Argent

Argent is in Field.

Yorke Arms. Argent on a saltire azure a bezant. Source.

Knyvet Arms. Argent, a bend sable a bordure engrailed of the last. Source.

Lawson of Brough Hall Arms. Argent a chevron sable three martlets sable. Source.

Avenell Arms. Argent, a fess between five annulets gules. Modified from source.

Lennox Arms. Argent, a saltire between four roses gules. Source.

Badlesmere Arms. Argent, a fess between two gemelles gules. Source.

Littleton Arms. Argent, a chevron between three escallops sable. Source.

Beresford Arms. Argent, crusilly fitchée sable, three fleurs-de-lis within a bordure engrailed of the second. Source.

Lucas Arms. Argent, a fess between six annulets gules.

Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.

In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.

Available at Amazon in eBook and Paperback format.

NO IMAGE. Argent on a Bend cottised Gules three Bezants. Source.

Lumley Arms. Argent a fess gules between three parrots vert, collared of the second. Source.

Boleyn Arms. Argent, a chevron gules between three bull's heads afrontée. Source.

Roger Lupton Arms. Argent, on a chevron between three wolf's heads and necks erased sable three lilies of the field on a chief gules between two escallops a Tau cross or. Arms granted to Roger Lupton by King Henry VII. The Tau cross was a symbol of Saint Anthony of Egypt and thus probably referred to his mastership of St Anthony's Hospital. The escallops were possibly bells, another symbol of Saint Anthony, of which two were often shown suspended from the cross member of a Tau cross. The wolves were canting references to his surname from the Latin Lupus, "a wolf", and Sable, three lilies argent, is the base part of the arms of Eton College [Map].

Braye Arms. Argent, a chevron between three eagle's legs erased sable. Source.

Broughton Arms. Argent, two bars gules a canton gules cross argent. Source.

Lyttleton Arms. Argent, a chevron between three escallops sable. Source.

Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.

In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.

Available at Amazon in eBook and Paperback format.

Mansel Arms. Argent, a chevron between three maunches. Source.

Carey Arms. Argent, a bend sable, three roses of the first. Source.

Maxwell Arms. Argent, a two headed eagle displayed sable beaked and membered gules on an inescutcheon argent a saltire sable charged with a hedgehog or. Source.

Clere Arms. Argent on a fess azure, three eagles displayed or. Source.

Montagu Arms. Argent, three fusils conjoined in fess gules. Source.

Cockayne Arms. Argent, three cocks gules with legs, beaks, etc. sable. Source.

Mordaunt Arms. Argent, a chevron between three estoiles sable. Source.

Cookes Arms. Argent, two chevronels between six martlets 3, 2 and 1 gules. Source.

Multon Arms. Argent, three bars. Source.

The True Chronicles of Jean le Bel Volume 2 Chapters 61-109 1342-1361

The Chronicle of Jean le Bel, Volume 2 continues one of the most important fourteenth-century accounts of the early Hundred Years’ War. Written by the Liège chronicler Jean le Bel, this vivid narrative follows the fortunes of Edward III, Jean II of France, the Black Prince, the great nobles of France and England, and the soldiers, captains and companies who shaped the conflict. This volume covers some of the most dramatic events of the period, including the battles of Crécy and Poitiers, the siege and capture of Calais, the captivity of King John, the rise of the Jacquerie, the turmoil in Paris under Étienne Marcel and Charles of Navarre, the devastation caused by the free companies, Edward III’s great campaign of 1359–1360, and the negotiations leading to the Treaty of Brétigny. Jean le Bel’s chronicle is especially valuable for its lively detail, its interest in chivalry, warfare, politics and reputation, and its influence on later chroniclers, most famously Froissart. This English translation presents the text in clear, readable British English while preserving the force and character of the original narrative. The translation includes extensive notes to help the reader better understand Jean le Bel's text. Volume 2 also includes translated appendices drawn from royal and administrative records, many from the English Record Office, which illuminate Edward III’s campaigns in Brittany, the siege and occupation of Calais, naval preparations, military finance, appointments, safe conducts and related affairs.

Available at Amazon in eBook and Paperback format.

Onslow Arms. Argent, a fess gules, between six Cornish Choughs proper. Source.

Davers Arms. Argent, a bend gules three martlets or. Source.

Decker Arms. Argent, a demi-buck gules between his forelegs an arrow erected in pale or. Source.

Paston Arms. Argent six fleurs de lis three two and one azure a chief indented or. Source.

Despencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable. Source.

Perceval Arms. Argent, a chief indented gules three crosses pattee of the field. Source.

William of Worcester's Chronicle of England

William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.

Available at Amazon in eBook and Paperback format.

Pollard Arms. Argent, a chevron sable between three escallops gules.

Egerton Arms. Argent, a lion rampant gules between three pheons sable. Source.

Portugal Arms. Argent, in Cross azure each charged with ten plates. Source.

Feilding Arms. Argent, on a fess azure three lozenges or. Source.

Portugal 1385 Arms. Argent, in Cross azure each charged with five plates in saltire charged with ten golden triple-towered castles and four fleur de lys in cross vert, Source.

Finch Arms. Argent, a chevron between three griffins passant sable. Source.

Portugal 1481 Arms. Argent, in Cross azure each charged with five plates in saltire charged with seven golden triple-towered castles. Source.

NO IMAGE. Argent, a chief vairy or and gules a bend sable. Source.

The True Chronicles of Jean le Bel Volume 2 Chapters 61-109 1342-1361

The Chronicle of Jean le Bel, Volume 2 continues one of the most important fourteenth-century accounts of the early Hundred Years’ War. Written by the Liège chronicler Jean le Bel, this vivid narrative follows the fortunes of Edward III, Jean II of France, the Black Prince, the great nobles of France and England, and the soldiers, captains and companies who shaped the conflict. This volume covers some of the most dramatic events of the period, including the battles of Crécy and Poitiers, the siege and capture of Calais, the captivity of King John, the rise of the Jacquerie, the turmoil in Paris under Étienne Marcel and Charles of Navarre, the devastation caused by the free companies, Edward III’s great campaign of 1359–1360, and the negotiations leading to the Treaty of Brétigny. Jean le Bel’s chronicle is especially valuable for its lively detail, its interest in chivalry, warfare, politics and reputation, and its influence on later chroniclers, most famously Froissart. This English translation presents the text in clear, readable British English while preserving the force and character of the original narrative. The translation includes extensive notes to help the reader better understand Jean le Bel's text. Volume 2 also includes translated appendices drawn from royal and administrative records, many from the English Record Office, which illuminate Edward III’s campaigns in Brittany, the siege and occupation of Calais, naval preparations, military finance, appointments, safe conducts and related affairs.

Available at Amazon in eBook and Paperback format.

Gresham Arms. Argent, a chevron ermine between three mullets pierced sable.

Joicey Arms. Argent three lozenges Sable within two bendlets invected gules between two miners' picks in bend proper. Source.

The True Chronicles of Jean le Bel Volume 2 Chapters 61-109 1342-1361

The Chronicle of Jean le Bel, Volume 2 continues one of the most important fourteenth-century accounts of the early Hundred Years’ War. Written by the Liège chronicler Jean le Bel, this vivid narrative follows the fortunes of Edward III, Jean II of France, the Black Prince, the great nobles of France and England, and the soldiers, captains and companies who shaped the conflict. This volume covers some of the most dramatic events of the period, including the battles of Crécy and Poitiers, the siege and capture of Calais, the captivity of King John, the rise of the Jacquerie, the turmoil in Paris under Étienne Marcel and Charles of Navarre, the devastation caused by the free companies, Edward III’s great campaign of 1359–1360, and the negotiations leading to the Treaty of Brétigny. Jean le Bel’s chronicle is especially valuable for its lively detail, its interest in chivalry, warfare, politics and reputation, and its influence on later chroniclers, most famously Froissart. This English translation presents the text in clear, readable British English while preserving the force and character of the original narrative. The translation includes extensive notes to help the reader better understand Jean le Bel's text. Volume 2 also includes translated appendices drawn from royal and administrative records, many from the English Record Office, which illuminate Edward III’s campaigns in Brittany, the siege and occupation of Calais, naval preparations, military finance, appointments, safe conducts and related affairs.

Available at Amazon in eBook and Paperback format.

Savile Arms. Argent, a bend sable three owls of the same. Source.

Killigrew Arms. Argent, an eagle displayed with two heads sable a bordure of the second bezantée. The bezantée bordure indicates a connection to the ancient Earls of Cornwall. Source.

Leslie Arms. Argent, on a bend azure three buckles or. Source.

Slanning Arms. Argent, two pales engrailed gules over all on a bend azure three griffin's heads or.

Bertie Arms. Argent, three battering rams, barwise in pale proper, armed and garnished azure. Source.

Southwell Arms. Argent, three cinquefoils gules each charged with six annulets or. Source.

Booth Arms. Argent, three boar's heads erect sable. Source.

Brosse Arms. Argent, three garbs or. Source.

The Deeds of the Dukes of Normandy

The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.

Available at Amazon in eBook and Paperback format.

Spencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable.

Byron Arms. Argent, bendlets enhanced gules. Source.

Spring of Lavenham Arms. Argent, a chevron engrailed between three mascles gules. Source.

Conyngham Arms. Argent, a shake-fork between three mullets, sable. Source.

Cranfield Arms. Argent, in pale three fleur de lys argent. Source.

St Lo Arms. Argent, a bend sable. Source.

Dawnay Arms. Argent on a bend cotised sable three annulets of the field. Source.

Abbot John Whethamstede’s Chronicle of the Abbey of St Albans

Abbot John Whethamstede's Register aka Chronicle of his second term at the Abbey of St Albans, 1451-1461, is a remarkable text that describes his first-hand experience of the beginning of the Wars of the Roses including the First and Second Battles of St Albans, 1455 and 1461, respectively, their cause, and their consequences, not least on the Abbey itself. His text also includes Loveday, Blore Heath, Northampton, the Act of Accord, Wakefield, and Towton, and ends with the Coronation of King Edward IV. In addition to the events of the Wars of the Roses, Abbot John, or his scribes who wrote the Chronicle, include details in the life of the Abbey such as charters, letters, land exchanges, visits by legates, and disputes, which provide a rich insight into the day-to-day life of the Abbey, and the challenges faced by its Abbot.

Available at Amazon in eBook and Paperback format.

Ford Arms. Argent, a wolf salient sable.

Tempest Arms. Argent, a bend engrailed between six martlets sable. Source.

Hampden Arms. Argent, a saltire gules between four eagles displayed azure. Source.

Temple Arms. Argent two bars sable each charged with three martlets or.

Tennant Arms. Argent, two crescents in fess sable on a chief gules a boar's head couped of the first. Source.

Ashley Arms. Argent three bulls passant sable, armed and unguled or.

Tiptoft Arms. Argent, a saltire engrailed gules.

William of Worcester's Chronicle of England

William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.

Available at Amazon in eBook and Paperback format.

Tollemache Arms. Argent, a fret sable.

Brudenell Arms. Argent, a chevron gules between three morion caps azure pointed to the sinister. Source.

Tosny Arms. Argent, a maunch. Source.

Clinton Arms. Argent, six cross crosslets fitchée sable three two and one on a chief azure two mullets or pierced gules. Source.

Trefusis Arms. Argent, a chevron between three spindles sable. Source.

Dashwood Arms. Argent, a fess gules.

NO IMAGE. Argent, on a chief azure three mullets of the first.

Fitzgerald Arms. Argent, a #saltire gules. Source.

Villiers Arms. Argent, on a cross gules five escallops. Source.

The Deeds of the Dukes of Normandy

The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.

Available at Amazon in eBook and Paperback format.

Wallop Arms. Argent a bend wavy sable. Source

Watson Arms. Argent, on a chevron engrailed azure between three martlets sable as many crescents or. Source.

Catesby Arms. Argent, two lions passant sable crowned or. Source.

Delves Arms. Argent, a chevron gules fretty or between three delves sable. Source.

Baron Annaly Arms. Argent, on a chevron engrailed gules, between three roses of the last, a cross crosslet or. Source.

Duke Montrose Arms. Quarterly, 1&4 Graham Arms 2&3 Argent three roses gules barbed and seeded proper (Montrose).

Wingfield Arms. Argent, a bend gules three wings conjoined in lure of the field. Source.

Eyre Arms. Argent, a chevron gules.

Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.

In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.

Available at Amazon in eBook and Paperback format.

Keilway Arms. Argent, two grozing irons in saltire sable between four Kelway pears proper. An example of Canting arms Kelway Pear = Keilway. Source

NO IMAGE. Argent, a cross moline sable.

Woodville Arms. Argent, a fess and a canton conjoined gules. Source.

Wotton Arms. Argent, a saltire engrailed sable. Source.

Bowes Lyon Arms. Quarterly 1&4 Argent a lion rampant azure, armed and langued gules within a double tressure flory counter-flory of the second (for Lyon); 2&3 ermine three bows stringed palewise in fess proper (for Bowes).