Chevron is in Charges.
See: Chevron Argent, Chevron Engrailed, Chevron Ermine, Chevron Gules, Chevron Or, Chevron Sable, Chevrons.
Chevron. A v-shape, pointing upwards unless specified inverted.
Monck Arms. Gules, a chevron between three lion's heads erased argent. Source.
Berkeley Arms. Gules a chevron between ten crosses pattee six in chief and four in base argent.
Mordaunt Arms. Argent, a chevron between three estoiles sable. Source.
Chicheley Arms. Or, a chevron between three cinquefoils gules. Source.
Mosley Arms. Sable a chevron between three pickaxes argent. Source.
Finch Arms. Argent, a chevron between three griffins passant sable. Source.
Ponsonby Arms. Gules, a chevron between three combs argent. Source.
William of Worcester's Chronicle of England
William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.
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Rich Arms. Gules, a chevron between three crosses botonée or. Source.
Lyttleton Arms. Argent, a chevron between three escallops sable. Source.
Robinson Arms. Vert, a chevron between three bucks at gaze or. Source.
Braye Arms. Argent, a chevron between three eagle's legs erased sable. Source.
Tilney Arms. Azure, a chevron between three griffin's heads erased or. Source.
Mansel Arms. Argent, a chevron between three maunches. Source.
Fanshawe Arms. Or a chevron between three fleur de lys sable. Source.
Littleton Arms. Argent, a chevron between three escallops sable. Source.
Trefusis Arms. Argent, a chevron between three spindles sable. Source.
Wyndham Arms. Azure, a chevron between three lion's heads erased or.
Fox Arms. Ermine, on a chevron azure three fox's heads and necks erased or on a canton of the second a fleur de lys of the third. The canton is an augmentation of honour to his paternal arms, granted out of the Royal Arms as a mark of esteem to him and his heirs forever, by King Charles II following the Restoration of the Monarchy. Source.
Brooke Arms. Gules, on a chevron argent a lion rampant sable crowned or. Source.
Abbot John Whethamstede’s Chronicle of the Abbey of St Albans
Abbot John Whethamstede's Register aka Chronicle of his second term at the Abbey of St Albans, 1451-1461, is a remarkable text that describes his first-hand experience of the beginning of the Wars of the Roses including the First and Second Battles of St Albans, 1455 and 1461, respectively, their cause, and their consequences, not least on the Abbey itself. His text also includes Loveday, Blore Heath, Northampton, the Act of Accord, Wakefield, and Towton, and ends with the Coronation of King Edward IV. In addition to the events of the Wars of the Roses, Abbot John, or his scribes who wrote the Chronicle, include details in the life of the Abbey such as charters, letters, land exchanges, visits by legates, and disputes, which provide a rich insight into the day-to-day life of the Abbey, and the challenges faced by its Abbot.
Available at Amazon in eBook and Paperback format.
Carr Arms. Gules, on a chevron argent, three mullets, of the field.
Knollys Arms. Gules, on a chevron argent, three roses gules, barbed and seeded proper. Source.
Loftus Arms. Sable, a chevron engrailed ermine, between three trefoils slipped argent. Source.
Child Villiers Arms. Quarterly 1&4
Villiers Arms and 2&3 Child Arms gules a chevron engrailed ermine between three eaglets argent gorged or. Source.
Watson Arms. Argent, on a chevron engrailed azure between three martlets sable as many crescents or. Source.
Baron Annaly Arms. Argent, on a chevron engrailed gules, between three roses of the last, a cross crosslet or. Source.
Beaumont Arms. Chequy or and azure a chevron ermine. Source.
Blennerhassett Arms. Gules, a chevron ermine, between three dolphins naiant embowed argent. Source.
Clotworthy Arms. Azure, a chevron ermine between three chaplets or. Source.
Gresham Arms. Argent, a chevron ermine between three mullets pierced sable.
The Deeds of the Dukes of Normandy
The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.
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Townshend Arms. Azure, a chevron ermine between three escallops argent. Source.
Turner Baronets Arms. Sable, a chevron ermine between three fers de moline or on a chief argent a lion passant gules. Source.
Tuchet Arms. Ermine, a chevron gules. Source.
