arms.

Engaine Arms. John de Engaine lived in Huntingdonshire.

Lisle Arms. Possibly Robert Lisle 1st Baron Lisle. Robert settled at nearby Rampton.

Robert Ufford 1st Earl Suffolk who married Margaret Norwich Countess Suffolk whose father Walter Norwich owned the manor of Cobbs in Wimpole.

Ufford Arms with a label three points. Believed to be Robert Ufford who predeceased his father Robert Ufford 1st Earl Suffolk.

Bassingbourne Arms.

The figure in the middle is believed to represent William Ufford 2nd Earl Suffolk.

From an original description by James C Powell 1903.

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Aylesbury Arms

Chronicle of Geoffrey le Baker of Swinbroke

Baker was a secular clerk from Swinbroke, now Swinbrook, an Oxfordshire village two miles east of Burford. His Chronicle describes the events of the period 1303-1356: Gaveston, Bannockburn, Boroughbridge, the murder of King Edward II, the Scottish Wars, Sluys, Crécy, the Black Death, Winchelsea and Poitiers. To quote Herbert Bruce 'it possesses a vigorous and characteristic style, and its value for particular events between 1303 and 1356 has been recognised by its editor and by subsequent writers'. The book provides remarkable detail about the events it describes. Baker's text has been augmented with hundreds of notes, including extracts from other contemporary chronicles, such as the Annales Londonienses, Annales Paulini, Murimuth, Lanercost, Avesbury, Guisborough and Froissart to enrich the reader's understanding. The translation takes as its source the 'Chronicon Galfridi le Baker de Swynebroke' published in 1889, edited by Edward Maunde Thompson.

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Ayscough Arms

Ayscough Arms. Sable, a fess or, between three asses passant argent, maned and unguled of the second. Source.