Bend is in Ordinaries.
See: Bend Argent, Bend Azure, Bend Cotised, Bend Engrailed, Bend Gules, Bend Lozengy, Bend Or, Bend Sable.
Chaucer Arms. Per Pale argent and gules, a bend counterchanged. Source.
Ferneley Arms. Or, on a bend vert three buck's heads caboshed argent.
Foljambe Arms. Sable a bend between six escallops or.
Blois Arms. Azure a bend argent cotised. Source.
Bohun Arms. Azure, a bend argent cotised or between six lions rampant or. Source.
Freschville Arms. Azure, bend argent between six escallops.
Chronicle of Walter of Guisborough
A canon regular of the Augustinian Guisborough Priory, Yorkshire, formerly known as The Chronicle of Walter of Hemingburgh, describes the period from 1066 to 1346. Before 1274 the Chronicle is based on other works. Thereafter, the Chronicle is original, and a remarkable source for the events of the time. This book provides a translation of the Chronicle from that date. The Latin source for our translation is the 1849 work edited by Hans Claude Hamilton. Hamilton, in his preface, says: 'In the present work we behold perhaps one of the finest samples of our early chronicles, both as regards the value of the events recorded, and the correctness with which they are detailed; Nor will the pleasing style of composition be lightly passed over by those capable of seeing reflected from it the tokens of a vigorous and cultivated mind, and a favourable specimen of the learning and taste of the age in which it was framed.'
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Hervey Arms. Gules, on a bend argent three trefoils slipped vert, Source.
Howard Arms. Gules bend argent six crosslets fitchy. Source.
Howard Augmented Arms. Gules bend argent six crosslets fitchy augmented after the Battle of Flodden with an inescutcheon bearing the lion of Scotland pierced through the mouth with an arrow. Source.
Lake Arms. Sable, a bend argent six crosslets fitchy.
Liddell Arms. Gules, on a bend argent, three mullets sable. Source.
Denison Arms. Ermine, a bend azure cotised sable between a unicorn's head erased in chief and a cross crosslet fitchy in base gules. Source.
Fitzpayn Arms. Gules, three lions passant guardant argent, overall a bend azure. Source.
Harding Arms. Or, a bend azure three martlets argent.
Scott Arms. Or, on a bend azure a mullet of six points between two crescents of the field. Source.
Leslie Arms. Argent, on a bend azure three buckles or. Source.
Slanning Arms. Argent, two pales engrailed gules over all on a bend azure three griffin's heads or.
Stanley Arms. Argent, a bend azure three buck's heads caboshed or. Source.
Bingham Arms. Azure a bend cotised between six crosses pattee or. Source.
The True Chronicles of Jean le Bel Volume 1 Chapters 1-60 1307-1342
The True Chronicles of Jean le Bel offer one of the most vivid and immediate accounts of 14th-century Europe, written by a knight who lived through the events he describes, and experienced some of them first hand. Covering the early decades of the Hundred Years’ War, this remarkable chronicle follows the campaigns of Edward III of England, the politics of France and the Low Countries, and the shifting alliances that shaped medieval warfare. Unlike later historians, Jean le Bel writes with a strong sense of eyewitness authenticity, drawing on personal experience and the testimony of fellow soldiers. His narrative captures not only battles and sieges, but also the realities of military life, diplomacy, and the ideals of chivalry that governed noble society. A key source for Jean Froissart, Le Bel’s chronicle stands on its own as a compelling and insightful work, at once historical record and literary achievement. This translation builds on the 1905 edition published in French by Jules Viard, adding extensive translations from other sources Rymer's Fœdera, the Chronicles of Adam Murimuth, William Nangis, Walter of Guisborough, a Bourgeois of Valenciennes, Geoffrey le Baker of Swinbroke and Richard Lescot to enrich the original text and Viard's notes.
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Dawnay Arms. Argent on a bend cotised sable three annulets of the field. Source.
Earl Shaftesbury Arms. Quarterly: 1&4
Ashley Arms; 2&3: gules, a bend engrailed between six lions rampant or (Cooper). Source.
Culpepper Arms. Argent, a bend engrailed gules. Source.
Fortescue Arms. Azure a bend engrailed argent cotised or. Source.
Radclyffe Arms. Argent, a bend engrailed sable. Source.
Tempest Arms. Argent, a bend engrailed between six martlets sable. Source.