Brudenell Arms. Argent, a chevron gules between three morion caps azure pointed to the sinister. Source.
Boleyn Arms. Argent, a chevron gules between three bull's heads afrontée. Source.
Gorges Arms. Lozengy or and azure, a chevron gules. Source.
Newport Arms. Argent, a chevron gules between three leopard's faces sable. Source.
Stafford Arms. Or, a chevron gules.
Chronicle of a Bourgeois of Valenciennes
Récits d’un bourgeois de Valenciennes aka The Chronicle of a Bourgeois of Valenciennes is a vivid 14th-century vernacular chronicle written by an anonymous urban chronicler from Valenciennes in the County of Hainaut. It survives in a manuscript that describes local and regional history from about 1253 to 1366, blending chronology, narrative episodes, and eyewitness-style accounts of political, military, and social events in medieval France, Flanders, and the Low Countries. The work begins with a chronological framework of events affecting Valenciennes and its region under rulers such as King Philip VI of France and the shifting allegiances of local nobility. It includes accounts of conflicts, sieges, diplomatic manoeuvres, and the impact of broader struggles like the Hundred Years’ War on urban life in Hainaut. Written from the perspective of a burgher (bourgeois) rather than a monastery or royal court, the chronicle offers a rare lay viewpoint on high politics and warfare, reflecting how merchants, townspeople, and civic institutions experienced the turbulence of the 13th and 14th centuries. Its narrative style combines straightforward reporting of events with moral and civic observations, making it a valuable source for readers interested in medieval urban society, regional politics, and the lived experience of war and governance in pre-modern Europe.
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Belasyse Arms. Argent a chevron gules between three fleur de lys azure. Source.
Barkham Arms. Paly argent and gules a chevron or.
Cobham Arms. Gules a chevron or three lions rampant sable. Source.
Danvers Arms. Gules a chevron or three estoiles. Source.
Wentworth Arms. Sable, a chevron or three leopard's faces or. Source.
Wodehouse Arms. Sable a chevron or between three cinquefoils. Source.
Wodehouse Augmented Arms.
Wodehouse Arms augmented with a chevron or guttée de sang. The Wodehouse arms were augmented after the Battle of Agincourt. Source.
Clare Arms. Or three chevrons gules. Source.
Fitzhugh Arms. Azure, three chevrons interlaced in base or a chief of the last. Source.
Abbot John Whethamstede’s Chronicle of the Abbey of St Albans
Abbot John Whethamstede's Register aka Chronicle of his second term at the Abbey of St Albans, 1451-1461, is a remarkable text that describes his first-hand experience of the beginning of the Wars of the Roses including the First and Second Battles of St Albans, 1455 and 1461, respectively, their cause, and their consequences, not least on the Abbey itself. His text also includes Loveday, Blore Heath, Northampton, the Act of Accord, Wakefield, and Towton, and ends with the Coronation of King Edward IV. In addition to the events of the Wars of the Roses, Abbot John, or his scribes who wrote the Chronicle, include details in the life of the Abbey such as charters, letters, land exchanges, visits by legates, and disputes, which provide a rich insight into the day-to-day life of the Abbey, and the challenges faced by its Abbot.
Available at Amazon in eBook and Paperback format.
Around 1577 George Gower [aged 37]. Portrait of Richard Drake [aged 42]. The heraldic escutcheon shows seven quarters as follows:
1:
Drake of Ash Arms. Drake of Ash in the parish of Musbury, Devon.
2: Argent, on a chief gules three cinquefoils of the first; Billet of Ash.
3: Gules, on a fess argent two mullets sable; Hamton of Rockbere and Ash.
4: Ermine, on a chief indented sable three crosslets fitchee or; Orwey of Orwey and Ash.
5: Barry of seven argent and sable.
6: Azure, six lions rampant argent crowned Gules, 3, 2, 1; Forde of Forde.
7: Argent, two chevrons sable (Esse/Ash of Ash); Esse or Ash of Ash.
Daubeney Arms. Or, two chevrons gules three griffin's heads. Source.
Fitzwalter Arms. Or, a fess gules between two chevrons of the last. Source.
Lisle Arms. Or a fess between two chevrons sable. Source.
Walpole Arms. Or a fess between two chevrons sable three cross crosslets of the field. Source.