Before 7th May 1828 [her father] George Gray [aged 30] and [her mother] Sophia Margaret Jameson [aged 20] were married. They had fifteen children.
1856. John Everett Millais 1st Baronet [aged 26]. "Autumn Leaves". Left to right: [her sister] Alice Gray [aged 12], Sophie Gray [aged 12] and two local girls, Mathilda Proudfoot and Isabella Nicol who were said to be wards of an orphanage/industrial school in Perth, charitably recruited for these tasks by Effie Gray Millais [aged 27], apparently the original Sussex blind girl who was painted over. In the collection of Manchester Art Gallery. The painting was painted whilst Millias was living at Annat Lodge, Kinnoul [Map].
Alice Gray: After 1843 she was born to George Gray and Sophia Margaret Jameson at Perth [Map].
1857. John Everett Millais 1st Baronet [aged 27]. Portrait of Sophie Gray [aged 13]. Study for Autumn Leaves.
1857 to 1858. John Everett Millais 1st Baronet [aged 27]. "Only a Lock of Hair". Model Sophie Gray [aged 13].
The Diary of George Price Boyce 1855-1857. 25th November 1857. Brought away Millais' head of his wife's [aged 29] sister [Sophie Gray [aged 14]], paying £63 for it?
1858. John Everett Millais 1st Baronet [aged 28]. "Spring aka Apple Blossoms". Model far left Sophie Gray [aged 14]. In the collection of the Lady Lever Art Gallery [Map]. See The Life and Letters of Sir John Everett Millais pages 328-331.
In 1873 James Caird 1st Baronet [aged 36] and Sophie Gray [aged 29] were married.
In 1877 [her father] George Gray [aged 79] died.
1880. John Everett Millais 1st Baronet [aged 50]. Portrait of Sophie Gray [aged 36].
The Deeds of the Dukes of Normandy
The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.
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Before 1882. Charles Edward Perugini [aged 42]. Portrait of Sophie Gray [aged 38].
On 15th March 1882 Sophie Gray [aged 38] died possibly from anorexia.
In 1916 [her former husband] James Caird 1st Baronet [aged 79] died.