Davers Arms. Argent, a bend gules three martlets or. Source.
Furnival Arms. Argent, a bend gules six martlets gules. Source.
Halswell Arms. Azure, three bars wavy argent over all a bend gules. Source
Poynings Arms. Barry of six or and vert a bend gules. Source.
Wendesley Arms. Ermine, on a bend gules three escallops argent. Source.
This is a translation of the 'Memoires of Jacques du Clercq', published in 1823 in two volumes, edited by Frederic, Baron de Reissenberg. In his introduction Reissenberg writes: 'Jacques du Clercq tells us that he was born in 1424, and that he was a licentiate in law and a counsellor to Philip the Good, Duke of Burgundy, in the castellany of Douai, Lille, and Orchies. It appears that he established his residence at Arras. In 1446, he married the daughter of Baldwin de la Lacherie, a gentleman who lived in Lille. We read in the fifth book of his Memoirs that his father, also named Jacques du Clercq, had married a lady of the Le Camelin family, from Compiègne. His ancestors, always attached to the counts of Flanders, had constantly served them, whether in their councils or in their armies.' The Memoires cover a period of nineteen years beginning in in 1448, ending in in 1467. It appears that the author had intended to extend the Memoirs beyond that date; no doubt illness or death prevented him from carrying out this plan. As Reissenberg writes the 'merit of this work lies in the simplicity of its narrative, in its tone of good faith, and in a certain air of frankness which naturally wins the reader’s confidence.' Du Clercq ranges from events of national and international importance, including events of the Wars of the Roses in England, to simple, everyday local events such as marriages, robberies, murders, trials and deaths, including that of his own father in Book 5; one of his last entries.
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Wingfield Arms. Argent, a bend gules three wings conjoined in lure of the field. Source.
In September 1389 the Scrope vs Grosvenor Case was brought to the Court of Chivalry. Up to that time two families, Scrope and Grosvenor, had been using the armorial
Scrope Arms: Azure, a bend or.
Several hundred witnesses were called including John of Gaunt 1st Duke Lancaster [aged 49], Geoffrey Chaucer [aged 46] and John Savile of Shelley and Golcar [aged 64].
On 3rd September 1386 Owain ap Gruffudd "Glyndŵr" Mathrafal Prince Powys [aged 27] gave evidence at the Church of John the Baptist, Chester [Map].
The Court decided in favour of Scrope.
Neither party was happy with the decision so King Richard II [aged 22] was called upon to give his personal verdict.
On 27th May 1390 he confirmed that Grosvenor could not bear the undifferenced arms.
As a consequence of the case the Grosvenor has for many years used the name Bendor for horses and nicknames.
Brabazon Arms. Gules on a bend or three martlets sable. Source.
Scrope Arms. Azure, a bend or. Source.
Stourton Arms. Sable, a bend or between six fountains. Source.
Browne Arms. Sable a bend sable cotised three lions rampant argent. Source.
Carey Arms. Argent, a bend sable, three roses of the first. Source.
Clavering Arms. Quarterly, or and gules, a bend sable. Source.
Adam Murimuth's Continuation and Robert of Avesbury’s 'The Wonderful Deeds of King Edward III'
This volume brings together two of the most important contemporary chronicles for the reign of Edward III and the opening phases of the Hundred Years’ War. Written in Latin by English clerical observers, these texts provide a vivid and authoritative window into the political, diplomatic, and military history of fourteenth-century England and its continental ambitions. Adam Murimuth Continuatio's Chronicarum continues an earlier chronicle into the mid-fourteenth century, offering concise but valuable notices on royal policy, foreign relations, and ecclesiastical affairs. Its annalistic structure makes it especially useful for establishing chronology and tracing the development of events year by year. Complementing it, Robert of Avesbury’s De gestis mirabilibus regis Edwardi tertii is a rich documentary chronicle preserving letters, treaties, and official records alongside narrative passages. It is an indispensable source for understanding Edward III’s claim to the French crown, the conduct of war, and the mechanisms of medieval diplomacy. Together, these works offer scholars, students, and enthusiasts a reliable and unembellished account of a transformative period in English and European history. Essential for anyone interested in medieval chronicles, the Hundred Years’ War, or the reign of Edward III.
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Savile Arms. Argent, a bend sable three owls of the same. Source.
Spencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable.