Chronicle of Abbot Ralph of Coggeshall
The Chronicle of Abbot Ralph of Coggeshall (Chronicon Anglicanum) is an indispensable medieval history that brings to life centuries of English and European affairs through the eyes of a learned Cistercian monk. Ralph of Coggeshall, abbot of the Abbey of Coggeshall in Essex in the early 13th century, continued and expanded his community’s chronicle, documenting events from the Norman Conquest of 1066 into the tumultuous reign of King Henry III. Blending eyewitness testimony, careful compilation, and the monastic commitment to record-keeping, this chronicle offers a rare narrative of political intrigue, royal power struggles, and social upheaval in England and beyond. Ralph’s work captures the reigns of pivotal figures such as Richard I and King John, providing invaluable insights into their characters, decisions, and the forces that shaped medieval rule. More than a simple annal, Chronicon Anglicanum conveys the texture of medieval life and governance, making it a rich source for scholars and readers fascinated by English history, monastic authorship, and the shaping of the medieval world.
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Gules is in Field.
Walmesley Arms. Gules a chief ermine two hurts.
Hanover Arms. Gules, a horse courant argent.
Audley Arms. Gules, fretty. Source.
Hamlyn Arms. Gules, a lion rampant ermine crowned or. Source.
Harcourt Arms. Gules two bars or. Source.
Beke Arms. Gules, a cross recerclée argent. Sometimes a cross moline. Source.
Hayward Arms. Gules, a lion rampant argent crowned or. Source.
Blennerhassett Arms. Gules, a chevron ermine, between three dolphins naiant embowed argent. Source.
Chronicle of Geoffrey le Baker of Swinbroke
Baker was a secular clerk from Swinbroke, now Swinbrook, an Oxfordshire village two miles east of Burford. His Chronicle describes the events of the period 1303-1356: Gaveston, Bannockburn, Boroughbridge, the murder of King Edward II, the Scottish Wars, Sluys, Crécy, the Black Death, Winchelsea and Poitiers. To quote Herbert Bruce 'it possesses a vigorous and characteristic style, and its value for particular events between 1303 and 1356 has been recognised by its editor and by subsequent writers'. The book provides remarkable detail about the events it describes. Baker's text has been augmented with hundreds of notes, including extracts from other contemporary chronicles, such as the Annales Londonienses, Annales Paulini, Murimuth, Lanercost, Avesbury, Guisborough and Froissart to enrich the reader's understanding. The translation takes as its source the 'Chronicon Galfridi le Baker de Swynebroke' published in 1889, edited by Edward Maunde Thompson.
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Hervey Arms. Gules, on a bend argent three trefoils slipped vert, Source.
Brooke Arms. Gules, on a chevron argent a lion rampant sable crowned or. Source.
Howard Arms. Gules bend argent six crosslets fitchy. Source.
Cadogan Arms. Gules, a lion rampant reguardant or. Source.
Howard Augmented Arms. Gules bend argent six crosslets fitchy augmented after the Battle of Flodden with an inescutcheon bearing the lion of Scotland pierced through the mouth with an arrow. Source.
Carr Arms. Gules, on a chevron argent, three mullets, of the field.
Isle of Man Arms. Gules, a Triskelion argent. Sources.
Cholmondeley Arms. Gules, in chief two esquire's helmets argent in base a garb or. Source.
Joigny Arms. Gules, an eagle argent. Source.
Dacre Arms. Gules three escallops argent. Source.
Keppel Arms. Gules, three escallops argent. Source.
Danvers Arms. Gules a chevron or three estoiles. Source.
Knollys Arms. Gules, on a chevron argent, three roses gules, barbed and seeded proper. Source.
Abbot John Whethamstede’s Chronicle of the Abbey of St Albans
Abbot John Whethamstede's Register aka Chronicle of his second term at the Abbey of St Albans, 1451-1461, is a remarkable text that describes his first-hand experience of the beginning of the Wars of the Roses including the First and Second Battles of St Albans, 1455 and 1461, respectively, their cause, and their consequences, not least on the Abbey itself. His text also includes Loveday, Blore Heath, Northampton, the Act of Accord, Wakefield, and Towton, and ends with the Coronation of King Edward IV. In addition to the events of the Wars of the Roses, Abbot John, or his scribes who wrote the Chronicle, include details in the life of the Abbey such as charters, letters, land exchanges, visits by legates, and disputes, which provide a rich insight into the day-to-day life of the Abbey, and the challenges faced by its Abbot.
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Liddell Arms. Gules, on a bend argent, three mullets sable. Source.
Denny Arms. Gules, a saltire argent between twelve crosses pattee or. Source.
Louvain Arms. Gules billety or a fess of the last. Source.
Dunbar Arms. Gules a lion rampant argent on a bordure of the same eight roses of the field. Source.
Fitzalan Arms. Gules, a lion rampant or. Source.
Monck Arms. Gules, a chevron between three lion's heads erased argent. Source.
