Argent

Argent is in Field.

Yorke Arms. Argent on a saltire azure a bezant. Source.

Knyvet Arms. Argent, a bend sable a bordure engrailed of the last. Source.

Lawson of Brough Hall Arms. Argent a chevron sable three martlets sable. Source.

Avenell Arms. Argent, a fess between five annulets gules. Modified from source.

Lennox Arms. Argent, a saltire between four roses gules. Source.

Badlesmere Arms. Argent, a fess between two gemelles gules. Source.

Littleton Arms. Argent, a chevron between three escallops sable. Source.

Beresford Arms. Argent, crusilly fitchée sable, three fleurs-de-lis within a bordure engrailed of the second. Source.

Lucas Arms. Argent, a fess between six annulets gules.

Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.

In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.

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NO IMAGE. Argent on a Bend cottised Gules three Bezants. Source.

Lumley Arms. Argent a fess gules between three parrots vert, collared of the second. Source.

Boleyn Arms. Argent, a chevron gules between three bull's heads afrontée. Source.

Roger Lupton Arms. Argent, on a chevron between three wolf's heads and necks erased sable three lilies of the field on a chief gules between two escallops a Tau cross or. Arms granted to Roger Lupton by King Henry VII. The Tau cross was a symbol of Saint Anthony of Egypt and thus probably referred to his mastership of St Anthony's Hospital. The escallops were possibly bells, another symbol of Saint Anthony, of which two were often shown suspended from the cross member of a Tau cross. The wolves were canting references to his surname from the Latin Lupus, "a wolf", and Sable, three lilies argent, is the base part of the arms of Eton College [Map].

Braye Arms. Argent, a chevron between three eagle's legs erased sable. Source.

Broughton Arms. Argent, two bars gules a canton gules cross argent. Source.

Lyttleton Arms. Argent, a chevron between three escallops sable. Source.

Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.

In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.

Available at Amazon in eBook and Paperback format.

Mansel Arms. Argent, a chevron between three maunches. Source.

Carey Arms. Argent, a bend sable, three roses of the first. Source.

Maxwell Arms. Argent, a two headed eagle displayed sable beaked and membered gules on an inescutcheon argent a saltire sable charged with a hedgehog or. Source.

Clere Arms. Argent on a fess azure, three eagles displayed or. Source.

Montagu Arms. Argent, three fusils conjoined in fess gules. Source.

Cockayne Arms. Argent, three cocks gules with legs, beaks, etc. sable. Source.

Mordaunt Arms. Argent, a chevron between three estoiles sable. Source.

Cookes Arms. Argent, two chevronels between six martlets 3, 2 and 1 gules. Source.

Multon Arms. Argent, three bars. Source.

Chronicle of Geoffrey le Baker of Swinbroke

Baker was a secular clerk from Swinbroke, now Swinbrook, an Oxfordshire village two miles east of Burford. His Chronicle describes the events of the period 1303-1356: Gaveston, Bannockburn, Boroughbridge, the murder of King Edward II, the Scottish Wars, Sluys, Crécy, the Black Death, Winchelsea and Poitiers. To quote Herbert Bruce 'it possesses a vigorous and characteristic style, and its value for particular events between 1303 and 1356 has been recognised by its editor and by subsequent writers'. The book provides remarkable detail about the events it describes. Baker's text has been augmented with hundreds of notes, including extracts from other contemporary chronicles, such as the Annales Londonienses, Annales Paulini, Murimuth, Lanercost, Avesbury, Guisborough and Froissart to enrich the reader's understanding. The translation takes as its source the 'Chronicon Galfridi le Baker de Swynebroke' published in 1889, edited by Edward Maunde Thompson.

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Onslow Arms. Argent, a fess gules, between six Cornish Choughs proper. Source.

Davers Arms. Argent, a bend gules three martlets or. Source.

Decker Arms. Argent, a demi-buck gules between his forelegs an arrow erected in pale or. Source.

Paston Arms. Argent six fleurs de lis three two and one azure a chief indented or. Source.

Despencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable. Source.

Perceval Arms. Argent, a chief indented gules three crosses pattee of the field. Source.

The Deeds of the Dukes of Normandy

The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.

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Pollard Arms. Argent, a chevron sable between three escallops gules.

Egerton Arms. Argent, a lion rampant gules between three pheons sable. Source.

Portugal Arms. Argent, in Cross azure each charged with ten plates. Source.

Feilding Arms. Argent, on a fess azure three lozenges or. Source.

Portugal 1385 Arms. Argent, in Cross azure each charged with five plates in saltire charged with ten golden triple-towered castles and four fleur de lys in cross vert, Source.

Finch Arms. Argent, a chevron between three griffins passant sable. Source.

Portugal 1481 Arms. Argent, in Cross azure each charged with five plates in saltire charged with seven golden triple-towered castles. Source.

NO IMAGE. Argent, a chief vairy or and gules a bend sable. Source.

