In 1860 Charles Allston Collins [aged 31] and [his future wife] Catherine "Kate" Perugini nee Dickens [aged 20] were married.
1870. Charles Edward Perugini [aged 30]. "I Know A Maiden Fair To See, Take Care".
1870. Charles Edward Perugini [aged 30]. "Greensleeves". Model the artist's future wife Catherine "Kate" Perugini nee Dickens [aged 30].
1872. Charles Edward Perugini [aged 32]. "Playing at Work".
1872. Charles Edward Perugini [aged 32]. "La Cucitrice" aka Seamstress.
1872. Charles Edward Perugini [aged 32]. "The Goldfish Bowl".
After 1874. Charles Edward Perugini [aged 34]. Portrait of Catherine "Kate" Perugini nee Dickens [aged 34], the artist's wife.
On 4th June 1874 Charles Edward Perugini [aged 34] and Catherine "Kate" Perugini nee Dickens [aged 34] were married at St. Paul's Church in Wilton Place, Knightsbridge. The guests included Georgina Hogarth, Mamie Dickens, Francis Jeffrey Dickens, Henry Fielding Dickens and Sir John Everett Millais [aged 44]. They had married earlier, 1st September 1839, at a registry office, with witnesses, and strangers, Henry Thomas Mitcham and Ernest Edward Earle.
1878. Charles Edward Perugini [aged 38]. "Faithful".
1878. Charles Edward Perugini [aged 38]. "A Girl Reading".
Adam Murimuth's Continuation and Robert of Avesbury’s 'The Wonderful Deeds of King Edward III'
This volume brings together two of the most important contemporary chronicles for the reign of Edward III and the opening phases of the Hundred Years’ War. Written in Latin by English clerical observers, these texts provide a vivid and authoritative window into the political, diplomatic, and military history of fourteenth-century England and its continental ambitions. Adam Murimuth Continuatio's Chronicarum continues an earlier chronicle into the mid-fourteenth century, offering concise but valuable notices on royal policy, foreign relations, and ecclesiastical affairs. Its annalistic structure makes it especially useful for establishing chronology and tracing the development of events year by year. Complementing it, Robert of Avesbury’s De gestis mirabilibus regis Edwardi tertii is a rich documentary chronicle preserving letters, treaties, and official records alongside narrative passages. It is an indispensable source for understanding Edward III’s claim to the French crown, the conduct of war, and the mechanisms of medieval diplomacy. Together, these works offer scholars, students, and enthusiasts a reliable and unembellished account of a transformative period in English and European history. Essential for anyone interested in medieval chronicles, the Hundred Years’ War, or the reign of Edward III.
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Before 1882. Charles Edward Perugini [aged 42]. Portrait of Sophie Gray [aged 38].
1887. Charles Edward Perugini [aged 47]. "Peonies".
1888. Charles Edward Perugini [aged 48]. "A Summer Shower".
1888. Charles Edward Perugini [aged 48]. "Silvia".
Before 1890. Charles Edward Perugini [aged 50]. "Girl With Mirror".
Before 1890. Charles Edward Perugini [aged 50]. "Dressing Up".
1893. Charles Edward Perugini [aged 53]. "Pandora's Box.
Before 1918. Circle of Charles Edward Perugini [aged 78]. Portrait of Sophia Castila Rosamund Campbell Countess Granville [aged 70].
Sophia Castila Rosamund Campbell Countess Granville: On 24th July 1847 she was born to Walter Frederick Campbell and Katherine Isabella Cole. Coefficient of inbreeding 1.56%. On 26th September 1865 Granville Leveson-Gower 2nd Earl Granville and she were married. The difference in their ages was 32 years. He the son of Granville Leveson-Gower 1st Earl Granville and Harriet Cavendish Countess Granville. They were half third cousin twice removed. On 12th November 1938 she died.
On 22nd December 1918 Charles Edward Perugini [aged 79] died.
On 9th May 1929 [his former wife] Catherine "Kate" Perugini nee Dickens [aged 89] died.