Admiral

In 1710. John James Baker. Known as "Whig Junto". From www.tate.org ... This is a portrait of a political group named the Whig Junto and a Black servant, whose identity is unknown. It is the only known portrait of the Junto, which was an ideologically close-knit group of political peers who formed the leadership of the Whig party in the late seventeenth and early eighteenth centuries. The members of the group are shown gathered together on a grand terrace, while a vista onto a garden is revealed by the Black servant, who holds back a heavy velvet curtain. The grand architectural setting is imagined, and is deliberately evocative of power and status. The picture was commissioned by Edward Russell, 1st Earl of Orford [aged 57], who stands on the right, as if welcoming the company. It is not known if Orford had a Black servant in his household or whether the individual was included to emphasise Orford's wealth and social standing. At the time, Britain was profiting heavily from the trade of enslaved people from West Africa. The presence of Black servants, many of whom were enslaved, in both aristocratic and merchant households had come to symbolise property and wealth. This reflected the dehumanising view of enslaved Black people held by the British elite.

The scene conjures one of the Junto's country house meetings where, in between parliamentary sessions, policy and party strategy were formulated. From left to right the sitters round the table can be identified as Charles Spencer, 3rd Earl of Sunderland [aged 34]; Thomas Wharton, 1st Marquess of Wharton [aged 61]; John Somers, 1st Baron Somers (1C 1697) [aged 58]; Charles Montagu, 1st Earl of Halifax [aged 48]; and William Cavendish, 2nd Duke of Devonshire [aged 38]. The lavish surroundings probably represent Orford's house, Chippenham, where Junto meetings sometimes took place. It was also ideally located for the nearby Newmarket horse races, which the members of the Junto frequently attended when parliament was not sitting.

The portrait is dated 1710, before the crushing electoral defeat of the Whigs in October of that year. It shows the political allies while in power, when Sunderland was Secretary of State, Wharton Lord Lieutenant of Ireland, Somers Lord President of the Privy Council, Devonshire Lord Steward and a member of the Privy Council, and Orford First Lord of the Admiralty. On the surface the portrait shows a relaxed gathering of fellow connoisseurs, seated round a table consulting antique medals and books of prints. Fittingly, Somers and Halifax sit at the centre of the company, holding a book and handling a medal respectively. Both were known collectors and antiquarians - Somers was one of the founders of the Whig Kit-Cat Club, a convivial drinking and dining club, but which also had a political propagandist agenda; he had also purchased the Resta collection of drawings from Italy in 1709. Halifax had a celebrated library and a collection of antique medals (sold in 1740), to which those being consulted presumably allude. Behind this exterior of cultural appreciation, however, the portrait advertises Whig policy in 1709-10, which supported the continuation of war against France in opposition to Tory calls for peace. The two visible prints are friezes from Trajan's column showing episodes from the Dacian wars, with the Roman army crossing the Danube. The viewer is invited to make parallels between the valour and victories of the Roman emperors and the current military greatness achieved for Britain by the Duke of Marlborough's campaigns. The globe, showing the Pacific, presumably alludes to Whig foreign policy ambitions beyond Europe. By defeating France in Europe, they aimed to gain commercial access to Spanish American trade routes. It reflects the competitive European colonial pursuit of new markets, including the selling of enslaved West African people to Spanish territories overseas.

John James Baker (or Backer, or Bakker) is thought to have been Flemish, from Antwerp. He was Godfrey Kneller's [aged 63] (1646-1723) long-time studio assistant and drapery painter, and this is his largest, most ambitious and complex work. The symbolic programme was presumably devised by Orford in discussion with Baker. The Duke of Devonshire was not a regular member of the Junto, although an increasingly important Whig peer, but his inclusion here is presumably because of his kinship relationship with Orford. The picture is thus a demonstration of Orford's private as well as professional networks, and also his pride and ambition. It would have been displayed at Chippenham in the newly appointed, fashionable interiors, alongside other works that Orford commissioned to advertise his public achievement and the private and professional networks that sustained his power and influence.

The Times. 20th February 1891. We regret to announce that EARL BEAUCHAMP [deceased], Lord Lieutenant of Worcestershire, died suddenly yesterday at Madresfield Court, his Worcestershire seat. He was taken ill while at luncheon, after a journey to a neighbouring town, and died before medical aid could be obtained, the cause of death being heart disease. His death will be felt as a serious loss, both in the English Church and in the Conservative party. A strong and moderately "high" Churchman, he took a leading position in his own diocese and in the Church at large in the promotion and defence of Anglican interests and; though he did not come prominently before the public as a politician, he exercised for many years considerable influence in the councils of the Tory' leaders. Frederic Lygon was the second son of the Henry Beauchamp Lygon 4th Earl Beauchamp by Susan Caroline Eliot, daughter of the secoud earl of St. Germans. He was born in 1830, and was educated at Eton and Christ Church, Oxford. In 1852 he was elected a Fellow of All Souls, and the received tho degree of D.C.L. from his University in 1870. As the Hon. Frederick Lygon, he entered Parliament as member for Tewkesbury in 1857, for which place be sat till 1863, when be was elected for West Worcestershire. At his Henry Lygon 5th Earl Beauchamp death, without issue, in 1866, he succeeded to the peerage as sixth Earl. Both as a member of the House of Commons and as a peer he hold posts in Conservative Governments. In 1859 he was for a short time a Lord of the Admiralty. During the whole of Mr. Disraeli's Ministry which lasted from 1874 to 1880 he was Lord Steward of the Queen's Household. On the return of the Conservatives to power in 1885 he ras Paymaster-General of the Forces for the few months that the Government lasted, and he returned the same post when the general election put an end to Mr. Gladstone's short-lived Administration in 1886. He did not, however, remain in the Goverornent for a year, as he resigned in June, 1887. Since 1876 he had been Lord Lieutenant of Worcestershire. The deceased earl was twice married, 1st, in 1868, to Mary Catherine Stanhope Countess Beauchamp, only daughter of the sixth Earl Stanhope (she died in 1876), and, secondly, to Emily Annora Charlotte Pierrepont Countess Beauchamp [aged 37], daughter of the Sydney William Herbert Pierrepont 3rd Earl Manvers [aged 66]. He is succeeded by his eldest son, William, Viscount Elmley, who was born in 1872.