Memoires of Jacques du Clercq

This is a translation of the 'Memoires of Jacques du Clercq', published in 1823 in two volumes, edited by Frederic, Baron de Reissenberg. In his introduction Reissenberg writes: 'Jacques du Clercq tells us that he was born in 1424, and that he was a licentiate in law and a counsellor to Philip the Good, Duke of Burgundy, in the castellany of Douai, Lille, and Orchies. It appears that he established his residence at Arras. In 1446, he married the daughter of Baldwin de la Lacherie, a gentleman who lived in Lille. We read in the fifth book of his Memoirs that his father, also named Jacques du Clercq, had married a lady of the Le Camelin family, from Compiègne. His ancestors, always attached to the counts of Flanders, had constantly served them, whether in their councils or in their armies.' The Memoires cover a period of nineteen years beginning in in 1448, ending in in 1467. It appears that the author had intended to extend the Memoirs beyond that date; no doubt illness or death prevented him from carrying out this plan. As Reissenberg writes the 'merit of this work lies in the simplicity of its narrative, in its tone of good faith, and in a certain air of frankness which naturally wins the reader’s confidence.' Du Clercq ranges from events of national and international importance, including events of the Wars of the Roses in England, to simple, everyday local events such as marriages, robberies, murders, trials and deaths, including that of his own father in Book 5; one of his last entries.

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Gresham Arms. Argent, a chevron ermine between three mullets pierced sable.

Joicey Arms. Argent three lozenges Sable within two bendlets invected gules between two miners' picks in bend proper. Source.

The History of William Marshal, Earl of Chepstow and Pembroke, Regent of England. Book 1 of 2, Lines 1-10152.

The History of William Marshal was commissioned by his son shortly after William’s death in 1219 to celebrate the Marshal’s remarkable life; it is an authentic, contemporary voice. The manuscript was discovered in 1861 by French historian Paul Meyer. Meyer published the manuscript in its original Anglo-French in 1891 in two books. This book is a line by line translation of the first of Meyer’s books; lines 1-10152. Book 1 of the History begins in 1139 and ends in 1194. It describes the events of the Anarchy, the role of William’s father John, John’s marriages, William’s childhood, his role as a hostage at the siege of Newbury, his injury and imprisonment in Poitou where he met Eleanor of Aquitaine and his life as a knight errant. It continues with the accusation against him of an improper relationship with Margaret, wife of Henry the Young King, his exile, and return, the death of Henry the Young King, the rebellion of Richard, the future King Richard I, war with France, the death of King Henry II, and the capture of King Richard, and the rebellion of John, the future King John. It ends with the release of King Richard and the death of John Marshal.

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Savile Arms. Argent, a bend sable three owls of the same. Source.

Killigrew Arms. Argent, an eagle displayed with two heads sable a bordure of the second bezantée. The bezantée bordure indicates a connection to the ancient Earls of Cornwall. Source.

Leslie Arms. Argent, on a bend azure three buckles or. Source.

Slanning Arms. Argent, two pales engrailed gules over all on a bend azure three griffin's heads or.

Bertie Arms. Argent, three battering rams, barwise in pale proper, armed and garnished azure. Source.

Southwell Arms. Argent, three cinquefoils gules each charged with six annulets or. Source.

Booth Arms. Argent, three boar's heads erect sable. Source.

Brosse Arms. Argent, three garbs or. Source.

Spencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable.

Byron Arms. Argent, bendlets enhanced gules. Source.

Annals of Kings Richard II and Henry IV 1393-1406

The Annals of Kings Richard II and Henry IV offers a vivid contemporary account of one of the most turbulent periods in late medieval England. Covering the reigns of Richard II and Henry IV, the chronicle records royal ceremonies, political conflict, rebellion, war, taxation, religious controversy, executions, popular unrest and remarkable portents. Its pages include a detailed description of Richard II’s coronation, the fall and deposition of the king, Henry IV’s seizure of the throne, the Percy rebellion, the execution of Archbishop Richard Scrope, the campaigns of Owain Glyndŵr, and England’s relations with Scotland, France, Portugal and Scandinavia. Alongside affairs of state, the annalist preserves reports of miracles, eclipses, prophecies, supernatural events and the experiences of ordinary townspeople, clergy, soldiers and travellers. Written from a monastic perspective, the work combines political observation with moral judgement, presenting victories and disasters as evidence of divine favour or punishment. At once a historical record and a reflection of medieval belief, the Annals provides an invaluable window into the challenges, ceremonies and conflicts of England at the turn of the fifteenth century.

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Spring of Lavenham Arms. Argent, a chevron engrailed between three mascles gules. Source.

Conyngham Arms. Argent, a shake-fork between three mullets, sable. Source.

Cranfield Arms. Argent, in pale three fleur de lys argent. Source.

St Lo Arms. Argent, a bend sable. Source.