Fitzpayn Arms. Gules, three lions passant guardant argent, overall a bend azure. Source.
Mowbray Arms. Gules, a lion rampant argent. Source.
Godolphin Arms. Gules, an eagle with two heads, displayed between three fleur de lys, two and one, argent.
Narborough Arms. Gules, a chief ermine. Source.
The Deeds of the Dukes of Normandy
The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.
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Neville Arms. Gules, a saltire argent.
Beauchamp Arms. Gules a fess or between six cross crosslets or.
Normandy Arms. Gules, two lions passant guardant in pale or armed and langued azure. Source.
Brabazon Arms. Gules on a bend or three martlets sable. Source.
Ponsonby Arms. Gules, a chevron between three combs argent. Source.
Caerleon Arms. Gules three castles argent. Source.
Rich Arms. Gules, a chevron between three crosses botonée or. Source.
Cobham Arms. Gules a chevron or three lions rampant sable. Source.
Daubigny Arms. Gules, four fusils conjoined in fess argent. Source.
This is a translation of the 'Memoires of Jacques du Clercq', published in 1823 in two volumes, edited by Frederic, Baron de Reissenberg. In his introduction Reissenberg writes: 'Jacques du Clercq tells us that he was born in 1424, and that he was a licentiate in law and a counsellor to Philip the Good, Duke of Burgundy, in the castellany of Douai, Lille, and Orchies. It appears that he established his residence at Arras. In 1446, he married the daughter of Baldwin de la Lacherie, a gentleman who lived in Lille. We read in the fifth book of his Memoirs that his father, also named Jacques du Clercq, had married a lady of the Le Camelin family, from Compiègne. His ancestors, always attached to the counts of Flanders, had constantly served them, whether in their councils or in their armies.' The Memoires cover a period of nineteen years beginning in in 1448, ending in in 1467. It appears that the author had intended to extend the Memoirs beyond that date; no doubt illness or death prevented him from carrying out this plan. As Reissenberg writes the 'merit of this work lies in the simplicity of its narrative, in its tone of good faith, and in a certain air of frankness which naturally wins the reader’s confidence.' Du Clercq ranges from events of national and international importance, including events of the Wars of the Roses in England, to simple, everyday local events such as marriages, robberies, murders, trials and deaths, including that of his own father in Book 5; one of his last entries.
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Ros Arms. Gules, three water bougets argent.
Despencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable. Source.
Salusbury Arms. Gules a lion rampant argent three crescents argent.
Fitzherbert Arms. Gules, three lions rampant or. Source.
Seymour Arms. Gules two wings conjoined in lure.
Granville Arms. Gules three clarions or. Source.
Castile Arms. Gules a castle or.
Berkeley Arms. Gules a chevron between ten crosses pattee six in chief and four in base argent.
Spencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable.
Carteret Arms. Gules four fusils in fess argent.
Talbot Arms. Gules, a lion rampant within a bordure engrailed or. Source.
The True Chronicles of Jean le Bel Volume 1 Chapters 1-60 1307-1342
The True Chronicles of Jean le Bel offer one of the most vivid and immediate accounts of 14th-century Europe, written by a knight who lived through the events he describes, and experienced some of them first hand. Covering the early decades of the Hundred Years’ War, this remarkable chronicle follows the campaigns of Edward III of England, the politics of France and the Low Countries, and the shifting alliances that shaped medieval warfare. Unlike later historians, Jean le Bel writes with a strong sense of eyewitness authenticity, drawing on personal experience and the testimony of fellow soldiers. His narrative captures not only battles and sieges, but also the realities of military life, diplomacy, and the ideals of chivalry that governed noble society. A key source for Jean Froissart, Le Bel’s chronicle stands on its own as a compelling and insightful work, at once historical record and literary achievement. This translation builds on the 1905 edition published in French by Jules Viard, adding extensive translations from other sources Rymer's Fœdera, the Chronicles of Adam Murimuth, William Nangis, Walter of Guisborough, a Bourgeois of Valenciennes, Geoffrey le Baker of Swinbroke and Richard Lescot to enrich the original text and Viard's notes.
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De Quincy Arms. Gules, seven mascles or 3,3,1. Source.
Throckmorton Arms. Gules, on a chevron argent three bars gemelles sable. Source.
Burghesh Arms. Gules, a lion rampant or, double queued or.
Dampierre Arms. Gules, two lions passant or, armed and langued azure. Source.
Plantagenet Arms. Gules, three lions passant guardant in pale or armed and langued azure. Source.
Bacon Arms. Gules, on a chief argent two mullets pierced sable. Source.
Ughtred Arms. Gules, a cross moline or. Source.
Umfraville Arms. Gules crusilly of crosses crosslet a cinquefoil or. Source.
Verney Arms. Gules, three crosses recerclée voided throughout or a chief vair ermine and ermines. Source.
Giffard Arms. Gules Three lions passant guardant or in pale or.