Dawnay Arms. Argent on a bend cotised sable three annulets of the field. Source.

Westminster Chronicle of King Richard II, 1381-1394

The Westminster Chronicle is one of the most vivid and important narrative sources for the reign of Richard II. Written by an anonymous chronicler closely connected with Westminster Abbey, it covers the years 1381 to 1394, from the Peasants’ Revolt to the political tensions, court ceremonies, diplomatic negotiations, royal progresses, and public crises of Richard’s later reign. Rich in detail the chronicle records major events such as the conflicts between the King and Lords Appellant, King and the City of London, negotiations with France and Scotland, the death and funeral of Queen Anne of Bohemia, the illness of Charles VI of France, and the changing fortunes of leading nobles including John of Gaunt, Thomas of Gloucester, Robert de Vere, and the Earl of Arundel. The Chronicle offers readers a remarkable window into late fourteenth-century England, combining political observation, courtly spectacle, urban drama, ecclesiastical affairs, and moral judgement. It is an essential source for anyone interested in medieval monarchy, London, Westminster, and the troubled reign of Richard II.

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Ford Arms. Argent, a wolf salient sable.

Tempest Arms. Argent, a bend engrailed between six martlets sable. Source.

Hampden Arms. Argent, a saltire gules between four eagles displayed azure. Source.

Temple Arms. Argent two bars sable each charged with three martlets or.

Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.

In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.

Available at Amazon in eBook and Paperback format.

Tennant Arms. Argent, two crescents in fess sable on a chief gules a boar's head couped of the first. Source.

Ashley Arms. Argent three bulls passant sable, armed and unguled or.

Tiptoft Arms. Argent, a saltire engrailed gules.

Tollemache Arms. Argent, a fret sable.

Brudenell Arms. Argent, a chevron gules between three morion caps azure pointed to the sinister. Source.

Tosny Arms. Argent, a maunch. Source.

Clinton Arms. Argent, six cross crosslets fitchée sable three two and one on a chief azure two mullets or pierced gules. Source.

Trefusis Arms. Argent, a chevron between three spindles sable. Source.

Dashwood Arms. Argent, a fess gules.

The Deeds of the Dukes of Normandy

The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.

Available at Amazon in eBook and Paperback format.

NO IMAGE. Argent, on a chief azure three mullets of the first.

Fitzgerald Arms. Argent, a #saltire gules. Source.

Villiers Arms. Argent, on a cross gules five escallops. Source.

Wallop Arms. Argent a bend wavy sable. Source

Watson Arms. Argent, on a chevron engrailed azure between three martlets sable as many crescents or. Source.

Catesby Arms. Argent, two lions passant sable crowned or. Source.

Delves Arms. Argent, a chevron gules fretty or between three delves sable. Source.

Baron Annaly Arms. Argent, on a chevron engrailed gules, between three roses of the last, a cross crosslet or. Source.

Duke Montrose Arms. Quarterly, 1&4 Graham Arms 2&3 Argent three roses gules barbed and seeded proper (Montrose).

Wingfield Arms. Argent, a bend gules three wings conjoined in lure of the field. Source.

Adam Murimuth's Continuation and Robert of Avesbury’s 'The Wonderful Deeds of King Edward III'

This volume brings together two of the most important contemporary chronicles for the reign of Edward III and the opening phases of the Hundred Years’ War. Written in Latin by English clerical observers, these texts provide a vivid and authoritative window into the political, diplomatic, and military history of fourteenth-century England and its continental ambitions. Adam Murimuth Continuatio's Chronicarum continues an earlier chronicle into the mid-fourteenth century, offering concise but valuable notices on royal policy, foreign relations, and ecclesiastical affairs. Its annalistic structure makes it especially useful for establishing chronology and tracing the development of events year by year. Complementing it, Robert of Avesbury’s De gestis mirabilibus regis Edwardi tertii is a rich documentary chronicle preserving letters, treaties, and official records alongside narrative passages. It is an indispensable source for understanding Edward III’s claim to the French crown, the conduct of war, and the mechanisms of medieval diplomacy. Together, these works offer scholars, students, and enthusiasts a reliable and unembellished account of a transformative period in English and European history. Essential for anyone interested in medieval chronicles, the Hundred Years’ War, or the reign of Edward III.

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Eyre Arms. Argent, a chevron gules.

Keilway Arms. Argent, two grozing irons in saltire sable between four Kelway pears proper. An example of Canting arms Kelway Pear = Keilway. Source

NO IMAGE. Argent, a cross moline sable.

Woodville Arms. Argent, a fess and a canton conjoined gules. Source.

Wotton Arms. Argent, a saltire engrailed sable. Source.

Bowes Lyon Arms. Quarterly 1&4 Argent a lion rampant azure, armed and langued gules within a double tressure flory counter-flory of the second (for Lyon); 2&3 ermine three bows stringed palewise in fess proper (for Bowes).